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Tips for Typing Terrific Tales

by | Aug 11, 2018 | Editing Corner | 3 comments

Squirrel!

Looky there. It’s a flying rat.

I know you already knew it.

It was here that I knew that Colonel Plum did it in the bathroom with the pipe wrench and “WHAM!” That is how it happened.

I have some type of attention deficit disorder; however, I have not been diagnosed, but I do know…

SQUIRREL!!!

Write over it.

Ok. Wait.

Where was I?

I ain’t got no clues present to get me back to the beginning, but I don’t want to start at the beginning because it is way too long ago and I can’t catch you up to speed.

Anyway, this was to get you to understand that holding the audience’s attention, maintaining good grammar and the story structure are the three very important parts to writing a story. The audience is your fan base and beyond. You know not to tell your audience anything unless it will not come out. Your audience is who you write for and make sure that the plot moves along. Make sure that you’re writing for your intended audience instead of trying to please everyone.

We always talk about speech tags and their overuse of speech tags like “she hissed,” “he snapped,” “she stammered,” get irritating fast. Likewise, reading a character’s name too often in dialogue can be a turn off. Avoid more than the occasional “um” or “well,” or “er,” and keep dialogue realistic, but more coherent. Also, make sure the words that are grammatically correct. IF the language that you are relaying your story in is not your first language or you’re not completely fluent, make sure to get assistance.

Your writing style, tone, character motivations, or even plot might begin one way and, unintentionally, change at some point in the book. Be especially aware of small details like names, occupations, physical descriptions of people or places, which can all fall prey to inconsistencies over the course of 300+ pages. Something to look at for writing style is “Eats Shoots & Leaves” by Lynne Truss and reading a few articles from Michael Hauge will assist in this category.

Make sure that when telling your story begin at a point that can be referenced back to in the story. Chronological stories are good, but there are some times the chronological order of the story will not bring the story to where it needs to be. If all the good stuff happens at the beginning, or if nothing exciting happens until the end, your reader will be frustrated with the rest of the book.

This is what gets me. Knowing when and where to begin your story. There are some that say that you should begin your first major plot point within the first 25% of your story or you can jar the balance of how the story arc falls. Some say that you can start your story chronologically and then work backwards to the event. Within each set of “rules” there is always time. Time is a factor in everything. If you give the audience too much too soon, then there is nothing else to read. If you make the audience wait until the last chapter to find out anything, you may lose your audience. You want to provide just enough, but no one ever knows when to say when and that is why we have editors.

I have gotten better at finding a balance in the information that I do provide my readers; however, that is after a lot of help from people in ERWA who help hone my skills for writing. There are other resources that can assist you if you have not subscribed to our Storytime List and those resources are:

“Damn Fine Story: Mastering the Tools of a Powerful Narrative” by Chuck Wendig and “The Emotional Craft of Fiction: How to Write the Story Beneath the Surface” by Donald Maass.

There is a TedX video that brings in circularity, symmetry and a few other things to light for writers. That link is here: https://www.youtube.com/watch?v=VUT6GQveD0E (I do not own the rights to this video, I am just sharing it.)

All in all, in order to write something that someone else wants to read, make sure that you can capture and keep their attention, make sure your vocabulary fits your scenery, that you are aware of small detailed changes so there are no mix ups, and start at a good place in the story so that it can keep going and then finish it with something memorable.

SQUIRREL!

Made you look!

 

 

About the Author Iris Perkins

3 Comments

  1. Fun way to make some excellent points, Iris!

  2. > If you make the audience wait until the last chapter to find out anything, you may lose your audience.

    True dat. I love mysteries, but I hate when the writer leaves no clues to an impossible mystery and then drops the unguessable twist at the end.

  3. Very good advice! I’m terrified of plot arcs falling the wrong way. It’s just amazing how much can go wrong in a novel length book…

    Meno<3

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