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When Yes Means Yes

by Jean Roberta

Lately, there has been an avalanche on social media about sexual abuse and “bad sex” (for lack of a clearer term), which is unsatisfying for at least one participant, and is based on miscommunication, even if one person (usually the girl or woman) consents to some kind of intimate physical contact to avoid worse treatment.

All these revelations, some dating back many years, are probably inspiring every woman who has ever had sex with a man to sift through her memories. How much was “bad sex,” and how much was downright abuse? Was any of it based on enthusiastic consent, as in “Hell yes! Let’s go!”

Although I have identified as a lesbian since the early 1980s, and I’ve been faithful to one woman for many years, I haven’t forgotten my heterosexual past. And some of the sex was as delicious as a glass of fresh, cold water on a hot day.

I could swear on the holy book of your choice that in some cases, I was as horny as the guy of the moment, and my orgasms were absolutely genuine. Some of my male lovers were skilled and empathetic, at least in bed. Since I never considered myself very attractive in my youth, I thought some of the sex I got was better than I deserved. That assumption in itself suggests that something was wrong, but at the time, I didn’t blame my male companions for my low self-esteem. I assumed they had nothing to do with it.

As Donna George Storey explained recently in this blog, there is a double standard of sexual behaviour which negatively affects all women. There is an ancient vocabulary of insulting words for women who are assumed to have too much of a sexual appetite, or too much sexual experience. Being labelled a whore, a slut, a skank, etc., is the kind of sexual abuse that usually comes after the sex, even when it has been a peak experience for everyone involved.

Let me introduce you to a healthy young man I’ll call the Viking. (I wrote about him in an earlier version of this blog.) He was proud of his Scandinavian roots as well as his psychic ability. I could believe there was something magical about him because he had more endurance than any man I ever met, before or since. He could keep going all night long, with no rest periods to recover his strength. If my memories are accurate, I never tried to stop him, even when I was exhausted and I had a university class to attend the next morning. I didn’t feel intimidated; I simply found him as impressive as a powerful racehorse.

I was 21 years old and full of energy myself. I was attending university part-time toward a degree in English, and I thought I would probably take Education classes after that, so I could get a job teaching English in the public school system. I discussed my dreams for the future with the Viking, and he found them amusing.

He asked me rhetorically whether I could really imagine myself as a teacher, and whether I would teach high school students all about sex.

I was taken aback, and told him that I would follow the curriculum, though I wouldn’t shy away from sexual innuendoes in literature, such as the ones in Hamlet’s speeches to his girlfriend Ophelia. (On second thought, I realized that Hamlet is also sarcastic and contemptuous to a young woman who hasn’t harmed him in any way.) The Viking always responded to my philosophy of literary analysis with a smirk.

He claimed he could read futures in playing cards as well as in the tarot deck. When he read mine, he never saw me as a professional in any respectable field. He saw degradation and addiction, bad luck and suffering. He implied that I was doomed to a career in the sex business, which would be followed by homelessness and disease once I was no longer attractive enough to attract customers.

I would always ask whether he saw any success for me as a teacher or a writer. He would shake his head and tell me he wouldn’t lie to me. When there was bad news for me in the cards, he felt it his responsibility to warn me.

The Viking sometimes entertained me with stories of his former life in Ontario, where he sold dope and hung out with a biker gang. Once he told me about a memorable session he had with a young woman who was known for her voracious sexual appetite. Apparently she would willingly take on the whole gang, and this gained her a certain kind of admiration, although no one who knew her expected her to live long or happily. The Viking casually explained that she was a nympho, like me.

I tried explaining to him that I didn’t need sex constantly, and in fact I could live without it when I was between relationships, and not feel as if I were starving.

I had told this man that if sex were a sport, he could win a medal in the Olympics. He clearly didn’t feel the same way about me. In fact, the Viking had much more experience with illegal activities and addictive substances than I did, yet I never assumed that his past would have to determine his future.

It was probably just as well that our relationship ended abruptly in the summer I turned 22. My parents were planning to spend a year in England, and I chose to go with them.

I never saw the Viking again, but his influence on my mind lingered for years. Was my sexual appetite unnatural? Did I deserve a horrible reputation? After all, I couldn’t honestly claim he had ever coerced me into sex, so did that mean I was thoroughly depraved? Did I need to spend years in therapy to become “normal?”

I’m glad to say that my life has not been the tragic, downhill slide the Viking read for me in the cards. It’s been more like an interesting hike through a terrain of peaks and valleys. I’m still not sure if my experience with him qualifies as “sexual abuse” as the term is currently understood, but I’d be willing to bet that the mind-rape was all mine.
————-

My First Time In The Barrel

My name is Larry Archer, and I’ve been asked to be a guest blogger at ERWA. Hopefully, I’ll write something that may be of interest to those who read and/or write erotica. On my first post, I’d like to tell you a little bit about my ideas on writing, myself and how I got here.

I’ve been writing smut since 2012 and have self-published 24 erotic novellas and novels to date. I write what is colloquially called stroke porn, but I’d like to think it has somewhat of a plot. My stories are generally pretty heavy on the sex side and generally get decent reviews.

While most of my stories stand on their own, the Foxy & Larry stories typically involve the same set of core characters and will often have a storyline that continues from story to story. Since my stories are always heavy on the sex part, don’t be surprised if someone gets laid on the first page. But I’m still working on how to do that on the title page.

I always have self-published my smut and personally believe in self-publishing as the best avenue for myself as a practical method of getting my stuff out there. I’m somewhat different from authors who go the print or anthology route. I’ll give you my reasons why and leave it up to the reader to make a decision for themselves if they are trying to make a choice on which way to go. There is no absolute right or wrong path to take, and so you can decide which way to take. I’ve done one 300 page print book to better understand that process, but that’s worthy of a blog post all its own.

A little background on Wifey and myself, we are swingers in real life and have been in the Lifestyle for some time. A lot of the things we’ve seen and done may very possibly show up in my stories, with the names changed to protect the guilty, of course. In fact, most of the reoccurring characters in my stories are based on real people that I know and are portrayed as closely as I can make them and still protect their privacy.

One of the reasons I do this is to add variety and a different perspective to my stories. I think authors often write using their personal beliefs and by using “real” people as a starting point, it adds a different slant on things. As an amateur psychologist, I find it fascinating to study other people and being in the Lifestyle brings me a lot of patients to lie on my couch.

Our lifestyle adds a different outlook on my writing as I approach stories from a different direction from other authors and hopefully, it’s of interest to my readers. While I realize that we’ve taken a different path than the average couple, I’m not here to convince you into doing the same.

My views on life and things, in general, may also seem a little skewed for a lot of people, so just remember there is always the off button if you don’t agree with me. I’ve been told that my sense of humor is a little strange, but I can’t do much about that either.

We are a committed couple, which may not seem to agree with our lifestyle but you’d be surprised at how few divorces or cheating occurs among our friends. We don’t consider sleeping around as cheating since we are always in the same house and never do things like end up at Motel 6 with Tom Bodett, because he always keeps the lights on.

Not trying to dwell on convincing you and your spouse to get in a pile with a bunch of naked people but simply that you may have to take my advice on life with a grain of salt.

My stories generally revolve around the swinger lifestyle as I have experience in it and have always found it to be a lot of fun. Most generally have a lot of sex in them from start to finish but very little drama. For the most part, our experiences have been positive, and for that reason, my stories don’t include cheating, fighting, or divorce which is common in a lot of swinger related stories from other authors. So typically my stories are all HEA, well except for parts with my wife and her whip!

I write some BDSM but generally no noncon, underage, or family stuff. Not that I have any objections to them, but I have enough trouble staying out of Amazon’s Adult Dungeon without trying to thread that needle. I’ve toyed with the idea of creating a pen name to write more hardcore smut under SmashWords and other more forgiving sites but right now just don’t have the free time to manage two different pen names.

I do not have any formal training in writing beyond Technical Report Writing in college and personally up until I started writing smut, hated to write. What I’ve found is that I really enjoy the process and typically write from the seat of my pants, or completely off the cuff. If you would happen to read one of my stories then treat my use of the English language with forgiveness.

My good friend and fellow writer, Lisabet Sarai is always trying to fix me, which I’m afraid may be a losing battle. She’s been trying to teach me how to write correctly, and it has been a struggle. Since I never had any formal training in writing, breaking my bad habits have been difficult. In many cases, I’m not convinced that the “correct” way is always the “right” way, but I’m always open to new things. Well, except for the time my wife got a new whip and a pair of real handcuffs from one of our cop friends. My butt hurt just from thinking about it and was glad to offer the services of a girlfriend, whose into that kind of thing, “Thanks, Gretchen.”

I’m told that I need conflict, resolution, someone to hate, and someone to love, but typically my stories have none of the above except maybe someone to love, but that’s touchy as, beyond our spouse, we shouldn’t be loving on anyone.

It probably seems strange to straights, but we have a fairly strict moral code even while we are coveting our neighbor’s wife. I’m allowed to screw someone, but I better not get caught giving a foot massage as that would put me in the dog house for sure.

Kissing is another no-no. We frown on kissing the opposite sex as kissing is personal and generally verboten. Certainly, you can kiss someone but don’t spend an hour examining their tonsils. A big percentage of the women are bisexual and kissing between women is encouraged and not considered cheating but a spectator sport.

My story is like a lot of other writers, I was reading smut on Literotica one day, and the thought hit me, “I can do this!” Fast forward five years and yet my new Range Rover is still sitting in the dealer’s showroom, but it’s been a fun trip.

Initially, I started writing about what we’ve seen and done in the Lifestyle and used Foxy and Larry as it was coming from a first-person perspective. Now some twenty plus stories later, if I’d been smart I would have picked different names for my regular main characters. This was one of my faux pas, but that’s water over the bridge.

The fictional Foxy and Larry own a strip club in Las Vegas, The Fox’s Den. Clever play on words don’t ya think? Most of my swinger stories involve the strip club as it’s a good place for everyone to take their clothes off and easier to work in than the Bridge Club.

We have several cuckold-Hotwife couples as friends in real life, and their alternate selves typically inhabit our stories or serve as a bad example of what people should not do at home. Cuckold – Hotwife couples are a study in itself and have a relationship that is surprisingly common. The common joke among swingers is that “straights” have no idea what is going on around them.

Foxy and Larry in the stories are as true to life as I can make them. Possibly a little more over the top but still true except for owning a strip club and having more money than God. They are a reasonably correct picture of a happily married couple who dabbles in the dark side.

We were lucky to fall in with a good group of people and learned the ropes from pros when we got into the Lifestyle. That’s a blog post that I keep telling myself to write and probably will one of these days.

My Thoughts on Self-Publishing

Why do I self-publish? The simple reason is cost and control. Every time you pick up a book or someone who’s written Writing for Dummies, they generally advise you to get an editor, get a cover designer, get, get, get.

It makes you wonder how they got started? Mom and Dad said, “Honey, here’s fifty thousand dollars, start writing porn stories.” I don’t think so, that’s maybe the 1% but the 99% of us, say to ourselves, “I wonder if I could write smut? But will it be okay to take my husband’s beer money to hire an editor?”

The problem with this approach is typically simple, you write a story that you may give away or at best sell for $2.99 yet you have to lay out hundreds of dollars in support help to get your story out the door. I’m an engineer by training and taught to make decisions by weighing good and bad options.

If you are a new writer, and unless you have a rich uncle you probably don’t have a bunch of money squirreled away to pay for all this help. Note that I didn’t tell you that you shouldn’t have an editor, cover designer, advertising firm, and publishing house to cover your back but that for many people and me, this is not financially viable. At some point in the game, you need to at least break even or hopefully make money.

I think most people who are reasonably intelligent can handle the job with minimal outlay until you get rich and famous. At which point, money is no object, and you can just hire everyone and retire. But until that point, you’re going to have to carry a majority of the load yourself.

The days of 4 and 5 figure monthly sales died years ago before everybody, and his brother started writing a book. I hate to burst your bubble, but 50 Shades was probably the last break out hit that made any real money, and my Frenchie could write better than that with one paw tied behind her back.

According to a recent survey, 80% of self-published authors make less than $1,000 per year or roughly $100/month. But before you hang yourself with your mouse cord, there is hope. First, go out an get a real job to keep the wolf away from the door and write in your spare time or have a generous spouse. If you’re a glass-half-full person, then you can say well what about the other 20%?

If you really want to be successful writing smut, beyond writing something other people want to read, is publishing on a regular basis. You should publish at least once a month, and before you fall down laughing, I’m telling you what I recommend and not what I do. My publishing cycle is typically every few months, and I fully realize that I don’t publish often enough but work and our social schedule eat up a lot of my keyboard pounding.

The search engines will typically throw you under the bus after about a month so don’t despair if your ratings fall off the cliff in 30 days. It’s like the old saying, “Publish or Perish.”

What I do is carry my laptop with me virtually 24 hours a day. Then when I’ve got a few minutes, I whip it out and type some. With many businesses that provide WiFi, you can get a connection most places or use the HotSpot feature on your phone. Be careful with logging into a public WiFi and disclosing personal information.

Publishing is sort of like wealth in the United States, just a handful have most of it while the rest of us have to scramble for their next meal. Sort of like your dream to play for the Harlem Globetrotters, and you’re five foot tall, while possible it will probably be a stretch.

As my Dad always tells me, “Faint heart never sold a vacuum cleaner.” Which in plain English means, be realistic with your assumptions but always try as hard as you can to achieve your goals.

Assuming that you sell your masterpiece for $2.99, typically the top price for a novel or novella, your takehome is about two bucks a copy. Out of that you have to deduct any costs you encounter such as cover design, editing, Internet porn, etc. Unless you can get your wife to strip off for the cover picture, your one fixed cost is likely to be the stock photo used. Your wordprocessing and photo editing software can be free if you use public domain software or a few hundred dollars for more professional products. One of my goals is to help you get into the game at the lowest cost.

Your first target should be to figure out if you can write or not. If writing were that easy, everyone would be Earnest Hemmingway or James Patterson. If you haven’t already joined ERWA, then do this next as you’ll have a host of other writers who can offer encouragement and advice in the craft of writing.

A lot of us started our initial publishing career at Literotica or a similar site that allows you to publish your stories for free without all of the problems of getting a cover, correct formatting, etc. You simply publish a plain text story and hope for good reviews.

I recommend this to new authors or those sticking their toe in the deep end of the pool for the first time. You get feedback and have to go through most of the process while skipping the hard parts.

As an engineer by training and not an English major, I am brutally aware of my shortcomings with the English language, and so you’ll rarely see me correct your sentence structure unless it’s so atrocious that even I recognize it. As I like to say, I always thought that when you had a dangling participle, you needed Viagra.

One of the things I hope to help people with is the mechanics of creating your masterpiece. Things like using the correct tools and getting started in a way that minimizes the grunt work required to publish. There are a number of things I’ve discovered which may be of interest to people. It’s not sexy but a job requirement.

A simple example is publishing to multiple publishers. We will typically publish to Amazon, SmashWords, Excessica, Apple iBooks, B&N, Nook, and others. The simple process of creating separate versions for each publisher can eat up a lot of time that could be better-served writing or jerking off.

Just try forgetting to delete a reference to SmashWords in your document and see what happens when Amazon catches it.

Well, I’ve killed enough electrons for now and will return control of your laptop back to you. See you next month on the 24th. Let me know your thoughts.

Larry Archer – LarryArcher.com

The Intimacy of Editing

Want to discover an author’s most cherished fantasies?

Edit a collection of his or her erotic stories.

At this point, I’ve edited books featuring the erotica of seven different authors: C. Sanchez-Garcia, Amanda Earl, Bob Buckley, Teresa Wymore, Remittance Girl, M. Christian, and Daddy X. And I can tell you (if you were to ask), quite specifically, what turns each of them on. There are few activities as intimate as working with an author to sharpen the emotional focus and heighten the erotic intensity of his or her tales.

Of course, in editing a multi-author erotic anthology (which I’ve also done a few times) you’re also exposed to the contributors’ erotic visions. However, a single story might not tell you much about what personally pushes an author’s buttons. The best erotic authors, indeed, learn to mask their own kinks and preferences to some extent, in order to avoid being too repetitive. For instance, I like to push myself to create stories that do not include any BDSM content, both to prove I can and so my readers don’t get bored.

Still, I have a reputation for writing a lot of D/s, because that’s one of areas of sexuality that I find most arousing myself. A reader was recently astonished by my Asian Adventures series, which (so far) does not include any sort of power exchange. “For all the scary BDSM all over your author pages,” she wrote, “I had no idea you had such sweet lipstick in you!”

When you’re confronted with 50-60K of an author’s work, the patterns become obvious. Of course I’m not going to embarrass my former collaborators by telling you what they like, from an erotic perspective. You’ll have to buy their books, if you are curious. Even so, you might not appreciate the common themes or activities as much as I did, serving as their editor. This is because an editor reads each story many times, in many versions. Furthermore, as an editor I got to see the author’s reactions to my suggested modifications, which tells me a lot about what is and is not important to him or her.

I’ve spent a lot of time in my authors’ heads. I’ve waded through their imaginary sexual worlds, tweaking a clause here, clarifying a construction there, all the while watching their characters deal with love and lust. Sometimes I feel as though an author and I have actually been lovers. That’s not true of any of the individuals above, but it could be without too much of a stretch. I have to confess I have had erotic dreams about some of them. My unconscious reacts to the intimacy of the editor-author relationship, even if I consciously distance myself.

It’s funny, because my authors’ fantasies don’t always align with my own. Nevertheless, the close interactions involved in editing give me enough insight that I can vicariously appreciate the erotic charge in their stories, despite the fact that the themes or stimuli don’t push my personal buttons.

I wonder whether all editors experience this sense of intimate connection with their authors. Perhaps my experience has been closer and more intense because I too write erotic fiction. Or maybe it’s because I’m editing stories about sex. Perhaps editors of non-sexual genres remain more distanced from their clients.

Somehow I doubt it, though. We authors expose ourselves through our fiction, regardless of genre. We reveal what makes us tick. And editors need to get up close and personal with those revelations in order to do a good job.

No, I Don’t Get It

 

One thing about getting older, you come to care less and less what people think of you. When you’re young, at least when I was young, I remember fretting a lot about not being current with my peers. For instance, my interest in sports, while not nil, was only mild and passing. Meanwhile, my companions could spout statistics and exhibit a vast knowledge of athletes.

Imagine a young male attempting to keep up with the conversation at middle school lunch.

By the time I was in college music and rock bands occupied many conversations. Again, it seemed the entire world of my peers was vastly invested in musical knowledge: singers, bands, genres and sub-genres.

As for me. I liked individual songs, even bands. I didn’t care that I didn’t know individual band members names and biographies. That isn’t to say I didn’t pick up such knowledge. Just by being immersed in whatever is current at the time everyone absorbs knowledge, whether you want to or not.

Life went on and as I entered adulthood it became apparent that a knowledge of this or that often was used to impart a level of sophistication. Think of folks who love to talk about wine. All they know about wine they may have just read about, but everyone within their conversation plays along.

I like wine, but I’m no connoisseur. If it tastes good, it’s okay with me, even if I haven’t a clue what to drink it with.

And as for art, I know what I like, but would be at great pains to explain why. Perhaps that’s why I enjoy art history documentaries, so they can explain to me why I like a work of art.

Some years ago I was touring the National Gallery in Washington with my wife. She likes modern art. We’d emerged from the traditional collections, leaving me mildly euphoric, before entering the modern art building. Someone’s postcards were framed – postcards. Not kidding. Someone deemed them works of art.

Of course, there were Warhol’s works, multiple Marilyns and Campbell soup cans.

Many works comprised a blank canvas with a teeny, tiny bit of paint.

I’ll not pooh-pooh anyone else’s opinion or appreciation of what they call art, but, jeeze, I just don’t get it.

Then we entered a gallery with a paint-dabbled cloth hanging from the ceiling.

“A drop cloth,” I said. “This place must be closed.”

The remark drew sharp side-eye from the few people standing there. A pair of museum guards, huge guys, chuckled. Their big overhanging bellies oscillating with their laughter.

The Bride was mortified. “It’s a Pollack!”

After she had put some distance between us I turned to the guards.

“Hey, you guys see this stuff every day. What do you guys think of it?”

One replied in a sonorous gargle of a baritone that could have befit a Delta blues legend.

“Maaaan, one time we had one oh dese hung upside down for three months fo’ anyone noticed.”

He grinned. I smiled.

Yeah, some things I just don’t get.

What Comes Next? Building Suspense and Avoiding Predictability

We all love stories. It’s in our genes. Humans have been spinning tales for thousands of years. From the sagas our ancestors told as they huddled around their campfires to the ebooks flying off today’s virtual shelves, stories satisfy some deep psychological need.

Sometimes we want a familiar story, even though we’ve heard it a million times before. We anticipate and then enjoy the expected conclusion, which reassures us that all is right in the world. Often, though, we follow a story because we want to know what comes next. Suspense and uncertainty produce a particular kind of excitement., a tension that is pleasurably released when the uncertainty is resolved. Suspense is what keeps readers turning pages long after their normal bedtimes. They don’t want to stop reading until they see how it all turns out.

In genre fiction such as romance or mystery, readers know the final shape the story will assume. The lovers will overcome the obstacles that confront them in order to be together. The guilty parties will be identified, the mechanisms of the crime will be explained and usually the perpetrators will be brought to justice. Part of the reason readers enjoy these genres is that they provide the same satisfying reassurance as a well-known fairy tale or myth. A book that labels itself as romance or mystery then fails to provide the expected pattern of resolution will likely arouse readers’ ire.

This does not mean that stories in these genres should be predictable. As the story progresses, a skillful writer will make the reader question how the expected ending could possibly come about. You’ll lose your reader’s attention if he or she stops wondering what happens next.

Unfortunately, I find that a significant percentage of the romance I read is far too predictable, at least for my tastes. By the time I’ve finished the first chapter or two, I know the general path the story will take. I can’t presume to speak for other readers, but this definitely diminishes my own enjoyment.

As an author of erotic romance, I struggle to add suspense to my own stories. It’s not always a conscious process, but when I sat down to write this post, I tried to analyze the strategies that I use, or have seen others use, to avoid predictability. I identified four techniques that can be helpful in this regard.

1. Withhold critical facts

Even if you’re a pantster rather than a plotter, you’ll generally know more about your characters and their background than you tell your readers. Often there are things in a character’s history that are critical to the plot. By holding back and not disclosing these facts right away, you can heighten the level of uncertainty and make the final resolution more surprising.

I found an example in my ménage story Wild About That Thing. Ruby Jones, the heroine, owns a struggling blues club that represents her life’s dream. As the story opens, she has received a letter from the lawyers for the new owner of her rented building, indicating that her lease will not be renewed and that she must vacate the premises. Her anxiety over her impending eviction colors her reactions to the two men who become her lovers.

Quite late in the tale, I reveal the fact that one of her lovers, Remy, is in fact the building owner. This serves two purposes in the narrative, emotional and practical. First, it adds a sudden obstacle to the relationship (since Ruby is rightfully upset that he had not told her sooner) and also allows the second man in the triangle, Zeke, to come to Remy’s defense. Second, it provides a plausible solution to the problem of Ruby’s eviction.

Keeping important details secret from your readers can be an effective way to add unpredictability, but it does carry the risk of appearing contrived. The new information, when it is finally exposed, must be believable. It must not seem to “come from left field”. If you can, you should drop hints earlier in the story. When the revelation finally occurs, you want your readers to nod their heads, saying “Yes, of course, I should have known!”

2. Keep alternatives alive

Fiction, especially romantic fiction, frequently revolves around a character’s choices. Your heroine may be choosing between two potential relationships, or between a relationship and a life path that will make that relationship impossible. To avoid predictability, you need to paint the competing alternatives as equally attractive and plausible. You should also maintain the ambiguity concerning the character’s ultimate decision for as long as possible.

To implement this strategy, you can use trade-offs. No one choice is perfect. Each has advantages and disadvantages. Highlight those contrasts for your reader. Meanwhile, watch out for stereotypes. The handsome, arrogant, wealthy playboy; the smoldering, tortured bad boy biker; the sensitive, nurturing guy next door… You know what I mean. Stereotypes are a sure way to kill suspense – unless you set them up and then turn them on their heads. This is actually another technique for avoiding predictability. If, for example, the playboy is later revealed to be a submissive who wants to serve as the heroine’s 24/7 slave, you’ll definitely surprise (and possibly delight) your readers.

This strategy can apply to alternative explanations or scenarios, as well as decision alternatives. In my erotic suspense novel Exposure, Stella realizes that any of several people might be responsible for the mayor’s murder and the threats she receives: the mayor’s widow; his opponent in the upcoming election; the sinister mob boss; even the cop who’s Stella’s high school friend and current lover. I try to provide evidence supporting each of these hypotheses. I want to keep the reader guessing.

3. Allow your characters to change

A story is a journey taken by your characters. Events occur and the characters change in response. You can use these changes to make your story less predictable. As the tale unfolds and your characters develop, they will behave and react in ways your reader may not expect. In fact, their surprising behavior will reveal the nature of their inner changes.

The movie “Long Kiss Goodgnight” (http://www.imdb.com/title/tt0116908/) provides a great example. Geena Davis stars as a suburban wife and mother who gradually recovers from amnesia to realize that she’s a former spy. Over the course of the film, polite, conventional, squeaky-clean Samantha morphs into wise-ass, slutty, violent Charly, the top secret agent now running for her life. The shift is gradual. Since you never know (until you see it) how far Charly has reverted to her old self, you never know exactly what she’s likely to do.

Most romance character shifts are less extreme. Just remember that static characters are easy to predict. Also, some change trajectories have become clichés. The uptight, authoritarian female executive who gradually realizes that she craves submission; the woman wounded by past relationships who must learn to trust a new love; the emancipated, free-wheeling chick looking for no-strings sex who discovers instead a deep need for commitment; these patterns have been been employed so often that they’ll kill any suspense – unless of course, you use misdirection, shattering the cliché to send the character off on a new and surprising path of development

4. Take advantage of strong emotion

Characters don’t just change over the course of the story, but moment to moment as well. Even the most stable individuals are not 100% consistent in how they behave, especially under the influence of strong emotion. Anger, grief, guilt, terror and shame can all induce people to behave in atypical ways that would be hard to predict based on their normal personalities. Since such emotions often occur at critical points in your plot, you can use them to introduce the unexpected into your tales.

For example, Kate O’Neil, the heroine of my novel Raw Silk, is a self-confident, independent professional woman. Her first full-blown experience as a submissive stuns and scares her. She actually skips out of work, jumps on a plane, and escapes to the safest place she can think of (in this case, Singapore). This is highly unusual for someone as responsible and career-oriented Kate. Even I was surprised when she did it! The episode contributes to the plot by providing her with an opportunity to reflect on her reactions – as well as a chance for readers to catch their breath.

I’ve been using erotic romance for my examples so far, but non-romantic erotica also has its predictable patterns. Ultimately, readers expect the characters to have some sort of sexual interaction—and more likely sooner rather than later! Readers are in it for the climax, sure, but the experience will be more pleasurable if there are some twists and turns along the way. That’s why I personally find a lot of “stroke fiction” uninteresting and unsatisfying. If there’s no suspense at all, just fucking, the story falls flat. (Your mileage may vary, of course.)

Authors of genre fiction walk a tightrope. On the one hand, we must give our readers the pattern of resolution they expect – a happy ending, in the case of romance, an orgasm (or more than one!) in erotica.

On the other, we want to keep our readers turning the pages, wondering what is going to happen next. We must be faithful to the conventions of our genre while still ringing enough changes to be fresh and exciting. It’s a tall order. I hope that the suggestions I’ve made in this post get you thinking about how you can maintain this balance in your own work.

 

Sitting Down

by Ashley Lister

A few years ago I was at Eroticon and ended up chatting with the wonderful Janine Ashbless. We were discussing the usual questions that are thrown at writers (“Where do you get your ideas from?” and “Do you do all those things that are mentioned in your books?”) when Janine said, “I don’t care where someone gets their ideas from. What interests me is how they manage to sit down and produce large numbers of words on a daily basis.”

And it’s a valid point. It’s especially pertinent in the age of distractions in which we currently live. Aside from all the demands of family, friends and the workplace, there are also time-vampires such as emails, FaceBook, Twitter, Instagram and all those other social media apps, as well as the distraction of excellent blogs (such as this one). In truth, sitting down at a computer and simply writing has become something of an endangered practice.

There are various proffered solutions to this problem.

1. Turn off your internet connection.
I don’t subscribe to this one. The idea of turning off my connection to family, friends and colleagues is a non-starter. However, if you’re suffering from a terminal case of the diversions, it might be one worth considering.

2. Set targets and deadlines.
There are advantages and disadvantages to this one. Targets are a helpful guide as to what’s to be done. Deadlines can give a definite endpoint. But missing targets can be detrimental to a writer’s confidence. And, the danger with setting deadlines is that we will often make sure the work to be done takes up exactly the length of time allocated. I do use both of these, but I try to use them judiciously. My targets are what we in the teaching profession call SMART (Specific, Measurable, Achievable, Realistic and Time-Bound). This time-bound aspect helps to ensure my deadlines aren’t too lenient or too restrictive.

3. Timed writing sessions.
This is possibly my preferred approach to writing and overcoming the problem of distractions. One of my favourite books on writing is Margaret Geraghty’s The Five-Minute Writer which supplies exercises that can each be done in five minutes. Timed writing sessions can last from as little as five minutes, or they can last as long as you think your focus can be stretched. Francesco Cirillo’s Pomodoro Technique from the 1980s advocated 25 minute blocks. Personally, I use a timer on my phone to set aside twenty-minutes where distractions and interruptions are forbidden. I don’t know if it’s the most effective way of avoiding diversions. But I do know it works for me.

If your new year resolution is to write more productively, hopefully one of the above will be of assistance. And, if you’re using some other method to help you progress with your writing, I’d love to see you mention it in the comments below.

Good-byes and New Beginnings

It feels right that my last post for ERWA should be my favorite post of the year. On the 30th of the month, I’ve been posting on the ERWA blog for five years and the December 30 posts are always the ones I enjoy most. They’re more festive, more reflective and more fun because they’re winding up the old year and anticipating the New Year about to begin. I always feel like I should write something profoundly moving for this end of the year post. Last year the stress of not feeling very profound got to me and I gave it all up and just wrote a poem instead.

 

There is no dearth of inspiring posts this time of year. In fact, inspiring posts are easy to find any time of the year, and even I’m not sadistic enough to subject you lovelies to yet another one of my bad poems.

 

Any December 30 can’t help but bring with it a look back at what the year has brought and a look forward to what is ahead in the year to come. That has never been more true for me than it is this year. As I mentioned, this will be my last post for the ERWA blog. As much as I will miss my monthly palaver with my wonderful friends here, it’s time for me to move on. (Though I have every intention of popping by and checking in from time to time) Over the course of the last two years my writing has been slowly transitioning from erotica and erotic romance to urban fantasy and paranormal. I still have an open bedroom door policy and I still believe that just as sex is a vital part of our humanity, it should also be a vital part of the stories I write. But sex has become less the driving force of my stories and more a component of a larger whole. Much of that transition has taken place in my Medusa’s Consortium series, which strangely enough began with the very erotic M/M romance, Landscapes. (free at the moment, BTW)

 

The heart wants what the heart wants, and I’ve always had a soft spot in my heart for urban fantasy and paranormal. There’s no time like the present for me to experiment and spread my writing wings.

 

I want to thank you all for being so tolerant of my navel gazes and for following along on those strange wanderings through my imagination on the 30th of every month. It has been a pleasure to be a part of such a respected blog. Most of all, it’s been a joy to share a bit of myself, my filthy mind and my writing journey with you. Believe me, you have given me a much bigger gift by reading and commenting than I could have ever managed in my monthly postings.

 

As you reflect on the events of 2017 over a little fizz or maybe a nice cup of hot cocoa, I hope that the memories warm you and inspire you and that the year past has brought you much joy and growth.

 

As you anticipate and plan and prepare for 2018, I wish you a wild and wonderful 365-day journey full of love and laughter and deepening.

 

I thank you again for sharing the journey this past five years, and as I close my last ERWA post, I leave you with one final really filthy, seasonal story from my own blog. Please read and enjoy Doing the Gingerbread Man.

 

Happy Holidays Everyone! Wishing you all the best in 2018

Goals Not Resolutions

I read an interesting post on Facebook in which the writer asked everyone for their 2018 goals. Not resolutions. Goals. He said most people broke resolutions or never even bothered to attempt to meet them. Goals? More realistic and more likely to be attempted and fulfilled. So I asked myself, what are my goals for 2018?

Here are a few:

Finish my erotic fairy tales collection and self-publish it.

Publish my two erotic fairy tale novellas in print. These two books are Trouble In Thigh High Boots (erotic Puss In Boots) and Climbing Her Tower (erotic Rapunzel). You may find the ebooks at Amazon and Smashwords.

Finish my horror novel Hell Time.

Find an agent for my thriller novel Secrets and Lies.

Find a home for my bisexual werewolf erotic romance novel Full Moon Fever.

Send out my newsletter regularly.

Submit to a minimum of 5 submission calls in 2018. Bonus points if I publish at least 5 stories.

Join the YMCA and make an effort to swim and work out this winter and spring. My husband and I are joining the Y next week.

Head to the beach every day in late spring and summer to swim, walk, and otherwise get some fresh air and exercise especially after being cooped up in at home all winter.

Save enough money each paycheck to fund a trip to Europe most likely taken in 2019 or 2020.

Sell more books!

Make an effort to attend more book events like readings and conventions but only when money permits. Those events tend to cost more than I can afford.

Bake more. I didn’t bake enough in 2017 which is a shame since I enjoy baking very much. I didn’t bake as many cookies this year as I usually do so I shall remedy that in 2018. Here are the last two recipes I made – pumpkin bread and pizzelles. Pizzelles are anise-flavored Italian waffle cookies.

Pumpkin Bread

Ingredients

1 1/2 cups flour

1 teaspoon salt

1 cup sugar

1 teaspoon baking soda

1 cup pumpkin puree

1/2 cup olive oil ( can sub with canola or vegetable)

2 eggs, Beaten

1/4 cup water

1/2 teaspoon cinnamon

1/2 teaspoon nutmeg

1/2 teaspoon allspice

1/2 cup walnuts (optional)

Directions

  1. Preheat oven to 350°F.
  2. Sift together flour, salt, sugar, and baking soda.
  3. In a separate bowl combined pumpkin, oil, eggs, water, and spices.
  4. Then, combined with dry ingredients but, do not mix too thoroughly. Stir in walnuts.
  5. Pour into a well-buttered 9x5x3 inch loaf pan. Bake 50-60 minutes until a thin skewer poked in the very center of the loaf comes out clean. Turn out of the pan and let cool on a rack.
  6. Makes one loaf. Can easily double the recipe.
  7. If desired, you can use them in a muffin tin as well. They come out just as moist. If you use muffin tin bake for 20-25 minute.

Pizzelles

You need a pizzelle iron to make these cookies. I’m sure you can find one on eBay or at Amazon. I have an electric one that makes four pizzelle cookies at once. It’s over 30 years old. My mother gave it to me when she saw how much I loved those cookies. An Italian neighbor made them all the time.

Ingredients

3 large eggs

3/4 cup sugar

3/8 teaspoon salt

1 teaspoon vanilla

1 teaspoon anise extract

1 tablespoon anisette liqueur or Sambucca (optional)

1/4 cups anise seed

1 3/4 cups flour

2 teaspoons baking powder

1/2 cup (8 tablespoons) melted butter

Instructions

Beat the eggs, sugar, salt, and vanilla until well combined.

Stir in the flour and baking powder, mixing until smooth.

Add the melted butter, again mixing until smooth; the batter will be thick and soft.

Heat your pizzelle iron. Grease it as directed in the manufacturer’s instructions. As the iron heats, the batter will stiffen.

Cook the pizzelle according to the instructions that came with your iron. In general, they’ll take between 45 seconds and 2 1/2 minutes to brown.

Remove the pizzelle from the iron, and cool on a rack. If desired, use a pair of scissors to trim any ragged edges.

Dust cooled pizzelle with confectioners’ sugar, if desired.

Now that 2017 is drawing to a close, I’m ready for next year. 2017 was a bit of a slow and rather uneventful year for me writing-wise. I need to be more proactive. I plan on that starting Jan. 1 with my stint at Night Owl Reviews. I’m in an author chat that day at 8 PM EST. I’ll talk about my erotic romance novel No Restraint. Here’s the link to join in:

https://www.nightowlreviews.com/v5/Chats

See you there, and have a fantastic 2018!

A Mistress for Christmas

A bit of sexy holiday silliness…

A Visit from Mistress Nicole

‘Twas the night before Christmas.

Outside the snow fell,

But inside Club O,

It was hotter than hell.

The slaves were all hung

on their crosses with care

in hopes that their dominants

soon would be there.

The Doms were preparing

the racks and nail beds

with visions of ropework

and chains in their heads.

My pet wore her collar

and I with my tawse

was laying down stripes

red as old Mr. Claus.

 

When out at the entrance

arose such a clatter

I left my cuffed slut

to see what was the matter.

 

The light on her breasts

was like new-fallen snow

when compared to the crimson

silk corset below.

Her hair was like fire,

her lips were like cherries,

a ruby stud winked

in the dip of her belly.

Her black leather boots

clasped her legs to the thigh.

Her emerald eyes twinkling,

she raised her whip high.

 

“I’ve come to reward

all the masochist perverts

for all the year’s humble

and diligent service.”

Though purely a top

as you’re likely to meet,

I admit I was tempted

to kneel at her feet.

 

She strode through the dungeon

with oiled single tail.

Her lash made the subbies

all quiver and quail.

To each bottom’s lips

the delicious Domme bent;

she wouldn’t do more

till she had their consent.

 

But then she let loose

while we tops watched in awe

as she happily flogged

half a dozen subs raw.

“Now, baby – oh, boyo!

Breathe, girly – Now, Pet!

Take this now! Don’t you move!

Are you hard? Are you wet?”

As her whip kissed their flesh

we all thrilled at the sight,

while their asses turned scarlet,

their spirits took flight.

 

When at last she relented,

the ritual done,

we Doms found that we,

like our slaves, had all come.

 

And we heard her exclaim

as she vanished from sight:

“Merry Kinkmas to all!

May your bonds remain tight!”

 

Twelve Days… an epistolary epic for modern times

I think I was about six when I first learnt the whole ‘twelve days of Christmas’ song. Even at that age, the gifts on offer struck me as rather unmanageable in terms of frequency, quantity and accommodation. What sort of man, after all, sends their partner ten leaping lords?

And how does one convey one’s varying levels of gratitude for the continuous influx of peculiar gifts? By email, of course! The finely crafted email is the handwritten letter of yesteryear, and the means through which I intend to convey poor Donna’s yuletide saga…

Is there a learning point in this exercise?  Hmmm… yes, and no.

Yes, in that telling a story in the epistolary form is a good way of making the reader imagine all the chaos happening ‘off-screen’, so to speak.

No, in that it’s December, there’s shopping to do and nativity plays to attend, and I just wanted to write something fun rather than ‘educational’.

Have a great winter break folks, however you choose to celebrate.

 

^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*

On the first day of Christmas, my true love sent to me… a wanker with a spare key.

 

Dear Darling

I hope you landed safely in Riyadh and that you got a decent night’s sleep after the rough journey.

I found the sweet little note you left on the kitchen table—you have twenty-four gifts organised for me? Wow! One day at a time, eh? It’s a good thing I work from home; I can catch all those delivery men. 

However, as grateful as I am for the imminent arrival of lovely pressies, I would’ve really appreciated it if you could’ve warned me about ‘Spud’ (what’s his real name?)

I realise that you’ve served together and that he needs a place to stay for a couple of weeks, but he gave me a bloody great shock by arriving while I was in the shower. Literally! He apologised for needing the loo in an emergency, but he didn’t show much sense of urgency while washing his hands and face. That man cleans himself at the speed of a sloth giving himself a pedicure. Thank goodness for frosted shower glass! Let’s hope this has just been a case of first-day teething problems. I’m sure he’ll settle in.

Right – I’ve got dinner to make, so I’ll email tomorrow.

Donna

 

* * *

On the second day of Christmas, my true love sent to me… two dirty gloves

Hi love, quick text to say thanks for the first pressie. I love the pre-loved gauntlets. They’re very robust. I’m sure that if I ever need to handle a batch of thermite cacti then I’ll stay very safe, lol. Are we getting a stove? I’d love a stove. Some of our neighbours have applied to have one installed and they keep going on about not having to pay for heating anymore. Warm nights by the fire sound ideal to me—especially with that dodgy door leading out to the roof terrace.

Spud made an effort to apologise for springing in on me yesterday by bringing home burger and chips from Tony’s Takeaway. It was a nice thought but—alas, like the gloves—the chips had clearly been ‘pre-loved’ between Tony’s place and my front door.

Hope you’re getting through your first day okay. I know it’s always rough when you go back on tour. xxxx

 

* * *

On the third day of Christmas, my true love sent to me… three French hens!

Evening Dan

I hope you had a good day setting up and that you won’t get sent out to some grim fox hole straight away.

I now understand the gloves! The three French hens arrived in the early afternoon, and I needed the gloves to round them up and get them out of the kitchen. Damn their claws are sharp! They also move surprisingly fast once released from a cage. For the time being, they’re hanging out on the roof terrace. I had to nip out this afternoon to buy them a hutch (no idea what you call an enclosure for hens), and spent a good couple of hours trying to build it.

Spud isn’t hugely fond of the hens, I’ve noticed. He complains (without a hint of irony) that they’re ‘messy.’ Hmm. Sorry. I WILL try to stop complaining about my sudden house guest. If he could replace some of the red wine he’s been working his way through, then that would be grand.

Are the hens safe with pizza, by the way? I’ve noticed that pizza certainly isn’t safe around THEM.

Much love. I’ll try to call tomorrow.

Donna xxxx

* * *

On the fourth day of Christmas, my true love sent to me… four calling birds

Hi love

Just a quick note to say thanks for the calling birds. I’m afraid they turned out to be quite temporary presents. Spud left the door of the roof terrace open when he went for a smoke and the birds made a swift exit, stage left. The hens didn’t follow them, you’ll be glad to hear. Mind you, it’s probably a good thing that we don’t have seven birds roaming around the apartment. My neighbours slipped a passive-aggressive little note under my door this evening, asking me if the ban on pets had been relaxed.

You have the greatest imagination for gifts but I’m not sure our flat is really designed to accommodate quite so much wildlife 😉 (gentle hint).

Right, I’m behind on my work so I’d better spend a few hours catching up. Love you lots

D xxxx

 

* * *

On the fifth day of Christmas, my true love sent to me… five gold rings!

On the sixth day of Christmas, my true love sent to me… Six geese a-laying

Dan

I know things got heated on the phone, and I’m sorry we argued. But I did try hinting that I couldn’t take on any more animals. Goose eggs might be great for Christmas, but the bloody geese aren’t. They’re like miniature forces of destruction. I’ve already had to sell two of the five gold rings to cover the cost of repairing my furniture and getting the carpet professionally cleaned.

It’s all very well telling me to put the geese on the roof with the hens, but these geese:

  1. a) are unexpectedly murderous – we only have two French hens now
  2. b) aren’t having any of this sit-in-the-cold rubbish. They like being warm, it seems.

We managed to get all six of them outside, but after their streetfight-showdown with the hens, they lined up by the doors, giving us death stares through the glass. Even Spud was freaked out in the end. Sorry love, but tomorrow morning, those geese (and the hens) are going straight to the park on Millbank, where they can squawk, cluck and screech to their hearts’ content.

 

* * *

On the seventh day of Christmas my true love sent to me… seven swans-a-swimming

======================================================

OUTGOING TELEGRAM OFFICE: RAF_LN

DESTINATION OFFICE: SdA_Rh

Attn: Captain Daniel Forrester

======================================================

Stop it with the bloody birds STOP 

Swans are fucking evil STOP

Send me one more bird (or creature) and we’re finished STOP

======================================================

* * *

On the eighth day of Christmas, my weirdo sent to me… eight maids a milking

Dan

I’m tempted to email your CO and ask him to send you for a psych-eval.

What in the name of the fat noodly fuck am I supposed to do with these maids? WE DON’T HAVE ANY COWS! We don’t even have any room for them to sit anywhere, let alone stay here. They’re just wandering around the flat, clenching and unclenching their fists, looking lost, libidinous and weird.

Spud’s cheered up for the first time in a couple of days. He’s convinced he can get at least four of them to ‘milk’ him. He’s an annoying git, but I’ve seen the ‘goods’ and can understand why he thinks he’s a two-maid job.

I’ve spent the money from gold ring #3 on minibus hire so Spud can drop the maids off at various railway stations tomorrow.

I missed my publishing deadline, by the way. Thanks a bunch for keeping me so busy.

Donna

Ps: please, please tell me that there aren’t any cows coming? That should be a stupid question, but I wouldn’t put anything past you anymore.

 

* * *

On the ninth day of Christmas, my dickhead sent to me… nine ladies dancing

Dan, allow me to summarise. Nine ‘ladies’ dancing in the corridor = eight morally offended neighbours = 7 formal complaints to building management = six rude messages left on my voicemail = five equally irate messages left on their voicemail (I’ve blamed you, by the way) = four dancing ladies being arrested = three arrested ladies demanding I pay their bail = 2 hours sleep last night, and one furious EX-FIANCÉE.

 

* * *

On the tenth day of Christmas, my ex-dick sent to me…  ten lords a-leaping

You immature tosspot! The last thing I need while I’m packing is a bunch of drunken peers flinging themselves around the flat. I don’t know WHY I even answered the door.

I’ll be as glad to leave Westminster as I am to leave you. Spud was my hero today. Using a cattle prod, he persuaded all ten lords to make themselves useful by carrying all my boxes down to the moving van. It seems that Spud doesn’t like being leapt upon any more than I do.

 

* * *

On the eleventh day of Christmas, my true love sent to me… eleven pipers piping

Joke’s on you, buster. When you get home, you’re homeless. We’ve been evicted. Spud has found a two-bed apartment in Lambeth. I’m moving in with him.

Have fun sweet-talking the bailiffs and reclaiming your worldly goods from SCARY_BLOKES_STORAGE.com.

 

* * * 

On the twelfth day of Christmas, your ex-girlf sent to thee… twelve drummers coming

Hi Dan!

Thanks for your call. I couldn’t make out much of what you were saying—you really ought to shout more slowly when calling overseas—but I gather that you objected to the early-morning bukkake shower.  Spud and I both felt that, after so many angry messages, we ought to try showering you with love and affection. I’m only sorry we weren’t there to see you receive your unexpected bounty. And in answer to your question, yes, the drummers will follow you around, alternately drumming and coming for the rest of the day.

I trust there will be no more Xmas gifts from you.

Be well

Your ex, Donna xxxx

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