Confessions Of A Literary Streetwalker: The End Of Erotica By M.Christian

by | April 9, 2017 | Confessions of a Literary Streetwalker | 2 comments

The End Of Erotica

I want erotica to vanish, to disappear as a literary genre, to utterly and completely GO AWAY.

Am I biting the hand that’s fed me? Sour grapes? Making noise for the sake of noise? It’s none of the above, so hear me out.

Erotica exists because a need wasn’t being met. Readers looked around at movies, books, television, and every other medium and noticed that something was missing. Rob and Laura Petrie had twin beds, and Ricky Ricardo and Lucy pulled off a trick not seen since Mary got knocked up by a ghost: a virgin (as far as we know) birth. If a book managed to actually talk about what happened behind closed doors and under the sheets, it was immediately banned, burned, or branded INDECENT.

So then came erotica: a peek behind those doors and under those covers. Sex was out in the open and, more importantly, it was profitable. Sex sold, and very well – and with anything that sells well, the people doing the selling began to make more and more and more of it.

That, in itself, isn’t a bad thing. After all, if sex didn’t sell we wouldn’t have MTV, Fox, beer ads, Britney Spears, Ron Jeremy, the entire literary erotica genre, or even the Erotica Readers and Writers Association and my column. But all this and more is popular, and remains popular, because it doesn’t exist anywhere else.

Pick up a book, switch on the tube, plop down half your paycheck for a movie ticket and sure there might be hints, suggestions, or allusions, but that’ll be it.

Meanwhile, out here in the wild woolies of smut writing, we continue to write books and stories that address what no one else seems to be talking about: sex. The problem is that for the longest time, we were part of an opposite but equal problem, which was talking about nothing but sex.

Luckily, this has been changing. It used to be that just simply writing s-e-x was enough, but as the public started to get more, they also began asking for more. Editors, publishers and (more importantly) readers have responded by demanding erotica with depth, meaning, wit, style, and sophistication – and writers have been doing exactly that, pushing the boundaries of what sex writing can be.

The result? Erotica writers have created a genre worthy of respect and serious, non-genre attention. This is a great time to be working in this field, because for the first time writing about sex is not a guarantee of condemnation or exile to a professional Elba. Erotica writers are breaking out and otherwise mainstream publishers are beginning to pay serious attention to the marketability of sex. Because of what’s developed in the genre, they can sell it without blushing.

This is a good thing for another, more important reason. It’s crystal ball time: as erotica becomes more and more refined and mature, more elegant and accepted, it may very well begin to be accepted as a valid and respected form of literature. But what I really hope will happen is what’s happened with many other genres: assimilation. It used to be that anything to do with time travel, aliens, or space travel was exiled to science fiction. Then came a renaissance in that genre, and a subsequent use of the old elements in new ways – Kurt Vonnegut comes immediately to mind. The same thing has happened with mysteries, horror, romance, comic books (excuse me, ‘graphic novels’), television, and so forth.

As the sexually explicit techniques and methods developed in erotica permeate other genres, the need for erotica as its own separate, unique place in bookstores will fade, and then vanish. Erotica will become what it always should have been: a part of life, legitimate and respected – not something to be ashamed of, hidden away, or even just separate.

How will that serve us in the erotica-writing world? Wonderfully, I think. Erotica is fun, and I definitely believe that, but it’s only one genre. As we become better and better writers, trying new things, new techniques, and dipping our toes in new pools, other venues will open up, other – better – playgrounds to frolic in.

Sure it might be scary, once erotica merges with the rest of the world and fades away as a genre in its own right. But think of how much better that world will be, a place where sex is something to be talked about, celebrated, and understood without fear or shame.

Our genre may disappear, and could utterly and completely go away – but we will have accomplished something remarkable:

We changed the world.

M. Christian

Calling M.Christian versatile is a tremendous understatement.
Extensively published in science fiction, fantasy, horror, thrillers, and even non-fiction, it is in erotica that M.Christian has become an acknowledged master, with stories in such anthologies as Best American Erotica, Best Gay Erotica, Best Lesbian Erotica, Best Bisexual Erotica, Best Fetish Erotica, and in fact too many anthologies, magazines, and sites to name. In erotica, M.Christian is known and respected not just for his passion on the page but also his staggering imagination and chameleonic ability to successfully and convincingly write for any and all orientations.

But M.Christian has other tricks up his literary sleeve: in addition to writing, he is a prolific and respected anthologist, having edited 25 anthologies to date including the Best S/M Erotica series; Pirate Booty; My Love For All That Is Bizarre: Sherlock Holmes Erotica; The Burning Pen; The Mammoth Book of Future Cops, and The Mammoth Book of Tales of the Road (with Maxim Jakubowksi); Confessions, Garden of Perverse, and Amazons (with Sage Vivant), and many more.

M.Christian's short fiction has been collected into many bestselling books in a wide variety of genres, including the Lambda Award finalist Dirty Words and other queer collections like Filthy Boys, and BodyWork. He also has collections of non-fiction (Welcome to Weirdsville, Pornotopia, and How To Write And Sell Erotica); science fiction, fantasy and horror (Love Without Gun Control); and erotic
science fiction including Rude Mechanicals, Technorotica, Better Than The Real Thing, and the acclaimed Bachelor Machine.

As a novelist, M.Christian has shown his monumental versatility with books such as the queer vamp novels Running Dry and The Very Bloody Marys; the erotic romance Brushes; the science fiction erotic novel Painted Doll; and the rather controversial gay horror/thrillers Finger's Breadth and Me2.

M.Christian is also the Associate Publisher for Renaissance eBooks, where he strives to be the publisher he'd want to have as a writer, and to help bring quality books (erotica, noir, science fiction, and more) and authors out into the world.

2 Comments

  1. Lisabet Sarai

    Usually I agree with you, Chris, but this time I beg to differ.

    Erotica is more than just sex, or even stories with sex. Erotica as a genre is concerned with how sexuality and desire shape us as human beings. Erotic classics frequently deal with the awakening and flowering of the characters’ sexual selves. This is not a theme that fits in any other genre.

  2. Larry archer

    While I’m not sure how seriously you meant erotica being folded into other themes and disappearing. I agree with your comments that we are finally coming out of the closet and it was a good thing because it was always dark and scary in there.

    Just as science fiction has moved beyond Robbie the robot and giant killer tomatoes on skateboards, doesn’t mean the genre has changed, just became more refined with the advent of CGI and video editing.

    Smut will always be around, probably in the same corner it’s always been but hopefully a little more out in the open. Our audiences have become more astute and unwilling to overlook the spelling and grammatical errors in order to relieve their tensions.

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