DO IT YOURSELF by Nikky Kaye

DO IT YOURSELF by Nikky Kaye

Erotic romcom: starting over

CHARACTERS WELCOME by Taisha Demay

CHARACTERS WELCOME by Taisha Demay

Charity erotica anthology

SENSUAL SABOTAGE by Willa Edwards

SENSUAL SABOTAGE by Willa Edwards

Contemporary, Menage, BDSM

SINGLE-SYLLABLE STEVE by Sam Thorne

SINGLE-SYLLABLE STEVE by Sam Thorne

Light-hearted erotic romance

THE GUESCHTUNKINA RAY GUN by Spencer Dryden

THE GUESCHTUNKINA RAY GUN by Spencer Dryden

Humorous erotic romance

Blog

By Ashley Lister

Amazing Grace is quite a treat
She likes to suck my toe
I suck hers too, she thinks it’s neat
But how I wish she’d blow.

Whether you call it the hymnal measure, the hymnal stanza or
common metre, this simple yet effective form of poetry is seductively easy. This form consists
only of two rhymes per stanza (a, b, a, b), alternating with iambic tetrameter (eight
syllables per line) and trimeter (six syllables per line).  Most of us are already familiar with this one
from the rhythm of Amazing Grace. And, once you start writing in this form, the
rhythm is difficult to escape.

Expose your ass, assume the pose
It’s time to spank again
Please bend forward and touch your toes
I’ll go and fetch the cane.

Admittedly, the stress on the third line of that stanza is
FORward, rather than the usual pronunciation of forWARD, but this is a small
sacrifice for the sake of the sentiment I want to convey.

As always, I’d love to see your hymnal stanzas in the
comments box below.  

Victorian Era Erotica
Publisher: Riverale Avenue Books
Editor: F. Leonora Solomon
Deadline: December 31, 2015
Payment: $10 plus royalties, and a copy of the print edition of the book.

The Victorian Era is infamous for its strict moral code, inclusive of sexual restraint. At the same time, this is one of the most eroticized periods in history for that very reason–even death was not excluded! This anthology seeks to unravel the hidden sexuality of this period, all sorts of sexual rebellion are welcome.

Submission details at:
http://www.erotica-readers.com/ERA/AR/Victorian_Era_Erotica.htm

Femdom Erotica
Publisher: Riverale Avenue Books
Editor: F. Leonora Solomon
Deadline: January 31, 2016
Payment: $10 plus royalties, and a copy of the print edition of the book.

I am looking for stories to help me whip into shape, a fierce femdom anthology. Tales of strong women with irresistible storylines are required! I know you will not let this editrix down, and will do your utmost to impress me…

Submission details at:
http://www.erotica-readers.com/ERA/AR/Femdom_Erotica.htm

Riverale Avennue Books
How to Submit Your Work to Us

First of all, we love writers, of both fiction and nonfiction, published and unpublished. Please think of us when you have an idea for a book, have gotten your rights back, or have finished a manuscript.

Whether you are an unpublished or published author, the first thing we would like to see from you is a simple one-page query letter telling us about your work and your writing background. Please make sure you include a return email address and a phone number. We are an electronic publisher and DO NOT take physical queries or manuscript submissions.

If you are an unpublished writer, keep in mind that we will need you to submit a finished manuscript, so please do not submit a query to us before you have finished the first draft.

If you are a previously published author, after you have sent a query letter and we have expressed interest, we will expect you to submit either the first three chapters of your novel and a complete outline, or your nonfiction book proposal. Even if you have finished the manuscript, please wait for us to ask to see the entire book.

Guideline & submission details at:
http://www.erotica-readers.com/ERA/AR/Riverale_Avennue_Books.htm

By K D Grace

I’m just back from two weeks in Oregon with my sister. I always come back a bit more clearheaded and focused and with more than a few ideas for new story possibilities. Oh it’s not so much that I’m with my sister. In a lot of ways, we’d drive each other crazy under different circumstances. She’s an extrovert who can’t get enough people and activity in her life. I, on the other hand, like my doses of people small and far between and am very keen on solitary activities. But for two weeks, we balance each other out, and we totally revel in each other’s company. We take long walks, we talk and laugh into the wee hours, we have our annual Pride and Prejudice marathon while veging out on her TV room floor with popcorn and chocolate and any other decadent food or drink we can manage during that indulgent six hours. We bounce ideas off each other and just generally pick up where we left off.

I think I come back to England more clearheaded, more inspired because I’ve had a break from the routine, because for a little while I’m living completely outside my own context. Personally, I think it’s easy for writers to get so tunnel-visioned, so focused on our writing and promoting routines that we forget that walking outside our little world is the best foreplay for the writing orgasm. To be disconnected completely from the things we cling most tightly to, not only forces us to view things differently, but also opens us to inspiration in the viewing. With that in mind, here are a few things that inspired me during those two weeks, things that may very well end up in stories and novels yet to come, some of which have already have ended up on my blog.

Walks in a dry canyon

My sister lives in the high desert of Oregon, and there’s a dry canyon cut by ancient volcanoes that literally

divides the town she lives in right down the middle. A long time ago it was used as the town dump. Now it’s been cleaned up and serves as a walking path, which includes a couple of playgrounds for the kids, along with a doggie playground, and a series of nature trails that spread out over the wider stretches of the canyon floor. The place is well used and well cared for by the town’s population of 26,000 who live along either side of the 3 ½ mile rim. For convenience, the canyon was recently spanned by a bridge that was built to blend in beautifully with the colour and the geology of the canyon, the design so well thought out that even the noise of the traffic is negligible from the canyon floor.

Nature alive and dead

I’ve seen deer in the canyon, along with rock chucks, ground squirrels, birds of all kinds. This year I saw nesting scrub jays, even a nest of crows in the cliffs exercising their wings as they prepared to fledge. My sister says that on occasion there have been mountain lion sightings in the canyon and there’ll be warning signs posted when that happens. Though I didn’t get lucky enough to see one, there were the odd occasions when I felt as though I was being followed, when my skin prickled, and I turned slowly to find nothing there, but a quiver of the sagebrush behind me … no doubt caused by the breeze. That being the case, it’s not surprising that I should return to my sister’s house with visions of mountain lion shape shifters showing themselves in the desert moonlight beneath the bridge. Nor is it surprising that the idea should find its way into my blog.

And then there are the dead things one encounters in the canyon. I’m not sure why they matter to me, but they

do. On one of our walks, my sister, knowing the strange twists and turns of my mind, pointed out the well-desiccated carcass of a dead skunk off to one side of the trail. Her mind has it’s own strange twists and turns. It stunk to high heaven last fall, she told me.

It didn’t smell so bad by the time I stood over the dusty heap of flattened skin and bones taking pictures. I would have missed it completely if she hadn’t pointed it out.

She watched as I photographed the delicate skull and teeth, visible above the sun bleached remains of the pelt. You don’t get to look at wild things up close and personal when they’re alive, so dead things deserved to be honoured and observed, at least I think they do. In truth there’s something beautiful, something magical in the way nature takes back her own. The teeth and the delicate bones of the skull caught the desert sun, and the shape and structure held its own fascination, though I was relieved it no longer smelled. I don’t know why it mattered. I don’t know why a dead skunk can somehow inspire, and yet it does. Even now, after I’m home and back into my routine, it still matters for some strange reason.  And anyway, inspiration sometimes is a delayed reaction, isn’t it?

Detritus of Past Lives

The canyon used to be the city dump back when the hearty settlers moved in from the more ‘hospitable’ parts of the west to practice dry land farming and cattle ranching. It was a hard life, though you wouldn’t know that now as

you drive through the modern town of Redmond, with it’s slight touristy, slightly Western feel, or walk along the canyon and see the runners and mothers pushing prams and people walking dogs. But there are still a few places along the cliffs where mangled, rusted remains of cars and farming equipment and tangles of baling wire are scattered in decaying heaps, now blending in so well with the shades of kaki and burnt umber of the canyon that they’re hardly noticeable except to someone who only ever gets there once a year, someone who wonders what stories are hidden in the twisted metal heaps aging in the glare of the desert sunshine.

Detritus of Present Lives

The cliff tops above the canyon are lined with prosperous housing developments, trailer parks and building sites. My sister and I walked a path behind a trailer park and then out through a new, well-landscaped housing development to get down into the canyon. The stretch behind the trailer park will, no doubt, someday be built upon as well, but for now it fascinated me in that it contains what was left behind of the houses, or perhaps trailers that were there before. I know that children from the trailer park play in the mounds of dirt along the irrigation ditch that runs through the wasteland behind. I noticed one high mound with a shovel standing upright in the earth, and I wondered, in the way storytellers do, who was buried beneath that mound of dirt and what tale were buried there with them?

Where my sister and I crossed back into the trailer park to head on to her house, there was a deserted pickup truck filled with what looked like the contents of an apartment quickly evacuated. My sister told me the truck has been sitting there abandoned for months. The police ticketed it, but the ticket blew away, and still the truck sits there. She told me this while I rapidly snapped photos of said truck and my mind raced back to the mound of dirt and the shovel. We both noticed the badly battered rodeo dummy buried beneath a weathered cane rocking chair and a broken computer desk. She says there were actually lacy women’s panties hastily dropped behind the vehicle early on, and we speculated as to whether that was a part of the story of the truck or possibly just teenagers trying to find a bit

of privacy for a feel-up behind. Either way, it got tucked away into my mental file cabinet for further perusing as necessary.

After that dusty walk, we decided to reward ourselves with an ice cream cone from Dairy Queen, and while we partook, I shared with her the story I could see forming in my imagination – sexy shape shifters, writer turned investigators, foul play, sexy encounters in a dry canyon. She listened and nodded and occasionally threw in an idea of her own between licks to her ice cream cone.

Now, back home in my own space, walking the places that are familiar to me, the places inspire me, preparing a post that I hope will inspire others, I find myself thinking of what I’ve brought back from those two weeks and how those experiences allow me to slip back into my own life and my own routine with a view slightly altered, with a sense of purpose a bit more focused and hopefully with my senses and my imagination a little sharper from the experience.

Elizabeth Black writes in a wide variety of genres including erotica,
erotic romance, and dark fiction. She lives on the Massachusetts coast with her
husband, son, and three cats. Visit her web
site
, her Facebook page, and her Amazon
Author Page
.

I’m currently searching for an agent for my erotic romance
novel Alex Craig Has A Threesome, and
I have battled with the dreaded query letter. I thought I had done my research,
but after attending the Boston writer’s conference The Muse And The
Marketplace, I discovered I had not written the damned thing correctly. I had
written my introduction, named the book, gave the blurb, the word count, genre,
and then my publishing history and a little information about my prior movie
and TV work.

Turns out I left out an important item – why I am the best
person to write this book. The Muse taught me the proper way to write a query
letter, and thanks to the conference I did get my first request for a partial.
Sadly, that resulted in another rejection, but at least she requested a
partial.

I’m not giving up.

According to book
developer and principle of The Scribe’s Window Cherise Fisher
, who gave the
talk “The Perfect Pitch” at The Muse And The Marketplace, a pitch is
“the transfer of enthusiasm from one person to the next. It’s like a
virus. You infect with your pitch.” Books are meant to entertain, educate,
and inspire/provoke. A pitch is the foundation for your proposal. It’s your
contact with an agent or editor. It’s also about being as clear and concise as
possible to the person you’re pitching to.

Multi-published, Rita Award winning author Shelley
Adina wrote in her article Writing A
Pitch Perfect Query Letter
that there are four parts to a successful
query letter:

The intro

The story (i.e., the back-cover blurb

Your credentials

Call to action

My mistake was leaving out my backstory – why a have a passion
for this particular story. I left out my call to action. I needed to
personalize my pitch. The perfect book is the book only you can write. This
includes your life experiences and your perspective, Reveal what is behind you
for writing this book. Why are you so driven to do it? What’s the story, and
why is it yours to tell?

This article will discuss those four parts of a successful
query letter so that when you write yours, it will be more likely to attract
the attention of an agent if you are searching for one. Your goal, of course,
is representation. Not everyone is on the look-out for an agent, but this
article about writing queries should be helpful to anyone.

The Intro – This
is where you introduce yourself to the agent and any ties you may have. If
you’ve met the agent at a conference, listened to a lecture, or attended a
workshop, this is the time to mention it. 
Familiarize yourself with the agent. If the agent has a blog, read it.
Read any articles or interviews the agent is involved in. If you’re a fan of
the books and authors the agent represents, tell them.

Make sure you write your query in your natural voice since
you want to be approachable. Adina was right when she said, “Your voice is
your brand, so your business letter should reflect it.”

Also make sure you’ve spelled the agent’s name and the
agency’s name correctly. You don’t want to get off to a bad start with a
misspelling.  Your intro should show
you’ve done your homework, you’re familiar with the agent, and your letter
isn’t boilerplate.

The Story
Condense your novel into a concise and attention-getting paragraph or two. No
more than that. This takes some work. Focus on the characters, what drives
them, any archetypes you’re using, the conflict, and what gets the ball rolling
for the characters in the first place. Do not skimp on your condensed story.
This is the meat of your query letter. Your story has to grab the agent’s
attention immediately. Don’t waste words and use words wisely.

Your Credentials
– This is where you talk about why you are the best person to write your story.
You also list any previously published works or awards you’ve received. If
you’ve written a book that showcases the beauty of New England and the Atlantic
Ocean and you’ve lived on the Massachusetts coast for twenty years, mention
that. Is your heroine an art lover and you majored in Fine Arts? Is your hero a
stage lighting technician and you’ve worked as a union gaffer for several
years? All three of these examples are true for me regarding two of my
unpublished novels, my thriller Secrets
and Lies
(which may have found a publisher) and my erotic romance work in
progress Full Moon Fever.

Now, what if you’re a mom teaching part-time at an
elementary school, but your book is about a sleazy but sexy successful con
artist in love with his mark? Let’s assume you’ve done your homework for this
book and you are a romance fan. Mention that you consume romance novels the way
normal people eat meals, for instance. It’s definitely worth a mention if you’ve
done research on famous con artists and their techniques. Has your manuscript
won any contests? That’s a must-mention. Are you a member of RWA or Broad
Universe? Definitely mention both.

A Call To Action
– Your closing should be inviting and it should offer a call to action. Why do
you think your novel is a good fit for this agent and publisher? What is the
goal of your book? To entertain? To teach? What is the goal of your main
characters? Close your query with ease.

If you want to see examples of successful query letters,
check out Writer’s
Digest’s Successful Queries page
. Not only does the page include scads of
very good queries, there are explanations from agents following each query as
to why it was a good one. I’ve learned a great deal from reading those
examples. Hopefully, this learning experience will someday (maybe soon) result
in representation.

Please note the call for Unspeakably Erotic:Taboo Lesbian Kink has been cancelled by the publisher.

Adrienne

by Kathleen Bradean

There’s no such thing as writer’s block. That was invented by people in California who couldn’t write.
– Terry Pratchett

I always say, if you can’t think of anything to write, go meta and talk about not being able to write. Okay, I never say that. But I am having a difficult time writing at the moment, and I’m in California, so here I am evoking writer’s block as a topic.

According to legend, the lyricist for the 70s band Chicago was up all night trying to write a song. He looked across the room at the clock and saw that it was about 25 or 26 until 4 in the morning. I’ve heard that song maybe a hundred times but didn’t realize it was about writer’s block until recently. I still don’t like the song much, but at least now it makes sense.

I went for years not finishing anything. Because, of course, when you finish something you can be judged.
– Erica Jong

I’ve been trying to write the next novel in my series. The first scene has defeated me. Maybe I expect too much from it for a first draft even though I know better. I asked other writers how they get past this sort of opening scene paralysis. Some said they skip writing the first scene or chapter until the rest of the novel is finished. This makes sense, because by then a writer should understand the bigger theme of their work, the tone, etc and how best to bring the reader to that. Others say they just write anything, knowing that they’ll throw it out later. 

My own experience is that once a story has been written, one has to cross out the beginning and the end. It is there that we authors do most of our lying.
– Anton Chekhov

Another writer confided that many of her writer friends can not get past their first chapters. Ever. The pursuit of perfection kills their creativity. I’m not trying to be perfect. All I want is to know I’ve got it mostly right.

 The work never matches the dream of perfection the artist has to start with.
– William Faulkner

I’m a terribly inefficient writer. I’ve mentioned this before. I write to find the story and toss out the thousands of words it took to get there. I’m like Thelma from Scooby Doo, touching everything in search of my glasses. The difference is that she knows when she can see. I have sight, but have no confidence that I can create my vision. The first scene poses a question. The rest of the story answers that question. How can you even begin to ask when you’ve lost your voice?

From Kathy’s Song by Simon and Garfunkel
….and a song I was writing is left undone/ I don’t know why I spend my time/ writing songs I can’t believe/ with words that tear and strain to rhyme 





How do you get past writer’s block? Do you believe it’s real?




by Lucy Felthouse

A while back, I posed the question on my Facebook page about whether, if I put one of my self-published titles into print via Createspace, people would want to buy it. I got various responses, most of which were favourable, so I did indeed go through the process of putting the title into print on demand.

But a comment one person made really made me think. I can’t remember the exact wording they used, but it was something along the lines of, if an eBook is also available in print, it makes it appear more professional, less like a self-published title. Even if it is self-published. Apparently, it just gives the impression of more professionalism, probably something to do with that if the author has gone to the trouble of putting the book into paperback format, that they’ll also have gone to the trouble of getting the book properly edited, formatted, etc. I can understand the thinking – we all know how many crappy quality books are out there, and not just self-published ones, either. We have to battle against opinions that eBooks are somehow inferior to print books, and also, that indie published stuff hasn’t been professionally produced. It’s infuriating, but there it is. All we can do is hope our books get into people’s hands, and that those people will then leave positive reviews on Amazon. Or even negative ones, if they didn’t like the story – you can win ’em all, after all – but at least if they make no comment on terrible formatting, spelling, grammar and so on, then at least other readers can rest assured that the book’s been done right.

But simply selling a book in both eBook and print format – does that give it extra credence? Make you more confident you’re buying a quality product? There’s no right or wrong answer here, guys, I really want to know what you think. As I said, the original commenter really gave me pause for thought, as it wasn’t something I’d considered before, so your opinion would be much appreciated. And please, share the post and encourage your friends to weigh in, too. It’s a very interesting topic, so the more opinions, the better.

Happy Reading!
Lucy x


Author Bio:

Lucy Felthouse is a very busy woman! She writes erotica and erotic romance in a variety of subgenres and pairings, and has over 100 publications to her name, with many more in the pipeline. These include several editions of Best Bondage Erotica, Best Women’s Erotica 2013 and Best Erotic Romance 2014. Another string to her bow is editing, and she has edited and co-edited a number of anthologies, and also edits for a small publishing house. She owns Erotica For All, is book editor for Cliterati, and is one eighth of The Brit Babes. Find out more at http://www.lucyfelthouse.co.uk. Join her on Facebook and Twitter, and subscribe to her newsletter at: http://eepurl.com/gMQb9

By Lisabet Sarai

It’s early in May. I have just submitted the final manuscript for my latest Excessica book, entitled Fourth World. I’ve been planning this book, a collection of paranormal erotica, for quite a while, so I sent it off with no small sense of satisfaction.

Over the past two days I’ve been immersed in editing the seven tales that comprise this volume. As I read and re-read them, I was startled to realize that not one of them has an unambiguously happy ending. That’s very rare, for me. I generally consider myself an optimist, and I’d definitely label myself as sex-positive. So why am I suddenly publishing a whole book of stories where no character gets exactly what he or she wants? A book in which at least one character actually dies by the story’s conclusion, while others are irrevocably damaged—where the surviving protagonists live with grief, confusion, frustration or profound ennui?

You might surmise that I wrote these tales during a difficult time in my own life, that they mirror some negativity in my own soul. That’s not the case, though. The stories in Fourth World cover more than a decade of my career, a decade, as it happens, of great success and personal satisfaction.

Another theory might be that these stories represent a reaction to the relentless emphasis on happy endings in romance. There’s some truth to that notion. When I wrote “Renfield’s Lament”, about two years ago, I was feeling fed up with HEAs. I deliberately crafted the darkest tale I could imagine, just to see how far I could push the envelope while still arousing my readers (and myself). Some of the earlier stories in the book, though, come from the period before I began writing erotic romance at all, when I was blissfully innocent about the demands of market and genre.

Perhaps the ambiguity in these tales reflects my convictions about magic. Since I was a kid, I’ve loved fairy tales and fantasy, but even back then I understood that power always exacts its price. Miracles occur, but they require sacrifices. Wotan forfeits an eye in his quest for wisdom; Frodo Baggins loses a finger in fulfilling his quest. No one walks through the fires of the supernatural and emerges unscathed. Plus, one has to admit there is something seductive about the shadows, something hypnotic about evil, especially when it clothes itself in exquisite, responsive flesh.

Ultimately the why doesn’t matter. These stories are what they are. Of course, once I’d noticed the dark trend in the book, I started to worry. Should I throw in a couple of lighter tales, to balance the cruelty and violence (physical and emotional) in the ones I’d originally chosen? Would anyone actually buy this book without at least a few happy-for-nows?

I decided against that compromise. The seven stories in Fourth World make an organic whole. They represent some of the most intense erotica I’ve ever written—scalding, twisted, nasty, no-holds-barred lust, triggered and augmented by magic. I personally find the endings satisfying, at least from a literary perspective. They have an inevitability that feels right.

There’s something freeing for me about publishing this book. Readers who want happy endings can pick up some of my erotic romance or romantic erotica, which is mostly what I write. Fourth World is aimed at those of you who are braver, or more curious—people who recognize that when you have blood-sucking demons, someone’s going to get hurt.

To them, I say: come explore the shadows with me. Welcome, darkness.

Page 30 of 83« First...1020...2829303132...405060...Last »

Hot Chilli Erotica

Hot Chilli Erotica

Categories

Archives

Babysitting the Baumgartners – The Movie

Babysitting the Baumgartners - The Movie

From Adam & Eve - Based on the Book by New York Times Bestselling Authors Selena Kitt

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

DO IT YOURSELF by Nikky Kaye

DO IT YOURSELF by Nikky Kaye

Erotic romcom: starting over

CHARACTERS WELCOME by Taisha Demay

CHARACTERS WELCOME by Taisha Demay

Charity erotica anthology

SENSUAL SABOTAGE by Willa Edwards

SENSUAL SABOTAGE by Willa Edwards

Contemporary, Menage, BDSM

SINGLE-SYLLABLE STEVE by Sam Thorne

SINGLE-SYLLABLE STEVE by Sam Thorne

Light-hearted erotic romance

THE GUESCHTUNKINA RAY GUN by Spencer Dryden

THE GUESCHTUNKINA RAY GUN by Spencer Dryden

Humorous erotic romance

Pin It on Pinterest