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The Courage to Write Good Sex

by Donna George Storey

My column is a little late this month because I just got back from a trip to New York City where I had a chance to do some foot-to-the-pavement research for my historical novel. I ended my day of exploration at the Tenement Museum on the Lower East Side at 97 Orchard Street. It’s a fascinating place. Built in 1863, this building of cramped three-room apartments, averaging six inhabitants each, was home to thousands of immigrants until it was shuttered in the 1930s due to the expense of conforming to new safety standards. The storefront, however, could still be rented out, so the building remained standing as a time capsule until discovered by Ruth Abram and Anita Jacobson in the late 1980s. These historians had been searching for a way to honor the experience of America’s immigrants, who of course, had suffered short shrift from traditional historians with their focus on society’s elite.

The museum tours take you first through an unrestored apartment, with crumbling ceilings and peeling wallpaper, to give you a sense of what the museum founders confronted. Next you enter a restored apartment (there are several representing different eras) and learn about the lives of the family who lived there. I was scribbling notes the whole time and soaking in the ambiance like a cold drink on a hot day. I can certainly understand why later generations craved material goods and houses of their own in the suburbs.

Of course the last stop at any historical museum is the bookstore, and the Tenement Museum had a rich offering of historical references. I also noticed several tables of historical novels, all quality paperbacks from big New York houses, all sporting blurbs from known writers proclaiming the wonderfulness of the story within. And I’ll admit my mood sank.

Or maybe I should call it a touch of panic. I’d been enjoying the research and writing process so much, I’d been able to put that nasty publication torture aspect of this out of my mind for the most part. But here they were, taunting me, the authors who had not only finished their historical novels and got them prestigiously published, they’d been chosen by this museum as representative of the immigrant experience. And I knew because of the focus on sex in my novel, it would never have a chance at this kind of placement. I’d been through that with Amorous Woman, the sneers and coldness toward an admittedly pulpy-looking novel with “for adults only” printed on the cover in accordance with British law. If it was wonderful inside, none of these arbiters of literary worth ever cared to find out.

Yes, I was depressed, but I forced myself to undertake my go-to form of therapy. I picked up several of the novels and read some random passages, paying particular attention to anything that looked like an erotic scene. To make a longish story short, I discovered what I usually do when studying sex scenes in “pure” literature. Fear. Fear of going all the way, by which I mean really getting inside the intensity, the pleasure of a sexual encounter. Fear of turning on the reader, fear of being banned from the table in this museum of the immigrant experience as too low-class. (Not that I blame the museum in any way, we all know how it is).

And I suddenly felt much better about my project. Because I—and all of us here at ERWA—are not afraid to go all the way, to explore and revel in the joyful truth of sensuality, as well as its darker sides. Not everyone has the courage to do this in our eroto-phobic culture. But we do. It’s a gift and although we may not get the fancy blurbs or the table space in respectable venues, exploring and celebrating this oppressed, silenced part of the human experience is a worthy endeavor.

This “mission” of mine definitely helps me through hard times in a bookstore. I hope it works the same magic for you.

As ever, keep writing!

Donna George Storey is the author
of Amorous Woman and a collection of short
stories, Mammoth
Presents the Best of Donna George Storey
. Learn more about her
work at www.DonnaGeorgeStorey.com
or http://www.facebook.com/DGSauthor

Writing Great Sex

What makes a really great sex scene?

Many authors will tell you it’s description—all the senses, touch, taste, feel, smell, sight, hearing. But it isn’t. The secret to great sex writing—are you ready? Wait for it… the secret to great sex writing is…

Emotion.

That’s it. Make your reader feel. That’s all you need to do.

How, you ask? Here are a few guidelines. 

THEY’RE ALIVE!

Your characters are alive and they are not the sum of their parts. They aren’t measurements or hair color or penis size. I’ve done sex scenes without mentioning any of the above. Don’t ask, “What would my character do in this situation?” Let them act. Let them decide. Let them speak. Let them feel. Especially let them feel.

GET TURNED ON

If you’re bored writing a sex scene, your readers will be bored. If you’re turned on, your reader will be turned on. The emotion you are feeling will be conveyed on paper. It’s a natural law of the writer universe. (This applies to any scene, not just sex ones, by the way. If it moves you to tears, it will move the reader as well).

DON’T STOP

If you’re turned on during a sex scene, really getting into it, your fingers flying over the keyboard, unless the house is on fire or we’re under nuclear attack, DON’T STOP. Never, ever stop in the middle of a sex scene. (This rule also applies well to actual sex). You will lose your momentum, and it won’t be the same when you come back to it. Your mood will have shifted, and the reader will feel it.

LUST

Human beings want. Our entire culture and economy is based on desire. We lust after the things we want. We dream about them. We fantasize about them. We want. And we want. And we want some more. Our bodies and our brains are hardwired for desire. We don’t just eat once and then we’re done. We don’t just have one orgasm and then it’s all over. We continue to crave what we want. Our emotions rule us, especially when it comes to sex. They’re naturally going to rule your sex scene, too. We don’t insert tab A into slot B because we’re following a blueprint manual. There’s a reason behind our physical responses, and that reason is always, always tied to emotion. Remember that. Use it.

Desire is what makes the sex hot. Make your readers wait for it. Foreplay begins with seduction, not with sex acts. It begins with eye contact. Flirting. Innuendo. It progresses, but slowly. Tease your readers. Tease yourself. Draw it out. Make it a long, slow burn. The best orgasms are the ones we wait a long time for. It’s no different when writing sex than it is doing it, really.

DON’T BE AFRAID

Don’t be afraid of the sex. Don’t be afraid of the fluids, the flesh, the human expression of our bodies. It is what it is. Some writers will tell you not to ever speak of bodily fluids. They’re above all that messy stuff. Thankfully, erotica and erotic romance have come a long way, baby. We can use the words cock and pussy now, and I would encourage you to do so. I wouldn’t suggest using the medical terms, however (i.e. penis and vagina) or euphemisms like “member” or “sheath.” Cock and Pussy are good. Think of them like peas and carrots. They go together. A few (and I mean a FEW) other words can work for a little variety. Prick or dick for example. Or cunt. No, don’t be afraid of the words we use during sex. It’s okay to talk dirty. “Please,” or “Now,” or “Suck me,” or “Lick me,” or “Harder. There. More.” These are words we’ve all spoken (I hope!) They naturally arouse. That’s a good thing. I’m not afraid of cum – I’m not even afraid of spelling it “wrong.” You shouldn’t be either.

THE GRAND FINALE

Once you reach the point of no return, you’ve built up to the sex, you’ve teased your readers (and your poor characters) enough, now it’s time to give them what they want. This is not the time to skimp. You can’t gloss over the orgasm. (Or orgasmS). We all (hopefully!) know what an orgasm feels like. Description doesn’t have to be technical here. There are spasms and contractions, there is throbbing and trembling, gasps, moans—the combinations are endless. You can and should include those, but don’t be afraid to move into the realm of metaphor. Sex can be like flying. It can be like falling. It can be like dying. This is the culmination of everything, the point you’ve been waiting for, working toward. Let your imagination go as wild as you would during an actual orgasm. Let yourself free.

DEFYING THE LAWS OF PHYSICS AND OTHER MISHAPS

On a practical note – your characters shouldn’t defy the laws of physics. Women cannot take twelve inches of hot man meat down their throats. An average vagina is only eight inches deep. 44DD breasts cannot defy gravity. And if you’re using any of the above descriptions in your sex scenes, you need a basic writing course, not a primer on sex scenes. Also, don’t let your character’s clothes go missing. She can’t be wearing pantyhose one second and be taking it from behind the next. The clothes have to come off and be accounted for somehow. Trust me, your readers will notice if they aren’t.




Selena Kitt
Erotic Fiction You Won’t Forget
www.selenakitt.com
LATEST RELEASE: Step Beast and Highland Wolf Pact Boxed Set

Confessions Of A Literary Streetwalker: Confessions By M.Christian

http://www.amazon.com/dp/B006YGDE6G/ref=cm_sw_su_dp 

My name is Chris – though my pseudonym is usually M.Christian – and I have a confession to make.

I’ve written – and write – a…what’s the technical term? Oh, yeah: shitload of erotica. Some 400 published stories, 12 or so collections, 7 novels. I’ve also edited around 25 anthologies. I even have the honor of being an Associate Publisher for Renaissance eBooks, whose Sizzler Editions erotica imprint has some 1,300 titles out there.

I’ve written sexually explicit gay stories, lesbian stories, trans stories, bisexual stories, BDSM stories, tales exploring just about every kind of fetish, you name it and I can all but guarantee that I’ve written about it. I like to joke that a friend of mine challenged me to write a story to a ridiculously particular specification: a queer vampire sport tale. My answer? “Casey, The Bat.” Which I actually did write…though I dropped the vampire part of it.

Don’t worry; I’m getting to the point. I can write just about anything for anyone – but here comes the confession:

I’ve never, ever written about what actually turns me – what turns Chris – on.

This kind of makes me a rather rare beast in the world of professional smut writing. In fact it’s pretty common for other erotica writers to – to be polite about it – look down their noses at the fact that I write about anything other than my own actual or desired sexual peccadilloes. Some have even been outright rude about it: claiming that I’m somehow insulting to their interests and/or orientations and shouldn’t write anything except what I am and what I like.

To be honest, in moments of self-doubt I have thought the very same thing. Am I profiting off the sexuality of other people? Am I a parasite, too cowardly to put my own kinks and passions out into the world? Am I short-changing myself as a writer by refusing to put myself out there?

For the record, I’m a hetero guy who – mostly – likes sexually dominant women. I also find my head turned pretty quickly when a large, curvy woman walks by. That said, I’ve had wonderful times with women of every size, shape, ethnicity, and interest.

So why do I find it so hard to say all that in my writing? The question has been bugging me for a while, so I put on my thinking cap. Part of the answer, I’ve come to understand, relates directly to chronic depression: it’s much less of an emotional gamble to hide behind a curtain of story than to risk getting my own intimate desires and passions stomped flat by a critical review or other negative reaction from readers. I can handle critical reviews of a story – that’s par for the course in professional writing – but it’s a good question as to whether I could handle critical reviews of my life.
But then I had an eye-opening revelation. As I said, I’ve written – and write – stories about all kinds of interests, inclinations, passions, orientations, genders, ethnicities, ages, cultures…okay, I won’t belabor it. But the point is that I’ve also been extremely blessed to have sold everything I’ve ever written. Not only that, but I’ve had beautiful compliments from people saying my work has touched them and that they never, ever, would have realized that the desires of the story’s narrator and those of the writer weren’t one and the same.

Which, in a nice little turn-around, leads me to say that my name is Chris – though my pseudonym is usually M.Christian – and I have yet another confession to make.

Yes, I don’t get sexually excited when I write. Yes, I have never written about what turns me on. Yes, I always write under a name that’s not my legal one.

But that doesn’t mean I don’t feel when I write. Far from it: absolutely, I have no idea what actual gay sex is like for the participants; positively, I have not an inkling of what many fetishes feel like inside the minds of those who have them; definitely, I have no clue what it’s like to have sex as a woman…
I do, however, know what sex is like. The mechanics, yeah, but more importantly I work very hard to understand the emotions of sex and sexuality through the raw examination of my own life: the heart-racing nerves, the whispering self-doubts, the pulse-pounding tremors of hope, the bittersweetness of it, the bliss, the sorrows and the warmth of it, the dreams and memories…

I’m working on a story right now, part of a new collection. It’s erotic – duh – but it’s also about hope, redemption, change, and acceptance. I have no experience with the kind of physical sex that takes place in this story but every time I close its file after a few hours of work, tears are burning my cheeks. In part, this emotional investment is about trying to recapture the transcendent joy I’ve felt reading the work of writers I admire.

When I read manuscripts as an anthology editor, or as an Associate Publisher, a common mistake I see in them is a dedication to technical accuracy favored over emotion. These stories are correct down to the smallest detail – either because they were written from life or from an exactingly fact-checked sexual imagination – but at the end, I as the reader feel…nothing.

I’m not perfect – far from it – but while I may lack direct experience in a lot of what I write, I do work very, very hard to put real human depth into whatever I do. I may not take the superficial risk of putting the mechanics of my sexuality into stories and books but I take a greater chance by using the full range of my emotional life in everything I create.

I freely admit that I don’t write about my own sexual interests and experiences. That may – in some people’s minds – disqualify me from being what they consider an “honest” erotica writer, but after much work and introspection I contest that while I may keep my sex life to myself, I work very hard to bring as much of my own, deeply personal, self to bear upon each story as I can.

They say that confession is good for the soul. But I humbly wish to add to that while confession is fine and dandy, trying to touch people – beyond their sex organs – is ever better…for your own soul as well as the souls of anyone reading your work.

Call for Submissions

The Erotic Woman
www.theeroticwoman.com

We seek the highest quality short erotic fiction possible, and will pay $20 for the rights to an unpublished story, and $5 for previously published stories. We are purchasing online publishing rights without a designated term. The short stories are for online publication on TheEroticWoman.com website.

Short story erotic fiction in an approximated word count range of 1500 – 3500. Story genres sought include straight, kinky, group and lesbian with variations in between. No incest, underage, beastiality or forced sex stories wanted. Stories should be unique in storyline with an emphasis on relatable plot, character and situational development, quality of writing and, of course, hot well-crafted sex.

Email submissions as .doc attachments to: [email protected]

Writing Exercise – Strambatto

 By Ashley Lister

You know I like to see you wearing stockings 

And it’s true I’d love to see you in a thong 

The sexy lingerie look’s one you’re rocking 

It makes my need for you grow: both long and strong 

Whilst some of my kinky thoughts are quite shocking 

When I share them here in this poetic song 

If you are supportive and never mocking 

I’m sure that you and I shall get along 

Similar in construction to the Ottava Rima, the Strambatto is also eight hendecasyllabic (11 syllables) lines. However, the rhyme scheme for the Strambatto presented here, the Sicilian form, is a simple alternating structure: a, b, a, b, a, b, a, b.

I think 11 syllable lines can be quite a challenge so, this month, I particularly look forward to seeing your poems in the comments box below.

 Ash

A Picture Really IS Worth a Thousand Words

K D Grace

A picture is worth a thousand words and, for a writer, sometimes a picture is worth a whole story – even a whole novel. Now some of you might already suspect that could be my shameless way of sharing some of my pictures from my recent trip to the Scottish Highlands and, while I’m not saying that you’re wrong, I promise if you bear with me, there’s a reason for the photos. Oh, not this first one though. It’s here just because I like it. 

As internet connections, wifi and smart phones have gotten better, I’ve gone from totally forgetting to take photos – even on the most amazing holidays and events – to being a shutter-snapping fiend. I take hundreds and hundreds of photos when I go away on a holiday, and if there’s something that interests me, even at home, I take a gazillion shots of it. Of course the instant gratification of sharing a trip or an event with everyone one through Face Book or Twitter and enjoying their responses is added incentive. I admit having shamelessly sent piccies of everything from my fish and chips in Lyme Regis to the scars on my knees after surgery, from the courgettes I grew in my garden to the blisters on my hands from kettle bells. Dearie me! I have become the monster I most feared.

The thing about an image is that it evokes senses other than just sight. It also stimulates memory and emotion and, for a writer, it stimulates imagination. I think that, more than anything else, that fact is responsible for my increase in photo snapping. The image doesn’t have to be beautiful any longer as it did in my earlier shutter-snapping days. The image needs to be evocative. That’s the key for me. I played around on Pinterest quite a bit at one point. Some of you may recall I wrote a post about my Pinterest experience, but evocative images happen wherever I am and whatever I’m doing, and an iPhone guarantees that if I want to capture that image for later use, I can do it without a second thought.

Here are some examples of what I mean. These shots were taken in the men and women’s loos in a pub in Inverness Scotland. Hubby took the men’s room shots for me after I told him what I saw in the ladies. 

The hair straightener in the ladies room at a pound a pop got me thinking about Rapunzel sneaking out from her tower prison for a little fun with her girlfriends. 

After wild dancing at the ceilidh, she notices her do is gone all frizzy. 

But since she’s Rapunzel, she has so much hair that she runs out of pound coins and has to offer sexual favors to the woman who spends money on a variety of sex toys from the vending machine, which she uses on Rapulzel.

Meanwhile Prince Charming, who finds her missing from the tower pursues her to the pub. Feeling frustrated, he treats himself to a Travel Pussy and some whisky flavoured condoms just in case he finds her. Well you get where I’m going with this.

Here is a shot of a deserted phone booth on the Isle of Sky near our cottage. With no wifi and no phone signal it’s easy to imagine a hiker getting lost and ending up on a small farmstead. In desperation, she tries the phone booth, but when the phone doesn’t work, she elicits the help of the farmer who lives there — a bit of a twist on the ole farmer’s daughter stories and jokes. Of course the farmer could be a woman…

Or perhaps you’d like a biker story with a twist? I’ve got inspirational images for that too. How about instead of a biker bar, we set our little tale in a biker bakery. In our little bakery the chef makes the most delectable bake goods of all time. She is enticed into providing all the bread, biscuits and buns for the local biker gang. What kind of deal would the head of the biker gang make with the curvy head baker/pastry chef to get a bargain on her delectable buns? 

Oh, and the very wet hoodie sitting on top of the coffee shop part of the bakery looking rather forlorn, well, I figure a woman who makes baked goods for a biker gang might just have a crow for a pet.

I love the great outdoors, so for me every great-outdoorsy shot is an inspiration for a little garden porn or fun Al fresco, I’ve written whole series inspired by outdoor images of mountains lost in the midst and caves visited by demons and witches. But the truth is that sometimes a beautiful image is just a beautiful image, and being just back from the Highlands, as I am, and being a captive audience, as you are, I’ll leave you with this lovely image from the Isle of Skye.

The Cat As Muse

Elizabeth Black
writes in a wide variety of genres including erotica, erotic romance, and dark
fiction. She lives on the Massachusetts coast with her husband, son, and three
cats. Visit her web site, her Facebook
page, and her Amazon Author Page.

My last few ERWA
posts have been quite serious, so I wanted to keep things light this month.
Writers often talk about their muses, including writers whose works have
inspired them. I’ve long been inspired by Shirley Jackson, Stephen King, Joe
Lansdale, Edgar Allan Poe, Dorothy Parker, and Oscar Wilde. Writers also talk
about the support they get from their family and friends. Some have a mentor or
two. I’m fortunate enough to have a great deal of support from my husband and
my writer friends, especially on Facebook. I know that plenty of writers are
shunned by their parents, siblings, and spouses who especially don’t take
erotic fiction seriously. They want to support the writers in their midst, but
they wish they wrote “real” books. I can’t count the number of times
I’ve been looked down upon because I erotic fiction and romance. The genres get
a lot of grief they don’t deserve, especially when it comes to romance. Romance
is the most successful genre out there. It deserves more respect.

I consider pets to
be an unusual muse. Our pets are part of our families, and they give us
unconditional love. We feed them and give then a safe place to live and they
repay us by doting on us, curling into our laps, and displaying cute behavior
that turns us into puddles of delighted goo. Cats and writers seem to go
together like, well, cats and writers. Probably the most famous literary cat
lover is Ernest Hemingway, whose polydactyl cats are the stuff of legend. Edgar
Allan Poe had trained the family cat to sleep on his wife Virginia’s chest to
keep her warm since she suffered from tuberculosis. Mark Twain said “Some
people scorn a cat and think it not an essential; but the Clemens tribe are not
of these.”

Joyce Carol Oates
described the soothing calm she feels from her cat. “I
write so much because my cat sits on my lap. She purrs so I don’t want to get
up. She’s so much more calming than my husband.” Science fiction writer
Philip K. Dick wrote the following of his cat, Willis:  “Willis, my tomcat, strides silently
over the pages of that book, being important as he is, with his long golden
twitching tail. Make them understand, he says to me, that animals are really
that important right now. He says this, and then eats up all the food we had
been warming for our baby. Some cats are far too pushy. The next thing he’ll
want to do is write SF novels. I hope he does. None of them will sell.”

Neil
Gaiman, Ray Bradbury, and William S. Burroughs were owned by cats.  T. S. Elliot loved cats so much he wrote
poems about them that were turned into an award-winning, long-running
musical. 

I have
long been a cat lover, and their antics have inspired me so much I’ve included
some of my own in my fiction. Below is a picture of (from top to bottom)
Beowulf, Domino, and Scully. Domino is the matriarch. She was the first kitten
born to Oreo, whom I will talk about below. Yes, I have a cat named Scully. I
used to have a cat named Mulder but she died several years ago from kidney
failure. I like to tell people she was abducted by aliens.

My cats have
appeared in many of my stories. It’s my way of keeping them with me at all
times and making them immortal. Beowulf appeared in my short story The Party Crasher, which was published
by Scarlet Magazine in the U. K. It was one of my first published stories. One
of Beowulf’s nicknames was Mr. Fuzzyboy. Sadly, he died suddenly in January,
2015. I still miss him. This is Beowulf, showing off.

Here is the scene in
The Party Crasher when Beowulf made
his appearance. It’s Olivia’s birthday, and a man she’d been seeing (Fred) who
does not awaken her passions invited a medium to her surprise birthday party.
Madame Persephone quickly homes in on Jeremy, a friend of Olivia’s Olivia lusts
after. The resulting séance becomes quite comical.

The Party Crasher – Excerpt

Madame Persephone laced her thick
fingers together and looked around the room. She pointed to three guests,
including Fred, and asked them to take a seat at the table. She then asked
Olivia to take the seat next to her. That left one seat open.

She sniffed the air again. She
held out her hands, and her fingers danced on the air. She turned slowly, and
faced the kitchen.

“You, young man,” She
pointed to Jeremy. “I need you here. I have a strong feeling about you,
that you are especially sensitive.”

So Jeremy is “especially
sensitive” and Olivia is as thick as a rock. That made her feel just
wonderful. She doubted anything would happen during this silly séance, but she
couldn’t tell Fred to make the woman leave. Besides, the silliness could be
fun. At least the argument over Sir Paul’s divorce had finally subsided. Olivia
was afraid she was going to have to break it up, it got so heated.

“Sir –” Madame
Persephone pointed to Jeremy. “Please sit next to Olivia.” Fred
looked put out that he was not seated next to Olivia. He was between two of her
coworkers who were unable to stifle their giggling.

Madame Persephone lit the white
candles. She picked up the white sage incense, lit it, blew it out, and waved
the smoke around the table. She muttered some kind of prayer under her breath.

“We are ready,” she
said. “Someone please turn out the lights.”

One of the guests obliged. Olivia
let her eyes adjust to the dim light. Candlelight flickered on the table,
walls, and ceiling. Someone snickered in the quiet.

“All of us must be silent. I
will try to contact the spirits I sense lurking in this house. Everyone around
the table, please hold hands. Don’t break contact during the séance. That’s
very dangerous. You may trap a spirit here who doesn’t want to be here. I can’t
stress that enough.” Madame Persephone said. “Is everyone
ready?”

Olivia saw heads nod around the
table. A ripple flowed up her spine. She was a little excited about this
silliness after all. While she didn’t believe for a second that Madame
Persephone would contact any spirits, deep down she had hoped she would.

“I call to you, oh restless
spirits that may occupy this house. Speak to us,” Madame Persephone said.
She trembled, and lowered her head to her chest. She moaned. It was quite a
good show. The woman knew her stuff.

“Meeeeeeeeoooowwwww!!!!!”
Madame Persephone’s eyes bugged open. “Oh, now, Mr. Fuzzyboy, you behave
yourself.” She looked at Olivia. “My apologies. That was my spirit
guide, Mr. Fuzzyboy, making an ass of himself. He likes to show up at my
séances just to get noisy. He demands a lot of attention, and wants to talk
through me. He probably wants a treat.” Olivia realized that Mr. Fuzzyboy
sounded a lot like Fred, who was just as demanding and wanted treats for his
performances as well.

Madame Persephone closed her
eyes, and continued speaking. “Mr. Fuzzyboy, now is not the time. We can
play later.” She giggled. “Yes, I’ll get your catnip toy when I get
home.”

She rocked back and forth in her
chair, and hummed in a low voice. Glenda, one of Olivia’s coworkers, giggled.
Olivia heard someone kick Glenda under the table.

Madame Persephone bolted upright
in her chair, and stared at Olivia.

“My dear, there is someone
here who wants to speak to you.”

Olivia stared back. “Me?
Who?”

“It’s a man – definitely a
man, but he won’t tell me his name. He’s asking… what, sir?” She jerked in
her seat as if offended. “I most certainly will not ask her that, sir, not in mixed company.”

What on earth could this be about, Olivia wondered.

“How rude! Seriously, sir,
do you take me for a fool?”

“What does he want to ask
me?” Olivia asked.

“I can’t repeat what he
said. It’s… crude.”

“This sounds like fun,”
Jeremy said. Olivia pinched his hand.

“Say it anyway. I’m
curious.” Olivia insisted.

Madame Persephone squirmed in her
seat. “He wants to know if he can stick his finger in your bellybutton and
tickle you.”

Everyone laughed.

Olivia could do nothing but sit
there with her mouth hanging open. A flush rose from her chest and warmed her
face. She thanked God that in the candlelight, no one could see her blushing.

“You are ticklish in your
belly button, Olivia.”

“Shut up, Fred.” Olivia
said. To Madame Persephone, she said: “Please tell him I said ‘no.'”

“That’s what I thought you’d
say.” Madame Persephone was silent for a few seconds. “Sir, if she
won’t let you stick your finger in her belly button, I seriously doubt she
would let you do that.”

I don’t want to know, thought Olivia. Her heart jumped in her chest. She glanced
at Jeremy, who fought off laughter by biting his lower lip. Olivia felt
mortified.

Who the heck is that woman talking to?

Below is a picture of Lucky, our tuxedo cat. He’s about 12 years
old now and still acts like a kitten. He’s the most personable cat I’ve ever
met. He made a brief appearance in my short story The Wandering Cat.

Below is an excerpt
from my short erotic story The Wandering
Cat
, which was originally published by eXcessica. It’s out of print now.
Oreo the cat is based on my late cat also named Oreo, who had a penchant for
clawing her way out of the house. She loved to wander around Rockport,
Massachusetts, where I live. She looked like Sylvester from the Loony Tunes cartoons.
The picture is of Oreo with her tongue sticking out, as it often did. I swear
that cat’s tongue was too big for her head. As you can see, Beowulf made an
appearance in this story, too. He got around. So did Lucky, who is also in the
story.

The Wandering Cat – Excerpt

“Oreo! It’s chow time!”

Cat refilled the cat food bowl and the water
bowl. Beowulf and Lucky ran to see their new chow, but Oreo was nowhere to be
seen. That was unlike her.

Worried, Cat turned the house upside down.
She looked behind the bed, in the closets, and under the couch. No cat. There
was only one other place where Oreo could be, and that was sitting on her
window bench.

The large Gothic window was open. No cat sat
on the plush window bench. Cat took a closer look at the window, and saw that
the screen had been clawed. There was a hole in the screen big enough for a cat
to climb through.

Great. Oreo got out again.

Cat put on her sandals and walked outside.
She saw cat paw prints in the damp earth, and followed them through her back
yard. They ended at the fence marking Lance Hendry’s back yard.

Her heart raced. Would Oreo give her an
excuse to say something to Lance other than “Hello, how’s the
weather?” She fantasized about his scrumptious body every night. What
would his arms feel like as they wrapped around her? She wished she could
summon up the courage to say more to him than a few quick words.

Oreo gave her that chance.

She walked into his back yard. Peter
Gabriel’s music played from somewhere inside, making Cat’s heart beat all the
faster. Not only was Lance home, he was another Peter Gabriel fan.

She knocked on the back door. Her fingers
sounded muffled against the hard wood. How could he hear her over the music?
After a minute of knocking on the door, she backed up.

A Gothic window was open on the second floor.
She hoped he was up there. She felt like the rebuttal to Rapunzel. The damsel
stood below the enchanted window, and wished her man would appear in it.

“Lance? Are you there?”

No answer.

“Lance!”

A head with rumpled hair and a broad set of
shoulders leaned out of the window. He wasn’t wearing a shirt. Cat took a good
look at his muscular chest and the black hair that covered it. She didn’t know
when she would get a gorgeous sight like that again.

“Hi. What’s up?”

“Have you seen my cat? Oreo? The little
black and white one?”

“The one that always gets out? No,
haven’t seen her.”

“Oh. Thanks.” She was too shy to
ask him any more questions. Muscle up
some courage, girl! Ask him how he’s doing. Something. Anything! Talk to him!

“Would you like some help looking for
her?”

“I’d love it!” Cat was so excited
over getting to spend some time with Lance that her knees knocked. What would
she say to him? For once in her life, she was speechless. Would she be able to
make enough small talk to keep him interested in her?

“Stay put. I’ll be down in a
minute.”

He came outside wearing a button-down
short-sleeved shirt, shorts, and sandals. His shock of black hair looked as if
he hadn’t combed it in several days. That was the new fashion for young men
these days. Cat was ten years Lance’s senior, but she didn’t care. Maybe today
she’s win on two counts – they’d find her cat, and she’d gain a lover.

“What’s your name again?”

“It’s Cat. Short for Catherine.”

“Cat is looking for her cat?”

She laughed. “Yes, she sure is.”

“How long has Oreo been missing?”

“I don’t know. She didn’t come when I
refilled the food bowl, and she clawed through the screen window again. I’m
scared. I hope she’s okay.”

“I’m sure she is. She gets out often
enough. Have you looked around outside yet?”

“I’m just starting now. Want to come
with me?” Please say yes! Please say
yes!

“I’d love to. I’ve wanted to get to know
you better anyway.”

Cat’s stomach did The Happy Dance. She felt
light-headed and giddy. Lance wants to
get to know me better! All thanks to Oreo.

Below is an excerpt
from my upcoming family saga/thriller novel Secrets
and Lies
, which will be published by Eldritch Press in 2016. Kate Stanwood
is my main character. Her cat Koala is based on a Snowshoe cat that owned me,
also named Koala. Snowshoes are a mix between Siamese and domestic shorthairs.
They have white paws called “boots”,  hence the name. Koala was so smart he was
scary. My husband Bill (at the time we were dating) used to live next door to
me. Sometimes Koala would sometimes get himself locked out of the house at night.
So, he’d go over to Bill’s house. Bill often stayed up late. Koala would meow
loudly until Bill came outside, and the cat would then run to my front door and
meow to be let in.  Bill would let him
in, and all would be well in the world. Koala used to do the exact same thing
to me that he is doing to Kate at stupid o’clock in the morning. The picture is
of Koala on the left and Oreo on the right. They were inseparable.

Secrets and Lies – Excerpt

Meow!!!

Kate snapped awake. She always snapped awake
at the slightest sound. She was lying on her back. Koala stared at her from his
perch on the headboard, which was designed like a bookcase.  She glared at him. He stared back and mewed.

I am
not getting up just to top off your food bowl,
she thought. Koala meowed at her again. He
looked at her with that “Get up and feed me now
expression on his cherubic little Snowshoe face. He stood and stretched. He
looked at all the books stacked in a pile next to him.  The stack teetered precariously over Kate’s
head. She knew what was coming.

She slowly reached for the water bottle
behind her on the bookcase. Koala froze, one paw touching the spine of a thick
hardback that was already threatening to tip over onto her face. She held the
bottle between forefinger and thumb in full view of the cat. He knew what was
coming, too. As if that would stop the little furball.

You
knock that book over on my head, cat, and you’re Vietnamese food in a few
hours.
Koala tapped the book. Kate shook the bottle.
The cat’s eyes widened. He jumped off of the headboard and landed between Kate
and Ian, who slept through it all. He always slept through the nighttime
follies. The bed could fall through the floor and he’d sleep through it.

Koala used Ian’s shoulders as a springboard
and vaulted off of the bed. Ian said “Oof!” and rolled onto his back.
The snoring started almost immediately. Kate sighed and pushed him onto his
side. His snoring rivaled the foghorn at the end of the Cove.

She glanced at the clock: 4:51 a.m. She was
wide awake. She hated it when she woke up too early, which had always been a
bad habit of hers. Thank God she didn’t have to go to work, even though it was
a Tuesday. She could sleep through late morning once she became tired again.

She rolled out of bed and walked into the
upstairs kitchen. Koala followed her, mewing at her ankles, until she picked up
his food bowl, shook it, and placed it back onto the floor. That cat hated
eating anything that he knew had another cat’s spit on it, so she shook the
bowl until fresher contents reached the surface. Satisfied, he ate with gusto.
What a pain in the butt, but she’d never give him up for anything.

I don’t know what I
would do if I didn’t have my cats to keep me company and inspire me while I
write. They’re so important to me they’ve become a part of my fiction. Do you
have pets that inspire you to write? Do you cater to your dogs, or are you
owned by cats? Do you have unusual animals around you, like Flannery O’Connor
and her peacocks? I believe animals make some of the best muses, and they don’t
ask for anything in return but attention, food, and a place to sleep (often on
you). They are the ultimate givers of unconditional love. I wouldn’t part with
my cats for anything in the world, and I’ve immortalized them in my fiction.

If you’d like to
read my erotic fiction, feel free to visit my Elizabeth Black Amazon
Author Page
. If you’d like to take a look at my darker stuff, visit my E. A. Black Amazon Author Page.

Here Be Dragons

b Jean Roberta

Much has been written about writer’s block, the internal censor, and various other personal demons that interfere with the flow of inspiration. J.K. Rowling, author of the Harry Potter novels, conceived of story-killing depression as a group of evil characters called Dementors and included them in the plot so that she could write around them, so to speak.

The last few posts here have dealt with some of the external factors, or impersonal demons, that discourage writers. Changes in the publishing industry that have resulted in dwindling rates of pay and a dwindling market for innovative work, plus the free-for-all of self-publishing, can make it look almost impossible to have a writing career.

Aside from (or in addition to) all that, broad and clichéd writers’ guidelines are unhelpful. I’ve read too many messages on publishers’ sites that say something like this: “We set up shop because we thought it was time for someone to publish interesting work that engages the reader. We like believable characters, strong plots, and fresh language. We are completely different from all other publishers.” Sometimes a shortened version of this (“Enter the unique world of XYZ Press!”) appears below an editor’s name on a rejection message. More honest guidelines advise writers to read what XYZ has already published to get a sense of what they accept.

Harassment is another thing that seems guaranteed to harm any sensitive person – as writers tend to be, since we need to be attuned to our own consciousness and our own emotional climate. Some sites, both on-line and in the real world of writers’ events, need to be marked like medieval maps with images of dragons in the wild places.

During my annual two months off from teaching, when I hope to achieve phenomenal word-counts per day, and make at least a good start on a book or two, I’ve disappointed myself. Self-doubt has set in, as usual. When I’m surrounded by students and colleagues, I dream of having the time and solitude to write. Alone in a room with a computer, some notes, and a list of calls-for-submissions, I wonder if I am too out of touch with the general zeitgeist to write anything that would be meaningful for anyone else.

If I’m below the radar, however, I’m less likely to be a target for attack than writers who engage more regularly with on-line commentators. During the past few months, while taking part in an awards contest as a judge and co-editing a “best-of” anthology, I’ve become aware of feuds, sock-puppet identities, and the trashing of writers by other writers. I know it’s possible to grow a thick-enough skin to appear impervious to insults, but I’m not sure it’s possible to prevent unexpected hostility from wrecking one’s concentration. Recovery probably requires disconnecting from the on-line world, at least temporarily.

I sometimes wonder how to develop tough-minded resistance to rejection, snark, bad reviews and threats of violence while staying open to new ideas and editing advice. I wonder if any writer has really achieved that kind of balance.

The book I’m supposed to be writing is a work of creative non-fiction (to use a broad term) on “censorship” in various forms, focusing on my personal experience. A local publisher is waiting to read my approach to political conflicts in the writing/publishing world. Reading about vicious trashing which has not affected me directly reminds me of less-drastic ideological conflicts in my “real” life during the past twenty years.

I’ve written here before about a persistent belief on the political Left that grammar is inherently racist and elitist, that the best writing is “free” (an unedited stream of consciousness), and that language should float somewhere above the specific cultures that produce it. This set of beliefs drives me crazy. I can’t agree that the most incoherent student essays are beautiful in their own way. Saying this in public, however, seems likely to get me banished by the cool kids.

Then there is the more traditional objection to anything written by or about those who are not white, male, heterosexual, and “normal.” This bias shows up in the form of some editors,’ publishers,’ and reviewers’ preferences for work written by and about white men, and in complaints within the Ivory Tower that academic standards have slipped because of the introduction of “women’s studies” and “queer” and “ethnic” or international programs.

Traditional bias can seem to come from different directions, but it is always based on the same theme. As a teenage writer, I was warned by my boyfriend at the time that I should write about boys, not girls, so that my writing would appeal to more readers. As a graduate student in the local English Department, I argued with my academic father AND my faculty advisor about “women’s lit.” My father’s themesong was, “What’s wrong with Shakespeare?” as though I wanted to remove every Shakespeare play and poem from the curriculum to make room for the work of unknown women, and possibly for gangsta rap.

Defenses of a traditional literary “canon” as the only literature worth reading seem as long-lived as the racism of 1910. This stuff is the blood-sucking vampire or the rotting zombie that will not go away quietly, and which can’t be killed with logic.

For better or worse, I will soon enter the circus of Fall Semester in the university where I teach. For academics as well as Jews, September is really the beginning of the year. I’m hoping the new and the fresh (new students, some new colleagues, newish subject-matter, cooler temperatures) will be inspiring.

Somehow, in spite of everything, I’m never completely silenced. Many other writers continue writing as well, and I know from reading their work that the Muses aren’t stingy with their blessings. To keep going, it seems as if we all have to cherish a level of optimism that looks naïve on the surface. I like the statement that things always turn out well in the end because if they aren’t going well, it isn’t the end.

So, Now What?

by Kathleen Bradean

While I agree with Remittance Girl’s assessment of the state of erotica, I also wonder at times if there ever existed such a genre as literary erotica. There were exceptional works: The Unbearable Lightness of Being, Little Birds, Story of the Eye. But was it really a genre? Have we been forever looking back to a golden age that never existed, and did we do that while we were in our own golden age for erotica?

Must over those questions if you wish, but what I’m more interested in is the future. If erotica – literary erotica – is forever changed and not in ways that we like as writers, what the hell are we supposed to do? The publishing world is in a constant state of upheaval. Most of the publishers who put out literary erotica aren’t supporting it anymore. So many annual anthologies are falling by the wayside.

Under a different pen name, I write a series of science fiction thrillers. I’ve kept it rather clean since my father, kids, nieces and nephews read them, but I feel constrained. There are scenes I imagine going much further. It feels dishonest to fade to black when I could so easily scorch the pages instead. I’ve even thought about doing fanfic of my own work and writing those scenes to purge them from my imagination. I’m sure some of my fans wouldn’t mind reading those scenes.

But what about other writers who don’t have an alternate outlet? Or what if writing fanfic of my own work isn’t in the cards for me? Things look bleak.

I’m tired of bleak. It isn’t a good look on me. So here’s what I plan to do:

Many of you know that I’ve long wondered if erotica is really a genre. Sometimes it fits into other genres, but generally it’s literary fiction. Meaning that it’s written in the genre style of literary fiction. (As opposed to the genre style of romance, which is the style erotic romance is written in). So I’m going to (after I write the next two books in my scifi series) write a story. A literary novel. It is not going to be a series of sex scenes loosely tied together by a story. But unlike my scifi novels, it will not fade to black when and if my characters have a sexual moment. It will probably use sex and sexuality to explore my characters. Most of all, it will be decadent with desire and sensuality. It will be lush. It may never be published. I’m fine with that. Really, at this point, I’m only writing erotica for myself.  

Real Life Events

by Lucy Felthouse


As this post goes live, I’m at Sexhibition in Manchester, England – also known as “the erotic event of the year.” Myself, my other half, and Victoria and Kev Blisse are running the Smut UK stand, selling erotic books and generally waving the banner for smutty books galore. We also have swag, goodies and a charity raffle. Every time we do one of these events, we have a fantastic time. We get to spend time with each other, having a giggle. We get to see other friends we don’t see often. We get to meet new people, or people we may have only chatted with online in the past. Invariably, these people are interesting, and we come away from the events exhausted but inspired, and looking forward to the next time we can get together.

Which leads me to my question – what do you think of real life events? As an author, and someone otherwise heavily involved in the industry, I know what I get out of it – but I’d love to know what readers/visitors get out of it. The events I’ve been to so far are more general smutty events, or conferences, rather than pure signings (though I’m signed up for one of those next year, and am considering others), so the people that go aren’t necessarily there for the books… but they generally go away with at least one! 😉 So I’d just love to know, whether you’re into books specifically, or the lifestyle as a whole – what drives you to these events?

And for those of you that go to more traditional book signings – what drives you? Is it because you want to meet the authors? Get autographs? Buy more books? Meet new authors? See your existing favourites? Please, do let me know… enquiring minds, and all that 😉


Happy Reading!
Lucy x


*****


Author Bio:


Lucy Felthouse is a very busy woman! She writes erotica and
erotic romance in a variety of subgenres and pairings, and has over 100
publications to her name, with many more in the pipeline. These include several
editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic
Romance 2014. Another string to her bow is editing, and she has edited and
co-edited a number of anthologies, and also edits for a small publishing house.
She owns Erotica For All, is book
editor for Cliterati, and is one eighth
of The Brit Babes. Find out more
at http://www.lucyfelthouse.co.uk.
Join her on Facebook
and Twitter, and subscribe to her
newsletter at: http://eepurl.com/gMQb9

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