lucy felthouse

Are You a Plotter or a Pantser?

By Lucy Felthouse

Are you a plotter or a pantser? First, I’d better explain what that means for people that may not know. Basically, it’s whether you plot something when you’re writing, or just fly by the seat of your pants/make it up as you go along. I’m interested in the answers various writers have to give on this topic, which is why I thought I’d write about it.

So, personally, I’m both. I used to be a total and utter pantser, but the longer I’ve been writing, and the longer works I’ve been writing, the more I’ve plotted. I plotted my first novella, then made my second one up as I went along. I plotted my first novel, then the one I co-authored with Lily Harlem we made up as we went along. For the most part, it depends on the project. I plotted my first novella and novel because it was a big jump for me to go from short stories to longer stuff, so I needed to make sure I had enough material for the length of the story, and I also wanted to ensure things didn’t get boring in the middle, and that the thing had a beginning, a middle and an end. Now I just use a mixture of both, depending on what feels right.

And here’s what some other writers had to say…

K D Grace

Iā€™m a plotanster. I never start a novel without a working blurb and a chapter by chapter synopsis. It usually takes me several days to come up with a blurb and chapter by chapter that I feel I can work from. That few days usually involve a lot of walking in the countryside and talking out loud to myself and alarmed glances from the people I meet en route. The blurb is only a short paragraph and the chapter by chapter is only a few sentences for each chapter. Iā€™ve worked out roughly how many chapters, averaging 2500 words, I need for an 80K or a 100K novel and write the synopsis accordingly. Itā€™s very loosely planned and very much subject to change.

Thatā€™s the plotter bit of my process. Once the actual writing begins, Iā€™m happy to take detours and side trips all over the place, and I often end up on a very scenic route to the end of the novel. I leave lots of room for the muse to kick me in the arse and point me in a different direction. I think the blurb and the synopsis serve as a writerā€™s security blanket for me. Once I have those two things in hand, no matter how far I stray from the original plan, I KNOW thereā€™s a novel in process, and I KNOW Iā€™ll get to the end of it, even if the routeā€™s not the one I started off on.

Kay Jaybee

I must hold my hands up to being a pantser.

I try to be a planner- I really do- I even go as far as to make nice neat chapter plans for all my novels each time I start one. Then, inevitably, the plot slowly begins to go out of the window as my characters take on lives of their own. I swear they look me square in the face and say, “Come off it Kay, we’d never do that. Let’s do this, it’s much more fun!” And off they go, dictating their own literary destiny, and recklessly flying by the seat of my pants!

I’d get cross with my imaginary protagonists, but so far this ‘not quite managing to hold onto the plot’ policy seems to be working for me.

So, what about you, folks? What works best for you?

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012, 2013 and 2014 and Best Women’s Erotica 2013. Another
string to her bow is editing, and she has edited and co-edited a number of
anthologies. She owns Erotica For All,
and is book editor for Cliterati. Find
out more at http://www.lucyfelthouse.co.uk.
Join her on Facebook
and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Are Writers Obsessed With Word Counts?

by Lucy Felthouse

Are writers obsessed with word counts? I can’t help but ask the question. At any one time, I’m working on several WIPs, and I have word count trackers in the sidebar of my website. They help keep me focussed, and also spur me along. I’ll input the latest numbers, then check out the graph and smile as it creeps along, growing ever closer to my goal. Often, I change the goals, for example if a short story call for submissions has a minimum word count and I end up going over it, which I often do. As long as I don’t go over the maximum, it’s all good.

But it’s easy to become obsessed. Some writers have a goal of writing a certain amount of words every day and get annoyed with themselves if they don’t achieve them. Equally, if they exceed that goal, it’s a cause for celebration. Many writers (including myself), take part in sprints, for example #1k1hr, which stands for one thousand words in one hour. It’s a good way to push on, and if you’re the competitive sort, you want to get lots of words down and try and beat the other writers you’re #1k1hr – ing with. It’s friendly, though, and a good way to get a chunk of words down.

I often find my gaze straying to the bottom of the page where my word count is displayed. I think it’s become a habit now. Because I do so many things as well as writing, I don’t set myself a minimum daily word count. I don’t even write every day. But when I do, I more often than not write down my starting word count and my ending word count so I know what I’ve done for the day. Naturally, some days are much more productive than others, and I find myself massively productive when I have deadlines looming.

Whatever I’m writing, I’m always conscious of the number of words, which often is crazy. If I’m writing for a call for submissions, then of course I have to stay within the parameters. But if I’m just writing a story and seeing what happens, whether it ends up as a short story, a novella, a novel, etc, then I don’t need to keep track of it. However, I still do! I’m not sure if it’s a good thing or a bad thing, to be honest. I do like to see what I’ve achieved (for example I totted up my word count for the year and it exceeded 175,000 words, and that was several weeks ago now!), so maybe that’s it. Maybe I’m governing myself.

I don’t think that’s a bad thing, then. As writers, we don’t always know what’s going to happen to our words, to our stories, when they’re complete. They may get sent off to a publisher and rejected, then sent elsewhere. Or they may be accepted, and we then have to wait quite a while before we see them published, and even longer before we’re actually paid for them. So really, it’s no surprise many of us watch our word counts so scrupulously. After all, because we may have to wait months, even years, to see our work come to fruition, we need an instant boost, an instant sense of achievement, otherwise we might wonder what we’re doing it for.

What do you think? Do you check out your word counts all the time? Or do you just write and don’t worry about all that? I’d love to get your thoughts in the comments!

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012, 2013 and 2014 and Best Women’s Erotica 2013. Another
string to her bow is editing, and she has edited and co-edited a number of
anthologies. She owns Erotica For All,
and is book editor for Cliterati. Find
out more at http://www.lucyfelthouse.co.uk.
Join her on Facebook
and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Series Writing

By Lucy Felthouse

Writing a series is something I put off for a while, because the idea scared me. I’ve been known to lose consistency in a short story, never mind a series of stories! But I knew I couldn’t put it off forever, and now I’m writing two!

My first dabble at series writing started with my series of short stories based around two young men on their gap year before starting University. They were going to have lots of adventures and tumble into bed (or wherever!) with various different women. So I had a challenge on my hands, remember their likes and dislikes, personality quirks, as well as what they did with who and where. And so began my insane list. It’s full of the above, and there’s a list for each of my characters and the names of what women they slept with and where. It sounds pretty clinical, and I suppose it is, but it was the only way I could be sure that Ryan, the main character, didn’t end up having sex with four Janes, two Emilys, three Roses, and so on. I’ve just finished the third book in the series and it’s working for me so far, so fingers crossed it will continue to do so!

As I mentioned in one of my previous posts, I co-authored a novel with Lily Harlem, which was great fun. We very much just wrote and waited to see how it went. There was no planning, we literally just wrote and let the storyline and characters develop themselves. As a result, there are no notes or anything on that book. Which would have been okay… had we not decided it would be fab to write a series. We’d very much like to write about more characters from the same “world” as the first book, and so I’m currently in the process of reading through the first book and making lots of notes about the characters we’re featuring in book two. Again, this is to make sure there are no inconsistencies, and so on. Also, the starting point for book two will actually be in a scene in book one, if that makes sense. Told from the new characters’ perspectives, and so it’s vital that any happenings and dialogue are exactly the same. It’s proving fun, and I’m reacquainting myself with book one at the same time. Which is just as well, as we’re hoping to see it released by the end of summer. Watch this space.

So I kind of muddled along when it came to series writing to begin with, but now I know what works for me I can continue doing it. Lots of lists and copious notes – my characters will not change hair colour in book three, honest! ;0)

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to
her bow is editing, and she has edited and co-edited a number of anthologies.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

Growing More Adventurous (In My Writing)

by Lucy Felthouse

The first ever erotic story I wrote was about a young man and his teacher. But that was because I’d been dared to write an erotic story, and the “darer” gave me names and a plot. So I don’t include that one because  the plot was from my friend’s imagination, not me.

After that, though, I wrote a story fully from my own head, which was about a couple that end up getting down to it on a balcony in the pouring rain. So, pretty vanilla by some standards, but still, outdoor sex! Following that, I penned military erotica, more outdoor erotica, rubenesque, classroom sex (between consenting adults), vampire sex and first-time lesbian sex. Which, thinking about it, isn’t too bad for a beginner. Looking at my past publications, alfresco sex and military sex is a recurring theme… I can’t think why šŸ˜‰

Now, though, I’ve definitely branched out. For a long time, I wouldn’t even attempt to write BDSM. There was no particular reason behind it, other than I didn’t fancy writing it. But I eventually caved in and answered a call for submissions for sex toy erotica, which also ended up including bondage and spanking. That seemed to open the floodgates. I’ve now had between ten and fifteen BDSM stories published, with lots more written, submitted, contracted and waiting for release dates. I’m not quite sure how it happened. It certainly hasn’t been a conscious decision (except when answering calls for submission, of course), but I find it much easier to write BDSM now, to the extent that I’m coming up with some seriously wild and wacky scenes (see one of my future releases!) that even make me wonder where it’s coming from as I’m writing.

I’m definitely glad I’ve branched out. My author tagline is “Erotic and Romantic Fiction… Whatever Your Fancy!” because there’s so much variety in my work. From straight, to lesbian, to gay. Vanilla to medium and hardcore kink, indoors, outdoors, military, at home, abroad, second chances, paranormal… the list goes on. I love that there are so many topics, likes, dislikes and kinks I can write about as I’ve gotten over my fear and always push myself to write something new, something that may involve lots of research, or even something I don’t agree with. There are quite a lot more things on my mental list that I want to cover, but hopefully I’ve got plenty of time yet.

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to
her bow is editing, and she has edited and co-edited a number of anthologies.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

On Co-Authoring

By Lucy Felthouse

I’ve been published for a few years now, mainly in the short story arena, though I have novellas available and others contracted, as well as a novel out on submission. I always keep my eye on what’s out there, what’s coming soon, how people are working, their achievements, and so on. And one thing that’s caught my eye several times has been co-authoring. To me, it looked like a brilliant way to work on a project with someone, have fun and then end up with a piece of work at the end of it. But I admit I didn’t really understand how it worked, so it just bubbled away in the back of my mind, and I didn’t do anything about it.

However, towards the back end of 2012, my good friend and fellow writer Lily Harlem suggested co-authoring something together. I explained I had a few projects on, so I couldn’t start right away, but I would definitely be interested. She was busy too, so we said we’d start in the early part of 2013, when all the New Year festivities were over and done with, and life was back to normal.

The writing bug bit Lily, however, and in December she sent me a chapter that had just come to her, so she’d written it down. I managed to read it quickly, but knew I still wouldn’t be able to do anything with it until January. I was eager to try out co-authoring, but other commitments had to take priority.

Then 2013 arrived. I’d cleared my commitments and was free to start something new – hurrah! I read the chapter again and then bombarded Lily with a million and one questions about the process of co-authoring, how she thought it would work, our intended publisher, and so on. I was very lucky in that a) Lily had co-authored many times before so knew how it worked b) she was very, very patient with me and answered all my questions c) that our writing styles are quite similar, so that although we wrote from separate character viewpoints, our respective sections would still fit together well and d) we know each other well enough to give constructive and honest feedback that will be truly helpful, rather than trying to sugar coat anything for the sake of being nice.

And so we began. The chapter Lily had written back in December was from the female perspective and I was happy to write from the male perspective. I’ve done it many times before and enjoy it very much. We’d already agreed that if things didn’t work out, we wouldn’t worry too much about it, so I opened the document and began to write without thinking too hard. We had no plan, no idea what on earth the book was going to be about, really, just that it would be an erotic romance. Despite this, the words came. Fast.

After writing a chapter of roughly the same length as Lily’s, I skim read it and sent it back to her. And thus the mad email exchange began. Prior to this project I’d only written one full-length novel by myself and found it a learning curve, albeit it a fun and very satisfying project, but often I had to force myself to carry on and not procrastinate. With this book, however, it was totally different. It was full of surprises – because we hadn’t planned it, the chapters we sent back to one another were a total surprise, and we both had to think on our feet to work out where the plot would go next. We’d agreed not to rush one another for chapters as we both had other things on, too, and although we didn’t pressure one another, we still produced the words at lightning speed (for me, anyway!). I grew eager to read Lily’s next chapter, to see where the characters – which I’d quickly grown very fond of – would go next, what they would do. There was very, very little procrastination!

The only thing we’d really planned was that the book would be longer than 50,000 words – to make it novel length. We did discuss how it would end, but never made a set decision, we just decided to keep writing and hope it came to a natural conclusion. We agreed that because Lily had written the first chapter, that I would write the last. That was the only time throughout the project that I felt pressure – and it was from myself, not my co-author. I had to write the last chapter, therefore the ending, therefore it had to be good, and satisfying! I put my fingers to the keys of my laptop and hoped that what came out would be good. When I finished the final chapter I read it again and made tweaks, then decided that no benefit would come of me staring at it – so I sent it to Lily. And waited with baited breath for her reply.

She loved it!! She even said that it made her cry. Naturally, I was incredibly relieved that she liked it – and the fact it made her cry was a huge bonus. Poor Lily was suffering with a bad cold at the time so she wasn’t feeling her best, but I decided to take the compliment anyway. And voilĆ  – our novel, which had been through what felt like a bazillion title changes throughout the writing process, was finished. We smashed our 50k minimum and ended up with 70,000 words, roughly. In five weeks (with me even doing two chapters in one day – one in the morning, then one in the late afternoon as Lily sent hers back in the early afternoon) we penned a novel that we were both absolutely delighted with, and characters we adored.

Next, we made ourselves leave it alone for a while. We both agreed that jumping in with edits and polishing too soon wouldn’t help. We’d made comments on each other’s chapters as we went along, asking for clarification of certain points or even just saying parts had made us “LOL” and that helped immensely. So much so that after our waiting period, we didn’t change very much at all.

Then came the discussion on submission. We’d had a publisher in mind all along – Ellora’s Cave – and we submitted to them. Thankfully, they said yes. Cue much happy dancing from Lily and I! As we waited for news, we had a bit of a debrief and agreed we’d both loved the process and were amazed at how quickly the book had come together – and even discussed making it into a series.

Now we have contracts, a cover and are waiting for edits. As the book is themed around tennis, we’re hoping to see our novel – titled Grand Slam – release in August, in time for the US Open. I don’t want to say too much more and give the game away (no pun intended), but the novel is an erotic romance with a sports theme and some BDSM and seriously hot sex in there, too.

I totally adored the process of co-authoring with Lily. It was genuinely fun and we just seemed to work really well – and quickly – together. We’ve already got some time carved out to write another book in the series – and who knows what will happen after that?

So if you’ve been thinking about co-authoring, I would say go for it. If you know someone that you can work well with, and you will be honest with one another and complement one another, then it’s a great way to write a book. You’ll have to ask lots of questions to make sure you’re both on the right wavelength, but it’s worth it in the end.

Keep an eye on my website and social networks for news of my first co-authored novel and a peek at the cover, and I’ll see you again next month.

Happy Reading!
Lucy x

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to
her bow is editing, and she has edited and co-edited a number of anthologies.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

The Importance of Getting Out and About

By Lucy Felthouse

As someone that works from home, and spends much of my time in front of a computer, I thought I’d write an article on the importance of getting out and about. It’s easy, particularly when you have lots to do, to just keep pounding away at that keyboard, barely looking up until it’s time for lunch or dinner. I know, I’ve done it myself many times, though admittedly I do also spend quite a lot of time looking out of the window, especially when I’m thinking, or if there’s anything going on, which is rare.

But it’s also important to get out and about. Don’t worry, this isn’t a lecture on health or anything, it’s more of a piece about how staring at the same four walls isn’t overly good for the imagination. I take my dog for a walk every day (granted, the walks are shorter when the weather is horrible), and I don’t work weekends. During those times, I do my best to go and see something a little different, have some fun. Because it’s those experiences that fire the imagination, even when you’re not expecting it. Even if you don’t get any inspiration while you’re walking or visiting a place, you may clear your brain of the dull stuff and give yourself time to think about your next story. As putting one foot in front of the other doesn’t take an awful lot of brain power, you can think about your characters, your storyline, your setting. Or, if you’re busy chatting to someone or doing something exciting, you can rest assured that whatever you’re doing may later spark a story idea.

I can attest to all of the above. Staring at the screen, or the four walls doesn’t really help when I’m seriously stuck with someone. However, walking the dog gives me time to think up new ideas, or to work out how I’m going to start a story that’s been floating around in my head for a while. This time is invaluable.

When it comes to visiting interesting places, be it cities, stately homes, ruins or stone circles, I just live for the moment, take lots of photos, and if something comes to me later about that place that I can write about, then that’s just a bonus. I’ve written about tons of places after the fact, including London, Paris, The Peak District, various stately homes, and so on. It’s great fun, but it does give me awful wanderlust!

I know that everyone is different and works in different ways, but if you do find yourself stuck, then I can highly recommend getting out somewhere. Go and walk in the countryside, explore a town or city with no particular aim in mind or visit a tourist attraction. You’ll be surprised at what it can spark in your creativity. Even if it doesn’t, though, at least you had fun. And fun is a valuable commodity in itself.

Happy Writing!
Lucy x

The Allure of Sex at Work

By Lucy Felthouse


When Tiffany Reisz decided to make her joke about an
office-supply erotica anthology into reality, I was very excited. I, like many
writers and creative types, adore stationery. I love to go into Staples and
Ryman (UK stationery chain) and wander around, looking at things, even if I
have no intention of buying anything! Also, back when I was at college, many,
many years ago (*feels very old*) I actually used to work in a one of the shops
belonging to aforementioned UK stationery chain, when it was still called
Partners. It was just a weekend and day-off-college job to earn me some cash
which I was supposed to spend on my education, but inevitably spent on booze,
clothes and, of course, stationery! So, okay, I did kind of spend it on my
education, then šŸ˜‰ I enjoyed the job, and many years later it provided the
inspiration for my story in Felt Tips, A
Stroke of Peach.


And now Iā€™m getting to the bit about the allure of sex at
work! Back then, I sadly did not have sex on the premises of the stationery
shop. Thinking about it, Iā€™ve never done the deed of the premises of any of the
places Iā€™ve worked, and I work from home now, so that opportunity has been
lost. Damn. Anyhow, the allure has always been something Iā€™ve been aware of,
and it is a very popular fantasy amongst males and females alike, so when I
thought about my potential Felt Tips story, I was leaning towards the topic of
sex at work very quickly. But I wanted to do something a little different from
sex in the office, and thatā€™s when I decided to pull on my experience of
working in the stationery store.

Just like any other kind of workplace, having sex there
would be risky, forbidden and guaranteed to get you fired. And therein lies the
allureā€”whether or not someone will actually take that risk, if itā€™s something
that floats their boat, theyā€™ll think about it, fantasise about it. Their boss,
a colleague, someone else altogether… everybody loves a little bit of the
forbidden, donā€™t they?

So if this is something that appeals to you but you donā€™t
want to run the risk, then why not grab your copy of Felt Tips quick-smart and
check out A Stroke of Peach? You can
live vicariously through the characters, and as far as I know, you canā€™t get
sacked for doing that!

Happy Reading! x

*****

Shoshanna Evers, Kelly Jamieson, Karen Stivali, Karen Booth, and forty other authors share their office-supply-inspired fantasies in Felt Tips, an eclectic anthology of erotic literature. This collection is edited by bestselling author Tiffany Reisz, who contributes ā€œTeacherā€™s Pet,ā€ a brand-new Original Sinners short story. All proceeds from the sale of Felt Tips will be donated to an organization that helps struggling schools supply their classrooms.

More info, excerpt and buy links.

*****

Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over seventy
publications to her name, with many more in the pipeline. These include Best
Bondage Erotica 2012 and 2013, and Best Women’s Erotica 2013. Another string to
her bow is editing, and she has edited and co-edited a number of anthologies.
She owns Erotica For All, and is book
editor for Cliterati. Find out more at http://www.lucyfelthouse.co.uk. Join
her on Facebook and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

A Novel Journey

By Lucy Felthouse

A while ago, I posted about breaking out of my comfort zone. What I meant was that I’ve been so used to writing short stories that penning anything longer scared me. I broke out of this by writing a novella, which was published earlier this year. I’ve now broken out of it again by starting to write a novel, something I’ve been talking about for a very long time, but hadn’t gotten around to.

Well now I have. I’m almost halfway through Stately Pleasures (working title) and so far I’m enjoying it very much. I have someone reading it chapter by chapter, and they’re enjoying it too – so hopefully I’m writing a good book! I keep taking breaks here and there to write short stories for calls for submissions, or for ones I’m contracted to do, but I’m still adding onto the word count whenever I can.

Before I started writing, I planned the book out, chapter by chapter, and wrote mini biographies for each of the main characters. The characters have stayed pretty much the same, but chapters have altered. I’m finding that I surprise myself as I write – something one of the characters says or does, or something that happens. But providing it fits in with the story and where it’s going, I just roll with it. I was worried about sticking to the plan, but novelists I’ve spoken to have said that they rarely stick to the plan, it’s just there to keep them on track. So I figure it’s not a problem.

So, I’m on my novel journey, finally! I have no doubt in my mind that I’ll finish it, I’m very stubborn and I like to finish things. But whether it’ll get published is another matter altogether. I’ll keep you posted…

*****

Lucy is a graduate of the University of Derby, where she studied Creative Writing. During her first year, she was dared to write an erotic story – so she did. It went down a storm and she’s never looked back. Lucy has had stories published by Cleis Press, Constable and Robinson, Decadent Publishing, Ellora’s Cave, Evernight Publishing, House of Erotica, Ravenous Romance, Resplendence Publishing, Sweetmeats Press and Xcite Books. She is also the editor of Uniform Behaviour, Seducing the Myth, Smut by the Sea and Smut in the City. Find out more at http://www.lucyfelthouse.co.uk. Join her on Facebook and Twitter, and subscribe to her newsletter at: http://eepurl.com/gMQb9.

Her latest release is Raising the Bar, from Decadent Publishing.

Writing in Several Genres ā€“ Help or Hindrance? By Lucy Felthouse

Today I’d really like to ask a question ā€“ is writing
in several different genres a help or a hindrance to a writer’s career?

Personally, I’ve always written whatever comes to
mind. I don’t  just write in a single
genre, and I’ve often surprised myself by going out of my comfort zone and
writing something that I’d never imagined I would want to write. But here I am,
six years into my writing career and I’ve penned m/f, f/f, mĆ©nage, contemporary,
paranormal, BDSM, fem-dom, rubenesque, modern fairy tales, voyeurism, romance,
bisexual and uniform fetish stuff.

I know many
writers pick a genre, for example, straight paranormal erotic romance, and
stick to it. Others, like me, write all kinds of things.

I can see the
good and bad points of both sides. Sticking to a single genre means that your
fans know what to expect, and that it’s incredibly likely that if they liked
one of your books, they’ll like them all. However, on the down side, you may
not be gaining new fans who wouldn’t necessarily look for books in the genre
you write within.

Writing in multi genres means that you run the risk of losing fans. They may
read something of yours and really enjoy it, then check something else out
thatā€™s in a different genre, and not like it. (This is why, on my website, I
clearly state what genres my books are). On the other hand, though, someone may
have found your writing while looking for a lesbian piece, for example, then
gone on to read your books within other genres.

So, now I’m
putting the question to everyone else. I’d love to hear your experiences ā€“ from
both sides. It’s a little too late for me to change anything nowā€”plus I love
writing in several different genresā€”but I’m just curious to hear the opinions
of others. I look forward to reading your comments!

*****

Lucy is a graduate of the University of Derby, where she studied Creative Writing. During her first year, she was dared to write an erotic story – so she did. It went down a storm and she’s never looked back. Lucy has had stories published by Cleis Press, Constable and Robinson, Decadent Publishing, Evernight Publishing, House of Erotica, Noble Romance, Ravenous Romance, Resplendence Publishing, Sweetmeats Press and Xcite Books. She is also the editor of Uniform Behaviour, Seducing the Myth, Smut by the Sea and Smut in the City. Find out more at http://www.lucyfelthouse.co.uk. Join her on Facebook and Twitter, and subscribe to her newsletter at: http://eepurl.com/gMQb9 

Breaking Out of My Comfort Zone

By Lucy Felthouse


I started out writing erotica on a dare. I had no idea about
the market, what was being published, or what wasn’t… but once I’d written a
short erotic story which got a very good reception, all that changed. I found
that I’d really enjoyed writing the story, so I wanted to continue. What’s
more, I wanted to get my work published. I started researching books and
magazines, and continued to write naughty short stories.

I was very lucky in that I got one of my first few short
stories published in the now defunct Scarlet
magazine. The buzz of publication was immense. It spurred me on to pen more
smut, and soon afterwards I was fortunate enough to have a story accepted for
publication by Xcite Books, in one of their anthologies. From there, I wrote
and wrote. Through University and through a full time job (I’m now
self-employed), I never stopped. But although my plots became more adventurous,
the sex became quirkier, kinkier, and (hopefully) the quality of my work
improved, one thing stayed the same. The length of my work. Granted, my average
word count per story increased from two to four thousand words, and I even started
creeping up towards twelve thousand words on occasion, but I was still firmly
writing in the short story category.

Why? Because it became my comfort zone. I entertained vague
ideas of novels, and stashed them away in the darkest corners of my brain to be
brought out “one day,” but stuck with short stories. That is, until I
was enticed out of my comfort zone, like a donkey with a carrot. I was asked if
I would like to write a novella for a brand new range of books being put
together by Xcite Books. I umm-ed and ahh-ed for a little while, then sent back
a “yes please,” before I changed my mind. I knew that once I agreed to
it, I wouldn’t back out.

Then I panicked. What would I write about? Did I have a plot
detailed enough to sustain a novella length piece of work? Would it erotic
enough? Romantic enough? Interesting enough? My panicking was irrelevant, of
course, because I’d signed a contract and promised to deliver a manuscript by a
certain date, so I could waste time worrying, or just start writing. So I did.
And it was a huge learning curve for me. I actually drafted out a plan before I
started, which I’d never done before.

Eventually, I finished it. My first novella. I read it,
re-read it, tweaked it. Then I hit send and promptly panicked again in case the
editor hated it. Thankfully, she didn’t. Other than a couple of minor changes,
it was good to go. Woohoo! Then it was a waiting game until the release date…
which was this month.

Yes, April brought the release of my first ever novella, as
part of Xcite Books’ The Secret Library range
of books. My novella is called Off the
Shelf,
and appears in the book entitled Silk
Stockings.
Here’s the blurb:

At 35, travel writer
Annalise is fed up with insensitive comments about being left on the shelf.
Itā€™s not as if she doesnā€™t want a man, but her busy career doesnā€™t leave her
much time for relationships. Sexy liaisons with passing acquaintances give
Annalise physical satisfaction, but she needs more than that. She wants a man
who will satisfy her mind as well as her body. But where will she find someone
like that? It seems Annalise may be in luck when a new member of staff starts
working in the bookshop at the airport she regularly travels through. Damien
appears to tick all the boxes; heā€™s gorgeous, funny and intelligent, and he
shares Annaliseā€™s love of books and travel.


The trouble is, Damienā€™s shy and
Annalise is terrified of rejection. Can they overcome their fears and admit
their feelings, or are they doomed to remain on the shelf?

You can check out an
excerpt and the buy links here: http://lucyfelthouse.co.uk/published-works/the-secret-library-silk-stockings/

So, I eventually broke out of my short story comfort zone.
Granted, my longest piece of writing since the novella has been twelve thousand
words, but I broke out once, so I can do it again, right? šŸ˜‰

Hot Chilli Erotica

Hot Chilli Erotica

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