Month: September 2019

Falling In Love With Gothic Romance

It’s been Autumn in the northern hemisphere for a few days. This time of year the temperatures go down and the leaves fall from the trees. Bring out the hot cocoa, apple cider, maple candy, and of course pumpkin everything. And don’t forget the pumpkin spice!

Halloween is at the end of October. I decorate our home with candles, statues, jack o’ lanterns, black cats, and skeletons. I bake pumpkin bread and gingersnaps. Want to make this season extra special? Watch a few gothic romances while you sip your hot mulled cider. Not sure what to watch? Here are a few suggestions.

The Phantom of the Opera – Lon Chaney may have been one of the first to make the role of the Phantom famous, but later versions brought out the true romance of the story. This is a classic tale about an obsessive love. Whether you enjoy the musical or a movie version of the story, this one is well worth a watch. There is even a version starring Charles Dance. Imagine Tywin Lannister as the Phantom. You may find it on Youtube.

Ghost – That scene between Patrick Swayze and Demi Moore at the potter’s wheel is one of the most sensuous and iconic romantic scenes in the movies. Watch this one with someone you love.

Jane Eyre – Some of us read this book in high school and loved it. It is a tale of forbidden romance. There aren’t many lovers as tragic as Jane Eyre and Edward Rochester.

Wuthering Heights – Another high school read. Cathy and Heathcliff are star-crossed lovers. The storyline can be convoluted, especially the intertwining family trees, but it’s well worth the effort.

Rebecca – Daphne du Maurier is the queen of Gothic fiction. Rebecca is a classic tale with a great twist at the end.

Interview With The Vampire – Homo-eroticism at its finest. This movie is brimming with sexual tension. Vampires have long been associated with the erotic as well as with death and fear. Combine the two and you have some powerful storytelling.

The Vampire Lovers – Lesbian undertones for those who enjoy the female variety. This Hammer Films retelling of J. Sheridan LeFanu’s Carmilla has long been a favorite staple of horror lovers, but its sensuality makes it a perfect fit for a romantic and decadent Autumn night.

So wrap yourself and someone you love in a comfy blanket on the couch, kick back, and enjoy the sweet coziness of Gothic romance. Whether the lovers get together in the end or if they are tragically star-crossed, you’ll enjoy cuddling while the plots play out. Make sure there is plenty of mulled cider on hand and enjoy the crisp Fall season.

———

Elizabeth Black writes in a wide variety of genres including erotica, erotic romance, horror, and dark fiction. She lives on the Massachusetts coast with her husband, son, and her three cats. Her story “The Beautiful Move in Curves” appears in “Dangerous Curves Ahead”, an anthology of sexy stories about plus-sized women. Look for it at Amazon.

Web site: http://elizabethablack.blogspot.com

Facebook: https://www.facebook.com/elizabethablack

Twitter: http://twitter.com/ElizabethABlack

Amazon Author Page: https://www.amazon.com/author/elizabethblack

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Keeping my eye on the ball

There is no way around it, I suck at finishing stories. Over the last several months, I’ve written over one-hundred thousand words yet haven’t published a darn thing. There should have been two or three smut stories that I could have pulled off my computer, but nada.

By the same token, I’ve had to tape additional paper on the bottom of my sales chart to hold the line that is pointing towards the floor, when it should be pointing to the ceiling. With SmashWords, my sales are relatively stable, but Amazon is another story.

Amazon’s 30-day cliff means that a month after releasing a story, the door to the basement opens and your rating gets kicked down the stairs. So in a perfect world, I’d be publishing at least every month to maintain my author’s rank, but no, I can’t seem to accomplish that no matter how hard I try.

I’m so easily distracted by shiny objects even when I know that I should keep my eye on the ball and finish what’s in front of me. Unlike most other writers, I’ve had little training on how to write beyond a Technical Report Writing course I took in college.

My story ideas come to me out of the blue, often when I see something that sparks a train of thought to begin in my mind. Too often, what I find is that these flashes of inspiration will come as I’m typing madly away on some story.

My latest saga started when I finished House Party, where Foxy ran off with a movie producer to Los Angeles. This story is the first one where Foxy and Larry had a less than optimal outcome to a story. Assuming you’ve never read one of my stories from the Foxy and Larry series, they are a fictional version of ourselves. I started writing porn to give me the opportunity to talk about some of our adventures in swinging.

What I discovered is that I really enjoyed writing smut stories but quickly realized that I should have picked different names for my two main characters, but that’s water over the bridge. Not being a trained writer, the last almost seven years have been on the job training, so hopefully, I’ve grown.

For us being in the Lifestyle has always been fun and never something we fought about. This has always been reflected in my stories, yet I know that stories should have conflict, which I tried to inject in House Party with Foxy running off with another man. The bitch!

As I write House Party 2, I’m attempting to rectify the heroine running off and bring her back home. As I approached 50,000 words, I got the bright idea of what could happen if two sexually unsatisfied co-workers decided to solve their problems by swinging, while their hubbies watched Monday Night Football.

Now, this new story is approaching 45,000 words and is actually more complete than my first story, House Party 2. At this point, I have two stories that are each about 90% finished when wouldn’t you know I watched a German Goo Girls (GGG) movie on my computer. If you’re not familiar with Goo Girl movies, they are an offshoot of Japanese Bukkake, which are girls getting their faces covered with jizz and often don’t have sex, depending on your definition of what sex is?

In Goo Girls, they have sex then get their faces painted, so it’s the best of both worlds! That got me thinking about the ending of Crashing the Swinger’s Pajama Party, where Foxy sells a neighbor’s wife to a Goo Girls movie producer for ten thousand dollars, and she’s required to star in his shows for six months.

After releasing that story, I’ve had several fans write to ask when I’m going to cover Samantha’s adventures in the German Goo Girl movie business. Now I’m trying to flesh out my thoughts on the story before forgetting my train of thought.

Now I have three stories under active status, yet nothing is going out the door. Hopefully, I can focus long enough to finish something without another thought hitting me. The way my typical storyboarding process works is that I’ll get an idea, then let the characters start working the scenes in my mind.

My initial thought is to write down enough about a potential story that I can pick up the story at a later date and finish it. What often happens to me is that as I write up my notes on the new story, I become more interested in it and shift my attention to the new story.

That wouldn’t be too bad except that my imagination doesn’t stop working, and I’m continually coming up with story ideas, which just repeats the problem. It would be sweet if I could focus on one story and finish it before starting a new story.

My draft folder is full of stories that are half to three-quarters finished as I keep getting off track. Maybe one day, but what the hell!

For more from the irrelevant mind of Larry Archer, check out my blog at https://LarryArcher.blog Until this time next month, I’m off like a prom dress.

Keeping ‘Em Coming

Image by Khusen Rustamov from Pixabay

Here at the ERWA blog, we discuss a wide range of issues related to the business and craft of writing. In the past few months, we’ve had great articles on research, writer’s block, creating covers that sell, revision strategies, online marketing, and pruning to reduce word count. Today, I want to cut to the chase, take the bull by the horns, and talk about what distinguishes our genre from writing mysteries, or scifi, or political thrillers. Yes, I want to talk about writing sex scenes. More specifically, I want to offer a few suggestions on how to make your sex scenes more effective: more engaging, more interesting and more arousing.

Who am I to give you advice? Not the best seller I’d like to be, certainly. Still I’ve been writing and publishing erotic for more than two decades, and most of my fans think my stuff is pretty steamy. Plus, I’ve read an enormous number of sexy stories, for editing, reviews and of course my own pleasure. I think I know what works – or at least, what works for me. As always, your mileage may vary. Feel free to take what you find useful from this post and toss the rest in the trash.

There’s a misconception that writing sex is easy. After all, almost everyone has had some personal experience. In addition, when it comes to sex we have a vast cultural repository of tropes, kinks, and classic scenarios to call upon for inspiration. Getting your characters together to do the nasty seems like it should be straightforward. In my experience, though, it’s anything but.

When I can make the time to write, I’m pretty fast at turning out decent prose. Sex scenes, though, take me much longer than any other part of my books. I can write a page of dialogue in ten or fifteen minutes. Sexual encounters may require hours before I’m happy with them. (I’m not including time off to go relieve the tension, either!) I’m not sure why this is true. Maybe I’m nervous, too aware how critical the sex scenes are to the book’s success. More likely, I’m working really hard to capture aspects of experience – smells, tastes, textures, weight, pressure, levels of force, and so on – that are fundamentally beyond words. Despite all the books that have been written, despite all the poems and songs, conveying the true excitement of sex using language is close to impossible.

Still, we intrepid erotica authors have set ourselves this impossible task (cue music from Man of La Mancha), and we can’t seem to stop tilting at our carnal windmills.

My suggestions here won’t necessarily make things any easier. However, they might improve the ultimate outcome.

Less is More

How long should your sex scenes be? One page? Five pages? An entire chapter? The answer depends to some extent on your sub-genre and audience. However, as a reader I find it hard to maintain interest in a really long sex scene, unless it’s exquisitely written. Indeed, I admit I’ve skimmed through plenty of sex scenes, especially when the activities were commonplace and the outcomes were predictable.

A long time ago I read a wonderful article in which a gay erotica author (maybe Lawrence Schimel) compared erotic scenes to a radio drama. People used to sit around their radios for hours, listening to conversations and sound effects and weaving together the stories in their minds. The bandwidth of an audio-only presentation was pretty low. Hence, each listener brought a great deal of her own self to the story. The work itself sketched out the skeleton of the narration; it was the listener who put the flesh on those bones, using imagination and desire to fill in the gaps deliberately left by the author.

Erotica, I believe, is the same, at least partly because sexual experience is so difficult to describe. Oh, you can offer up a million details about bodies, cocks, clits, assholes, breasts, thighs, tongues and so on. But that’s not enough to bring a sex scene to life. Erotica arouses us when it evokes an answer from within us, when it kindles a memory, triggers a fantasy, or tickles a deeply buried fear.

When I’m writing sex, I’m very conscious that less is more. Sometimes I can bring my readers more fully into the scene by leaving out some of the nitty-gritty details, even by cutting off the action before the supposedly inevitable climax. A page or two may be enough to accomplish my task, leaving the reader breathless and wanting.

Variety is the Spice

A few months ago, a Storytime member, in posting an intense BDSM-flavored tale, apologized because her characters had anal sex as their first sexual interaction, instead of what she thought of as the “standard” progression of oral → vaginal → anal. I cringed a bit – and applauded her willingness to break what she saw as the rules. The way I see it, the more variety there is in a story’s sex, the more it shatters the stereotypes and pushes the reader into new territory, the better. Let your sex scenes surprise and delight the reader.

Maybe the sex isn’t reciprocal. There’s a belief that all participants must always have climaxes, but that’s not realistic, and it gets boring. Doing can be as erotic as being done to.

Maybe the sex acts are limited, by the environment or by design, so that there’s no penetration, for instance. That just ramps up the tension for your next scene. On the other hand, perhaps things get really wild and crazy, with mermaid-bound women on crutches, yogurt-filled strap-ons, nuns tumbling down on parachutes, a whole horny rugby team descending on a pre-wedding party…

And of course, there’s always room for toys, kinks, taboos, gender-bending, practices your characters might have dreamed about but never dared to try.

One of my pet peeves in erotic novels involves a series of sex scenes that are more or less the same. They all include foreplay, penetrative sex and mutually satisfying orgasms. Of course there’s nothing wrong with any of this – but if you’ve done it once or twice, why not try something else?

Don’t Hesitate to Escalate

Especially in longer works, you might want to think about your sex scenes not as isolated invitations to wank, but as a progression of increasingly intense experiences for your reader. I discussed the concept of escalation in a post last year. I don’t want to repeat myself here, but I recommend that you consider the role each sex scene plays in the story you’re building. Don’t shoot your whole wad right away. (So to speak!) You might want to hold back earlier in your tale, teasing the reader with less complete, intimate or transgressive scenes, then gradually work up to full-out fuck-fests that will curl your readers’ hair.

It’s All Sex

Freud was right. In compelling, arousing erotica, the sex doesn’t start when one character kisses or touches another. The build-up to your sex scene counts just as much as the physical contact. Mutual glances, shy or heated – flirting or innuendo – an unexpected exposure to strangers engaged in sexual activity – reading a sexy story or watching a movie – you might think of these aspects of your story as separate from your sex scene, but I believe this is a mistaken perspective. The non-explicit parts of your tale increase the reader’s excitement, sexual tension, and anticipation. They’re essential for raising the temperature, so that by the time your characters interact physically, they’re ready to burst into flames – as is your reader.

As I mentioned earlier, my work is generally considered pretty hot. Yet if you looked closely, you might be surprised by the relatively modest amount of time I spend on the “actual sex”. I probably spend twice as long, on average, building up to the official sex acts in the scene.

Beyond Meatspace

Some people consider sex to be an essentially physical instinct, a simple itch to be scratched, a hormone-governed compulsion to rut that highlights our fundamental animal nature. I’m not going to deny the biological imperative of sex. However, society, culture, personal experience and individual personality layer multiple levels of meaning on the act of intercourse. This supposedly simple physical act has become embedded in a complex web of belief, morality, fantasy and emotion. Our sexuality is inextricably entwined with our identity. We are likely the only animals who spend less time engaging in sex than thinking about it. The infamous Rule 34 (if it exists, someone’s kinky for it) highlights the uniquely human predilection to imbue inherently non-sexual actions or objects with an erotic charge.

When you’re writing a sex scene, you can (and in my opinion, should) take advantage of the emotions that accompany (or perhaps even drive) the sex. Show your readers what a particular sexual act means to your character. How does it affect his or her feelings? What desires does it trigger? Does the character feel a psychological connection to her partner(s)? Is she frightened of her own lust? Embarrassed? Jubilant? Powerful? Does the situation remind her of past lovers or long-cherished but forbidden fantasies?

A sex scene that pulls your reader into the head of the protagonist has a lot better chance of arousing her than one which lingers on the surface, dwelling solely on wet cunts and hard cocks. After all, your readers have to imagine the physical part (unless they’re masturbating while they read, and even then, there’s limited verisimilitude). Getting them to identify with your character emotionally is the key to getting them off.

Examples

I had planned to include one of my own sex scenes as an illustration of my points, but this post is already far too long. If you’re interested, you can read some of the scenes I’ve posted on my blog and judge for yourself whether these suggestions are effective.

https://lisabetsarai.blogspot.com/2019/05/sizzling-sunday-gazillionaire-and.html

https://lisabetsarai.blogspot.com/2018/08/sizzling-sunday-velvet-lesbian.html

https://lisabetsarai.blogspot.com/2018/07/sizzling-sunday-exclusive-excerpt-and.html

Thanks for reading!

 

Writing from the Facts (well maybe not everything…)

When we write about erotica, we write from memory or what we want to see happen. In this type of writing, be careful it is from a true life event. One would never want to be sued by a misrepresented character in a book that was written with the likes of someone else that is actually known in a community or place that is frequently visited.

There are a few things that should be remembered when writing from your truth: make sure the remarks about a person are not defamatory, make sure that there is no issue with invading a true-to-life person’s privacy and make sure that there is in no way any unwarranted publicity or public humiliation.

We live in an age of entitlement and where people sue for anything. A writer should not want their royalties to go to paying off a defamation suit and not being able to have readers read what they have written. It will also provide your readers with reason not to trust your writing and other not to trust you with personal conversations or other information.

With “Big Brother” everywhere, people value privacy, no matter what. If Amazon can be sued for Alexa listening in on private moments, please don’t think that someone will not come for your words, in print, if it reveals someone’s private moments and thoughts. Make sure the writer always has disclaimers in the beginning of the book. Never use any recent full names or images from anywhere that is less than 100 years old. They have to be rightfully dead for 100 years, not assumed dead.

If a writer are ever accused of defamation, consider taking the book out of print, publishing a retraction and then putting out a new edition of the book without the information available in it. Always have editors and attorneys review the manuscript if it is believed that the fiction touches really close to true life.

Allow skeletons to lie in the closet unless they are truly meant to be unearth with no issues or ghosts haunting your doorsteps. Subpoenas are not hard to get and the writer’s words could get them served. If a writer wants the real interesting true-life information, take time out to go to the courts and look up publicly disclosed information.

If a writer wants to write the truth, write the whole truth and not just from a single point of view. Make it factual. Do not leave out the slightest detail because that could put the other person in a false light and the writer would could be sued as well.

Just a few common sense reminders to keeps us on our toes. One never knows when the words are printed whose life we actually affect.

Happy writing.

 

Raising the Dead: Clickbait

Last time on Raising the Dead, we talked about your self-published stories that have just…ahem, gone to sleep. Tanked. Carked it. Better euphemisms come to mind, but Monty Python used them all in The Parrot Sketch (“’E fucking snuffed it!”) Specifically, we talked about Phase 1 of Reanimating Literary Corpses: Sexing up your Title and Keywords (also colloquially known as Hung Alien Jocks Drill Astro-Cheerleaders, though perhaps only to me).

If you’ve already read Phase 1 and applied those learnings to your dead or dying erotica, your title is now so sexy it smoulders, and your keyword game is tighter than an Icelandic nun. Should you expect to instantly start selling more books?

You already knew the answer to that, and it’s “not necessarily”. Making your eBook discoverable is just the first step in the journey. Now that you’re in a reader’s search results, what you need is for them to click.

Erotica that just Clicks

How do you choose fruit at the grocer? Do you look first at the sticker to see what variety of apple it is (Gala, Pink Lady, Fuji)? Do you look first at the price?

How about clothing? Do you look first at the label to see what fabric it is? Do you first try every outfit on to see which is most comfortable?

These are all important considerations, but they happen after the click. The click means you’re interested. The click means you might buy this product. At the grocer, the click happens when you pick up the apple. At the boutique, it happens when you touch the garment. Your focus switches from the endless variety of products that surround you to the one specific product in your hand.

In the eBook store, this focus shift happens when you click the mouse. People look, they like, then they click. They don’t look at the words though; they look at the pictures. Apples must look delicious. Dresses must look stylish/attractive.

eBook erotica must look sexy.

This is a very roundabout way of stating a simple truth: erotica is sexy. No sexy means no click. No click means no sale. If your smut’s not selling, ask yourself—is your cover sexy enough?

Define Sexy

Not everyone is going to agree with me on this. Not everybody wants a sexy slut or a well-hung hunk posing on their eBook. Some people like thought-provoking covers. Some people like minimalist covers. Some people actively look for the cover that stands out from the pack—the one that takes the road less travelled.

And they’re right. That does happen. It’s just that more people choose a sexy cover. If you don’t believe me, here’s a link to Amazon’s Erotica Top 50. Yes, there are a small number of non-sexy covers. You too might strike it lucky and sell smut without a sexy cover, be my guest, but if you want to play the numbers, stick with sexy.

So, pick a cover with a sexy model. Right?

No.

No. No. No. I can’t stress this enough. A sexy model and a sexy cover are two very different things. The biggest and easiest mistake to make is to choose a cover that is merely relevant, but not sexy. The book is about phone sex, so you pick a beautiful woman—nay, a sexy woman—holding a phone. Hear that sound? It’s your book dying. It doesn’t count that the woman is beautiful. It doesn’t even count that she’s sexy. She needs to be actively sexy. She needs to be doing something sexy. Ideally, she needs to look like she’s mere seconds away from doing something that would be considered pornographic.

Look through stock photos and mark the ones that make you feel aroused (watch out for nudity—you don’t want to be censored). I bet they’re active. I bet something is happening in the photo—or about to happen. It’s not just an image of stuff; it’s a moment from an active scene that has a very happy ending. This is the type of cover photo you want on your eBook.

Yes, your cover needs to be relevant. Don’t put a MILF on a sorority romp short. Don’t put a flat-chested waif on a BBW romance. It’s easy to over-think cover selection though—trying to find a model who looks just like your main character, hunting for elements mentioned in the story—buyers do NOT care. Remember, all you’re looking for is one click.

It’s a very simple test. If you don’t find the photo arousing—and I don’t care how perfectly, cleverly, satisfyingly relevant it is to your title—then walk away.

Actively Sexy. Got it. Anything else?

I’m tempted to say no. If you can nail an actively sexy cover, you’re nine-tenths of the way done with your erotica cover. There are still ways to screw it up with terrible cropping, futzing up the colours, using an awful font or indiscriminable text, but no amount of photoshopping is going to save you if you’ve picked the wrong image.

If you’re buying your cover or hiring a cover artist, you’re just about done. Those guys should have the skill to compose a good cover around the right image, just find and show them some stock photos that you find arousing. They can use them for inspiration. This was how we put together the cover for ERWA’s ménage erotica anthology, Twisted Sheets. We started with an idea—a near naked woman with hands all over her—and collected a bunch of sample photos for our divinely talented cover artist, Willsin Rowe. Willsin didn’t use any of those photos, but what he came up with was better even than we imagined. It was actively sexy.

If you’re doing your own cover, here are a few tips:

  • If you don’t have Photoshop, download Gimp. It’s free. It is hard to learn, but very much worth it. If you start with an easier program, you’ll top out on the features early, and then to get to the next level you’ll have to start at ground zero with Gimp or Photoshop.
  • Learn about layers and layer masks. They are critical to Gimp success.
  • Learn how to adjust brightness and contrast. There are advanced techniques that make the colours in the image pop without yellowing skin tones. Look for tutorials on YouTube.
  • Use a drop-shadow to make text more discriminable. Learn how to use gradients behind text if it’s getting lost in the image.
  • For square-ish or landscape photos, learn how to blend the edges of the photo into a background.
  • Crop the photo tight around the model. Don’t be afraid to chop off body parts, even heads, to get more skin in shot. I think it was Churchill once said, “You don’t look at the mantle when you’re stoking the fire.”

Now go get yourself some Sexy

Title and keywords make you discoverable.

An actively sexy cover makes you clickable.

Are we done with Raising the Dead? Ha! You know we’re not. Now you need to close the sale. But that’s a topic for another blog. For now, go get yourself some sexy and see if your numbers pick up.

Book Snobbery

By Ashley Lister

I don’t have a lot of time for snobbery when it comes to reading and writing. It’s a shallow demonstration of idealised values that only serve to make everyone miserable. Book snobbery is perhaps the worst example of this.

I worked with someone (many years ago) who dismissed my writing as ‘those sorts of books’. When I asked her what she meant by that, she gave me a patronising look and told me that what I wrote was of no value. I think, in the conversation that followed, the word ‘twat’ might have occurred once or twice. If I recall things correctly, it was an exchange that only served to make us both miserable. She was miserable because she thought I’d said ‘twat’ too often. I was miserable because I hadn’t said it enough.

Whilst I understand everyone is entitled to their opinion, I get frustrated when some people voice their opinions based on nothing more than hearsay and ignorance.
I’d heard this same individual (and many others, to be fair) voice similar opinions about the lack of worth in contemporary romance novels. I’m not trying to say that pulp contemporary romance is comparable to Shakespeare for its content. But I’m happy to admit I’ve read contemporary romances and cried at the Happy-Ever-After conclusion. I’ll be even more honest and admit there have been some Shakespeare stories which haven’t had that sort of impact on me. Am I supposed to embrace the facileness of book snobbery and claim that Shakespeare is always superior to modern writing? Or would it be better for me to be honest and admit that some of the supposedly literate stuff goes whistling over my thick head, whilst some of the less highbrow material hits me straight in the gut? If I do make such an admission, am I admitting to having a flawed sense of judgement?

I’ve heard lots of people dismiss the Fifty Shades series with this sort of book snobbery. I have to admit, I’m not a big fan of the series. But I also have to admit those books touched a huge audience and they allowed BDSM erotica to be accessed by a mainstream audience. Maybe they didn’t work for me. But they scratched an itch that was felt by more than 50 million readers, so it would be disingenuous of me to suggest that they don’t have some worth. They’ve introduced readers to my favourite genre, and they’ve given BDSM fiction a veneer of respectability. Book snobbery in the face of such success would be hypocritical.

I’m not sure who’s meant to be impressed by book snobbery. If I disparage the genre you enjoy reading, does that prove my tastes are more sophisticated? If so: why would you care? Do the opinions of a book snob matter to anyone?

More importantly, if I was a book snob, why would I care what others are reading? Am I simply trying to impress everyone that my tastes are superior? Or, is it more likely that I have a shallow need to make myself feel important by pissing on the achievements and the enjoyments of others?

I’m not saying we have to love every book that’s out there. I’m not suggesting we have to embrace genres that cover subjects we don’t enjoy. I’m not even advocating that we sing the praises of authors who produce work we don’t like. But I would like to say – if you’re going to criticise a book, genre or author – make sure you’re criticising them for a valid reason: not simply to make yourself look clever by disparaging what others have done. That level of book snobbery only ever serves to make everyone miserable.

Hot Chilli Erotica

Hot Chilli Erotica

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