Blog

Pride Month News

June is Pride Month throughout North America and much of Europe. This is when the Lesbian/Gay/Transgender/Bisexual/2-Spirit/Non-binary community commemorates several hot nights in June 1969 when a sketchy gay bar (and they were all considered sketchy then) in New York City, the Stonewall Inn, was raided by the police. This was a fairly regular event in those days, but this time, the bar regulars resisted arrest and fought back. The “Stonewall Riots,” as they came to be called, are now considered the trigger that started the “gay rights”movement.

My Chilean-born spouse and I watched the rainbow flag being raised at the legislature of the province of Saskatchewan for Pride Month, and we also watched a similar flag-raising in front of the city hall of Regina, the small capital city where we live. We rode on a float in our local Pride parade. I posted numerous photos to Facebook under my full name, Jean Roberta Hillabold.

After a ten-day “Pride Week” had ended in Regina, we were passengers in our friend’s car when four of us went to Saskatoon, the other small city or large town in Saskatchewan, for THEIR Pride parade. Although Regina and Saskatoon have traditionally been rival cities, the organizing committees that plan Pride Weeks in both places always arrange to schedule them one after the other so that anyone who likes to travel can enjoy at least two weeks of Pride.

However, we weren’t all going to Saskatoon so we could party for another week. We were bringing a gay refugee to the nearest office of the government of Canada where refugees need to apply for official status, and permission to stay in Canada indefinitely.

Ramon, as I’ll call him, is from El Salvador. He just turned 28 during Pride Week in Regina. He says he finished secondary school in his country, but my Spanish-speaking spouse doubts it, based on the things he says and the way he says them. We first met Ramon several months ago, when he was brought to Regina by an international development organization. He told us he was afraid for his life, but felt he had to go back. Since then, he has kept in touch with my spouse Mirtha by telefono and correo electronico (email).

About two weeks ago, Ramon sounded desperate, so we bought him a round-trip plane ticket and arranged for him to be a visiting speaker at a Pride Week event, with Mirtha as translator. This was his official reason for entering Canada.

Ramon has been in our guest bedroom ever since, and we hope we can help him start a new life here. He told us that his own father threatened to kill him, and an American woman hid him in her house for six months because it was no longer safe for him to go to his paid job for a Salvadorean organization that educates people about AIDS. (As far as we know, Ramon is healthy.) Apparently his American friend thought he should stay in his country and fight the macho, Catholic homophobia. Mirtha and I believe that live activists, even those in exile, can do more good than dead ones.

Little by little, things are falling into place. We discovered that the friend who drove us to Saskatoon has experience in helping refugees navigate the system. A local “affirming” (queer-accepting) church has offered help. Someone already offered Ramon a job, which he can’t legally accept until he has legal permission to work in Canada. On that note, I recently got a nice raise from the university where I teach, so Mirtha and I have no problem supporting Ramon. I need to work on my Spanish, and having to converse with Ramon is very motivating.

Now that Pride Month celebrations have become huge, corporate-sponsored tourist attractions in the U.S. and Canada, it’s easy to forget how dangerous it is in many countries to be anything other than heterosexual and monogamous, preferably married with children.

I often wish that Mirtha and I could afford to rescue all the people who are persecuted for being any shade of queer, for marrying against their parents’ wishes, for having sex lives that aren’t considered acceptable in their homeland. For women in extremely male-dominated countries, any kind of sexual experience is likely to damage their reputations beyond repair, and make them targets of violence.

If everyone who can afford to host one refugee of sexually-based persecution would do so, this would relieve some of the pressure at national borders. Of course, conservative sexual values don’t account for all the human suffering that drives people into exile, but it does account for a lot. Do you think that corrupt military regimes and horrifying violations of human rights flourish in countries where women have considerable political power because they can lead independent lives without being condemned as whores? (Time will tell whether the gathering political resistance of American women will overturn the current reign of the right wing in the U.S.)

I’m celebrating something else this month: the release of my latest collection of lesbian short stories, Spring Fever and Other Sapphic Encounters. Most of these fourteen stories first appeared in various romantic and erotic anthologies, but some are virgins, never seen in public before. So far, this book is only available for Kindle, but I hope it can eventually appear in other formats, possibly including paper.

Here is the link: https://www.amazon.com/dp/B07T91FCFC/

New Year’s Resolution Going Down in Flames

by Larry Archer

I must admit that I’m a failure at New Year’s Resolutions. Amid our annual New Year’s Eve Pajama Party, I made a promise to myself that I would focus on writing my porn and get stuff pushed out the door.

I didn’t promise to stop jerking off, lose weight or exercise more. Didn’t promise to stop beating my wife. The only thing I promised myself was to write erotic stories and get them published. One simple task and I utterly failed at it.

Being honest with myself, I have to admit that I have published two well-received stories in 2019 so far, Idle Hands and a box set, Swingers Box Set. While I did get those two stories out the door, I now find myself working on four stories at the same time and not being able to finish any of them as I can’t seem to focus on one story.

This is like in engineering, we have the expression, “There comes a time in every project when you have to fire the engineer and go into production.” Which loosely translates into, “Engineers are never satisfied and will continue to tweak something forever or until the cows come home.”

When you publish at Amazon, one of the things that you learn is the 30-day cliff. After about 30-days, Amazon will start sliding you further down in the search engine results. This means that when a reader searches for erotica, your stories will stop popping up in the search results no matter how good the story.

SmashWords doesn’t do this and ranks stories by popularity, no matter when they were released. For example, if you search for best-selling erotica in the SmashWords’ Menage/Multiple-Partners category, you will find my story, Crashing The Swinger’s Pajama Party is number sixteen in this category. The amazing thing about this is that this 80,000-word story was released in June 2018, a year ago and is still number 16 in the multiple partner’s best seller category!

As you might imagine, an 80,000-word story doesn’t just happen overnight, and there was a lot of work plowed into the story. If you publish at SmashWords, your stories get to stand on their own feet and don’t disappear in the distance after 30-days. To me, this tells me that my ROI (Return on Investment) is better at SmashWords than at Amazon. However, the fact that Amazon Kindle reaches millions of more readers than SmashWords will often make up the difference.

To accomplish the same type of ranking at Amazon Kindle, you need to publish often and at least once a month or more. This is why, at our New Year’s PJ Party, I promised myself that I’d focus and publish regularly. However, this resolution got lost in the orgy room along with my clothes as best I can remember.

Currently, I have four or five stories in various stages of completion, with most around 20,000-words or about half-finished at best. I just can’t seem to focus on one story and get it out the door.

What will happen to me is that I see something or get an idea for a story and cannot help but start working on it. I feel that I need to get my initial thoughts down before I get distracted by something else.

It’s like the curly headed brunette on the new Sally Beauty Supply billboards. I’m in love with her, much to my wife’s amusement. The truth is that being from Texas, we all love big hair and the girl on the billboard looks so much like Foxy that I can’t help but blow her a kiss every time I pass that billboard.

I will see something like the brunette and get an idea for a story, which is why I’m my own worst enemy. Once I get distracted, I will write madly away just like Don Quixote when he sees a new windmill, just without Sancho Panza.

Growing up on a farm, left me with the life-long curse of waking up at the crack of dawn only without cows to milk. Foxy reacts negatively to being woken before 9 AM, and so I’ll often lie in bed and think about my latest story.

I’ve found that I can let my characters act out their fantasies in my mind. I will slip out of bed, grab my laptop, and drive to a nearby fast-food restaurant for coffee. At that point, it’s just a matter of downloading my brain onto my trusty MacBook Air.

I fully realize that I’d sell more if I concentrated on one story at a time and got it out the door, but what I should do and what I actually do are two different things. Luckily, writing smut is not something I have to do to keep the wolf away from the door.

It’s been almost seven years since I published my first erotic story. Previously, the only thing I’ve done remotely close are presentations on how to throw a house party at Lifestyle conventions. Writing erotica allows me to take things we’ve seen and done and convert them to a story, which someone will hopefully enjoy reading and possibly wank off to.

Follow me at LarryArcher.blog for more of my ruminations, and until this time next month, I’m off like a prom dress.

Playing with the Passive

Thou shalt not use the passive voice!

How often have you heard this commandment? Almost as often, I’d bet, as “Show, don’t tell”. However, like most things in life, it’s not that simple. The passive voice is a legitimate English construction. It is perfectly grammatical and exists for very good reasons.

I’ve found that many authors, and even editors, are confused about the passive voice. Recently I had an editor object to one of my sentences because she believed it was passive. The sentence had the form “she had spoken to her friend before departing”. This is not a passive sentence but the editor apparently thought it was, presumably because it includes a so-called helping verb (“had”). So before I go further and defend the passive (under certain circumstances), let me try to clarify the definition of passive voice.

A sentence is passive voice if the grammatical subject of the sentence is the logical or semantic object, that is, the recipient of an action rather than the actor.

Maybe this doesn’t help. Let me put it more colloquially. In a passive sentence, the subject of the sentence doesn’t “do” anything; it is “done to”.

Some examples may help:

(1)

Active: The dog bites me.

Passive: I am bitten [by the dog].

(2)

Active: The vampire licked the tender flesh below her earlobe.

Passive: The tender flesh below her earlobe was licked [by the vampire].

(3)

Active: He had kissed her tenderly before he climbed onto his horse.

Passive: She had been kissed tenderly by him before he climbed onto his horse.

(4)

Active: I will eat my vegetables.

Passive: My vegetables will be eaten [by me].

In each case, the passive version reverses the active version, making the direct object be the subject, and optionally adding the former subject as the object of the preposition “by”.

The predicate in a passive sentence is some form of the verb to be followed by the past participle of the verb expressing the action. For regular verbs, the past participle ends in “ed” and has the same form as the simple past:

licked

kissed

prodded

checkmated

discombobulated

Irregular verbs, however, often have special forms for the past participle:

eaten

bitten

torn

shown

overgrown

By the way, only transitive verbs can be involved in passive sentences. A transitive verb is one that requires a direct object. (Some verbs can be used in both transitive and intransitive situations.) If there’s no possibility of a direct object, then clearly the object can’t be made into a subject.

Note that just because a sentence includes a form of the verb to be does not mean it is passive. For example, the following sentences are all active voice:

I am an erotic romance author.

I was hungry.

I had been waiting for the bus for nearly half an hour.

Notice also that the question of tense (that is, at what time the action occurred) is independent of whether a sentence is active or passive. In my first four examples, (1) is present tense, (2) is simple past, (3) is past perfect and (4) is future. In the passive version, the form of the verb to be determines the tense.

So now that we know what passive voice is (and is not!), why is it so maligned? The primary reason so many books advise against using the passive is the fact that passive sentences can reduce the impact of an action. Active sentences are shorter, more direct and more dynamic than passive ones. Using active as opposed to passive voice is akin to choosing strong, specific verbs over weak, general ones: “stumbled”, “sauntered”, or “strolled” instead of “walked”, for example.

In fact, psychological research has demonstrated that passive sentences are more difficult to understand than active sentences. This makes sense. In an active sentence, the grammar supports and provides clues to the underlying meaning. In a passive sentence, grammar and meaning conflict.

Given these results, why would you ever want to use the passive voice? There are at least three situations in which the passive is desirable or even necessary:

1. The true actor – the logical subject of the action – is unknown.

As the door slid closed, I was knocked on the head so hard that I saw stars.

Many articles have been written about the perils of the passive voice.

2. You deliberately want to focus attention on the recipient of the action, because this is your current POV character.

Henrietta had been wooed by every eligible bachelor in the county, but she despised them all.

Buck was bruised and battered by the gang’s weapons, but he refused to give up.

3. You deliberately choose an indirect mode of expression for stylistic reasons.

Professor Rogers was a man of well-established habits, delicate sensibilities and refined tastes. He was enthralled by the soaring harmonies of Mozart’s Requiem and intrigued by the challenging arguments of Sartre. Rogers was confused when students insisted on sending him email. In his world view, words should be committed to paper and vouchsafed to the Royal Mail for delivery.

In the third example, the repeated use of passive voice reinforces the presentation of Professor Rogers as a fussy, overly-intellectual character, the exact opposite of a man of action. Even though this paragraph is not in fact in the Professor’s words, it sounds like something he might have written.

In summary, there are sometimes good reasons for adopting the passive voice. As a general rule, however, active voice tends to be more readable and engaging. What is is important is to be aware of your choices in this regard. If the passive seems right for the situation, don’t be shy about using it. Recognize the passive when it pops up in your writing and make deliberate decisions based on knowledge and craft.

Rude Anatomy of a Risqué Poem

By Ashley Lister

As many regular readers will know: I love poetry. I think poetry can be an effective tool for writers as it helps us get a better command over our vocabulary, and it makes us think more acutely about the way we use words. I also believe that a lot can be said in a poem that makes us reflect critically on the environment that allowed such a poem to come into creation. Consequently, this month, I thought I’d share one of my poems here and discuss the inspiration and execution.

Granny pulled on her surgical stockings
She put her false teeth in the glass
She took the Tena pad out of her panties
And said, “Grandpa, could you please fuck my ass?”

The idea for this one came about because I’d wanted to write something that presented the act of sex in an unfamiliar fashion. As writers, I believe, we’re always trying to show the world to our readers in a way that goes beyond the familiar. I could go on here to discuss Viktor Shklovsky’s notion of defamiliarization, but those who know about that, know about that. And those who don’t know about that know about Google.

Writing about old people having sex struck me as being a humorous idea because we normally equate the sex act as being the domain of the young and the beautiful. We can see this in media, such as the 1987 film Full Metal Jacket, where Gunnery Sergeant Hartmann famously tells Private Pyle, “You climb obstacles like old people fuck.” I’m not saying I subscribe to this idea of old age and poor sexual practices being relational. I firmly believe that good sex has nothing to do with youth and beauty. However, societal attitudes suggest that we treat those over a certain age as being past the need or ability for sex.

“I got horny last month at the bingo
When I called house on a sixty-nine.
It’s been decades since I’ve taken one hard up the chuff
And you ought to be there this time.”

“I got horny last week at the library
Whilst reading an old People’s Friend.
I saw an advert for polyester trousers
And it made my arse want your nob-end.”

“I got horny tonight in the kitchen
As I tuned in to Woman’s Hour.
I could hear the rain dripping on my cat flap
And I thought let’s try a golden shower.”

So, as we can see from the verses above, I’ve decided to include lots of placeholders that put this in the category of old people. There’s mention of Tena pants (a product for those who suffer from urinary incontinence). There’s mention of bingo. I identify People’s Friend: a UK magazine with a readership who are primarily elderly, with an average reader age of 71 years and 45% of readers being in the 75+ age group. There’s also mention of Woman’s Hour, a BBC Radio 4 programme that has been broadcasting since 1946. The demographic for Woman’s Hour is not necessarily old but, because it’s been broadcasting for so long, there is an association of the audience belonging to a more mature age group. There’s mention of polyester trousers, and later we’ll see mention of brands targeted towards a mature consumer, such as Steradent, the denture cleansing tablets, and Horlicks, the sweet malted milk hot drink.

These are all thrown into the poem to help create the humorous juxtaposition between a glamorised version of the erotic act of intimacy, and the cold reality faced by today’s modern elderly consumer.

Also note the way the three verses above are working to the rule of three. “I got horny last month… / I got horny last week… / I got horny last night…” We’re building to the present moment in specifically divided increments, moving directly to now. We’ve had mention of an array of sex acts from mutually reciprocated oral sex, a suggestion of cuckoldry, anal sex and urolagnia. Again, the humour I was aiming for came from the unnatural coupling of these acts, which we associate with youth, and the trappings of being elderly.

“So I’m here and I’m hot and I’m horny,
And my teeth are in the Steradent glass.
I slipped Viagra into your Horlicks
So please do me now, up the ass.”

It’s worth mentioning something about the structure here. Each verse is a four-line stanza with an x a x a rhyme scheme (where x is an unrhymed line). I’ve not kept to a particular meter because my intention was to write this as a performance piece, allowing me to pause or force pronunciation in some areas. You will notice that the punchline for each verse comes in that final line of each stanza, and usually in the final word.

Well Grandpa, he did try to please her
As she lay there with her legs spread wide
He gave her a cuddle, and a bit of a kiss,
And then teased her piles to one side.

This verse was there to exploit the notion of humour that comes from disgust. Studies have shown that we are able to laugh at things that are disgusting, as long as the thing we’re laughing at is benign. Because sex is usually presented as the glamorous union between two relatively attractive individuals, this suggestion of a flaw as unglamorous as haemorrhoids is meant to amuse. This is not me saying that I think piles are funny. I don’t. But I’m sufficiently familiar with humour to know that bottoms are funny. Want to make a baby laugh? Blow a raspberry: the same sound that comes out of a bottom. Want to make a toddler laugh? Tell a fart joke. Whether it’s slapstick comedy, where Charlie Chaplin is getting kicked in the buttocks, or is kicking someone else in the backside, or whether it’s the scatological literary brilliance of Jonathan Swift in his poem ‘The Lady’s Dressing Room’, which contains the immortal phrase, “Oh! Celia, Celia, Celia shits!”, we always have and always will find bottoms, and the things that come out of bottoms, amusing.

But poor Grandpa was having a problem.
Her desires had caught him off guard.
He rubbed and he tugged and he yanked and he pulled
But the old man’s old man wasn’t hard.

He imagined doing all three Beverley sisters
Trying to coax some life to his dick
He imagined doing Margaret Thatcher
But that made him feel a bit sick.

And Grandma was looking impatient
As she lay there consumed in her lust
He considered her bare flesh and liver spots
And her fanny: all grey curls and dust.

Apologies to my American readers. That final stanza includes one of those cultural anomalies that support George Bernard Shaw’s notion that ‘The United States and Great Britain are two countries separated by a common language.’ In the US, fanny refers to buttocks. In the UK, fanny is a euphemism for the vagina. I used the word ‘fanny’ in this verse because it seemed playful and inoffensive. There are lots of euphemisms for vagina but, remember, I wanted to keep the content of this poem humorous and that humour comes from choosing the correct word.

I didn’t want to go with any of the usual expletives because, although the poem is written for an adult audience, there are some taboo words that can simply kill the mood of indulgent humour. Vagina is too medical and technical (and contains one syllable too many for this line). The idea of using potentially dysphemistic phrases such as ‘minge’ or ‘kebab’ or ‘flange’ might have worked, but there was the danger they would be seen as stepping away from the benign into something malign, which would impact on the humour.

It was true he still found her exciting
She’d take out both sets of false teeth to please
And whilst it sounds sick, he’d swear by his dick
Wrist jobs improve with Parkinson’s disease.

We can see the way the poem is starting to shift its focus now. Up until this point, the humorous final lines have all ended with vague or explicit references to the sex act. This stanza is replete with references to old people engaging in intercourse but the humorous sting of the final line comes from our limited understanding of the symptoms of Parkinson’s disease.

There are three main symptoms for Parkinson’s which include stiff and inflexible muscles, slow movement and involuntary shaking. However, for a general audience, the symptom of involuntary shaking is usually perceived as the dominant symptom. When we’re discussing diseases for humorous effect, we rely on an audience’s simplistic understandings of medical conditions. For example, we perceive the main symptom of Anorexia Nervosa as being extreme slenderness or weight loss, rather than it being a serious mental health condition. We talk about Alzheimer’s as though it’s only a memory problem, rather than it being a chronic neurodegenerative disease with symptoms that include confusion and difficulty with familiar tasks.

The reverse of this simplification is when we contribute a single cause to the onset of a complex condition. There is more to the causes of diabetes than eating too many sweets. Not every cancer is caused by the sufferer smoking, or having being exposed to cigarette smoke.

But he stood there and looked rather sheepish
He said, “I’m sorry. I’ve just been with another.
I thought that you knew, when I put her to bed,
I always have a quick shag with your mother.”

Once again, notice the softening of the vocabulary. The innocuous word ‘shag’ is used here which is one of the milder euphemisms to describe sexual intercourse. Bonk was considered as a potential alternative, but the harsh consonant cluster at the end of that word, and the fact that it can be construed as potentially violent, made it seem a less palatable choice. It will also be remembered that the main character in the 1997 film Austin Powers: International Man of Mystery, used the word ‘shag’ repeatedly. I mention this because the film was released as a 12 certificate in the UK, which allows children below the age of 12 to view the material if accompanied by an adult, supporting the notion that this epithet is comparatively mild. The same certification was also applied to the film’s 1999 sequel: The Spy Who Shagged Me.

Y’see, true love is based on two things
Forgive and forget say old timers
Grandpa knew she would forgive and forget
That’s the benefit of having Alzheimer’s.

This final verse was added a long time after the construction of the previous part of the poem. I’d performed the first eleven stanzas several times and, whilst I was pleased with the way the poem was received by audiences, I felt it was lacking the impact of a final punchline. I’m not trying to be reductive with this approach: I understand that poetry is not all about making rude jokes. But the piece is meant to be comedic and one of the essential elements in something comedic is the need for a punchline.

However, it was difficult to know where to go with a punchline. The sexual content had already contained some heavy-hitting variations from standard sexual proclivities, any of which would have been appropriate for the conclusion of the poem. I could have edited the content so that one of these subject areas was left as the conclusion but my worry was that the result would have looked like a patchwork at best, or cannibalised at worst.

Which is why I ended up going with the concept of the final verse: grandpa knows he can be unfaithful because grandma, conforming to the stereotyped dictates of our understanding of Alzheimer’s, is going to immediately forget his confession of infidelity.

I should point out that I’m not trying to suggest the poem is high art. I understand that this poem is little more than a rhyming collection of crude jokes, decorated with examples of poor taste and black humour. However, with the addition of this final stanza, it has been better received by audiences. Since this revision, it has often been the case that I don’t need to deliver the final line for audiences to groan, protest, or finish the piece for me.

To summarise, the poem came about because I wanted to entertain an audience with a poem that drew parallels between the expected positive conventions of describing the sex act, juxtaposed against the negative way our society perceives the elderly as being unattractive and prone to disease. The poem’s success, for me, lies in the way it is favourably received by audiences. Its main failing is that audiences dismiss it as trivial and crude, rather than seeing that it describes an inequity of standards and perception in our current society.

Vanity Writing – The Mary Sue

I’m saving the 8thseason of Game of Thrones for binge-watching with my husband after the season and series finale. I have only run into two spoilers so far – the Starbucks cup on the table in front of Daenerys in episode 4 and the water bottle by Sam Tarly’s feet in the series finale. I promise – no Game of Thronesspoilers in this article. It’s not about Game of Thronesanyway. Not directly.

It’s about the Mary Sues and her male counterpart, the Gary Stu.

According to unfounded rumor, a bunch of incels (angry men who call themselves involuntary celibates because women won’t fuck them) claim that Arya Stark is a Mary Sue because she’s too perfect, too lacking in flaws, too strong, and too feminist for their taste. They don’t like her. Now, I haven’t found any posts from a single incel who actually said this. I found Twitter and Facebook comments from people who heard about it. It’s kinda like that line in Ferris Bueller’s Day Off– “My best friend’s sister’s boyfriend’s brother’s girlfriend heard from this guy who knows this kid who’s going with the girl who saw Ferris pass out at 31 Flavors last night.”

I wanted to correct the misconception, but those on Twitter and Facebook got it wrong. Yes, Arya is not a Mary Sue, but not because she’s who she is. She’s not a Mary Sue because she’s not a thinly-veiled version of George R. R. Martin.

According to Wikipedia, a Mary Sue (or Gary Stu) “is an idealized and seemingly perfect fictional character. Often, this character is recognized as an author insert or wish fulfillment. They can usually perform better at tasks than should be possible given the amount of training or experience, and usually are able through some means to upstage the main protagonist of an established fictional setting, such as by saving the hero.” Some famous examples of Mary Sues are Star Trek’sWesley Crusher (he’s really James Roddenberry whose middle name was Wesley) and Elizabeth Bennet fromPride and Prejudice. Bennet is a thinly-disguised Jane Austen.

Other famous examples of Mary Sues:

Lily Potter and Ginny Weasley

Dorothy Gale

Bella Swan

Katniss Everdeen

Beth March

I’ve seen the most egregious examples of Mary Sue’s in fan fiction. I used to read Harry Potter fan fiction for kicks since it was so awful but it was like a train wreck. I couldn’t resist it! Women and girls wrote the fan fiction I read, and I focused on the Severus Snape stories because I thought they were the most entertaining and my favorite character in the books and movies was Snape. These women and girls injected themselves into the Harry Potter canon as a new female character who is beautiful, talented, magical, kind, sweet, loveable, so perfect she made your teeth hurt – and she becomes Snape’s love interest. They married and had children in more than one version. Most often she was an older student or another professor. Some of these stories were quite well-written and they held my interest. The writers were definitely romance fans and were in love with Snape. I recall that when J. K. Rowling heard about the women who took to Snape as a love interest she was like (paraphrased) “Oh my God, why? He’s awful!” He was but he was also a very complex, interesting character.

The main reason I wrote this post was to fix the misconception the incels have created when they tried to redefine the Mary Sue and the Gary Stu. Don’t let them change the definition! Mary Sues are when authors insert themselves into a story they’ve created or insert themselves into an existing canon. While some have pulled this off quite well, others are too damned perfect for their own good. And once and for all, Arya Stark is NOT a Mary Sue!

———

Elizabeth Black writes in a wide variety of genres including erotica, erotic romance, horror, and dark fiction. She lives on the Massachusetts coast with her husband, son, and her two cats.

Web site: http://elizabethablack.blogspot.com

Facebook:https://www.facebook.com/elizabethablack

Twitter:http://twitter.com/ElizabethABlack

Amazon Author Page: https://www.amazon.com/author/elizabethblack

Newsletter: http://eepurl.com/b76GWD

 

 

 

The War on Pleasure

There has been so much bad news in the media in the past few months that lust sometimes feels irrelevant.

Both the U.K. and the U.S. seem to be in full meltdown, and Canada’s government/corporate scandal shows that it’s not far behind. The Canadian Prime Minister (Justin Trudeau, son of a former P.M.)  and his wife might still be the most photogenic First Couple on the planet, but appearances can be deceiving. Trudeau’s harassment of two high-level middle-aged female ministers for failing to put party loyalty above respect for the law has tarnished his image as a libertarian, and will probably drive voters away from the currently-ruling Liberal Party. The collapse of a traditionally left-of-centre party could pave the way for more conservatism, less environmental protection, and a more open war on all demographics that are not rich heterosexual white men.

We are not living in a sexy time.

Social media in general seem to be shrieking, “Do something! Sign a petition, donate to a cause, go to a demonstration, write to your political representative!” What usually isn’t said directly is that spending an afternoon in bed with your sweetie—or a few playmates—is the height of irresponsibility. And this is the leftist position.

The anti-sex position of the right wing is usually clearer. Conservative spokespeople tell us that no one is really transgendered, that gay men, lesbians, bisexuals, polyamorists, fetishists, and anyone who is any flavour of BDSM all need to be locked up or reprogrammed for the good of society at large. Women of child-bearing age are being told they should only have marital sex with men, and risk pregnancy every time. Since men are not being held responsible for the babies they father, the possible consequences of unprotected sex are almost guaranteed to turn women off.

I assume that few conservative white men of any age are attracted to women of my vintage (over 65), but they would be appalled to learn that we can have sex lives without them. As Lisabet Sarai, mentioned here lately, sexual feelings in older folks are widely considered icky.

The current zeitgeist feels like a continuous cold shower, interspersed with saunas in hell. No one can live like this all time. As mammals, we need pleasure in various forms just as we need air to breathe.

Sex-writers, in particular, need to remind ourselves of what sex feels like in order to describe it authentically. If we are women, we need to imagine being wanted without being hated, and having our own desire accepted without blame.

I keep a list of calls-for-submissions, and I know that several deadlines for important anthologies and theme issues will whoosh past me before I will be able to write something suitably sexy. Conjuring up joyful, mutual sex is easier for me if I imagine it happening in the Temple of the Loving Goddess in the far-distant past or future, someplace far removed from today’s world. However, not all editors are looking for speculative fiction.

In a happier time, at least for me, I wrote “A Striking Dilemma,” a story about a three-way relationship of two young ladies and their gentleman friend in the late Victorian Age. That was definitely not a sex-friendly era either, but the jolly lovers in my story have enough privilege that they can make their arrangement appear respectable from the outside. This story is included in the second ERWA anthology, Twisted Sheets: Tales of Sizzling Menage, which has been selling well. Here is a taste:

I shook my tresses free, wondering if I looked like a madwoman in an opera.

     Lizzie unlaced my corset before I could do it myself. My small breasts popped into view, and I could see that my nipples were already hard. They looked very pink against my pale skin, but then one of them disappeared into Lizzie’s hot, wet mouth. “Oh!” I gasped. My uncontrolled response inspired her to apply a mercilessly firm tongue to my flesh. The heat of her mouth, and her persistent attention, sent moisture to my neglected cleft.

     Liz heartily sucked my nipple, then gently pulled it with her teeth before suddenly exposing it to the cool air. I looked down and saw it stretched to an amazing length, as if it were made of gutta percha.

     “Aha,” she muttered, as if to herself. I could feel my face grow warm. She liked to make me blush, and my awareness of her goal always guaranteed that she would get her wish. She tugged on my remaining underthings, and I obligingly pulled them off. I stepped out of my petticoat, and left it in a heap on the carpet.

“My girl,” she said approvingly, smiling at the sight I presented. “You’ll still look like a nymph to tempt the ancient gods when all the professional beauties of our time have become fat old women. How many times do I have to show you how beautiful you are?”

     I considered her question. “As many times as it takes,” I answered.

     Lizzie took my response as a dare. I let out a muffled squeak when she lifted me up. She held me firmly, despite my wriggling, and carried me into her boudoir, where she laid me on the counterpane that covered her bed. She had never carried me so far before. I realized that her passion for sports – badminton, archery, riding, and shooting – had given her Amazonian strength and endurance.

     There was a quiet knock at the door. Before Lizzie could attend to it, I heard a key turning in the lock. She strode purposefully into the hallway to greet him. “Henry!” She didn’t sound at all pleased, even though she had impulsively given him his key as a birthday gift two years before.

     I thought briefly of hiding under Lizzie’s bed, but then I realised how childish that would seem. I decided that a mature woman would accept the role of fellow-hostess. I wrapped myself in my clothes, as though in a blanket, and walked in bare feet to the hallway, where I stood beside her. I could guess how ridiculous I looked. Henry had seen me and Lizzie in various states of dress and undress, but never had he seen either of us completely naked.

     “Henry,” I said. “What a pleasant surprise.”

Our young man looked as mischievous as usual. He doffed his hat, laid it on the parlour table, and approached us at once.

     “I beg your pardon, ladies,” he said, almost laughing aloud. “I do hope I’ve interrupted something.” His brown eyes shone with merriment. “Ruth, please don’t feel embarrassed. I know that you and our Elizabeth have an intimacy that men may only wonder at. The games of love are entirely natural.”

——————-

Henry is right, of course, and apparently our readers agree with him. I recently got a surprisingly large quarterly royalty payment for my stories that are selling on the on-line platform Excessica, including my collection of five stories about a Dominant English prof, Dr. Athena Chalkdust, my story about the conception of King Arthur, (Under the Sign of the Dragon) and my stories in the two anthologies from ERWA (Erotic Readers and Writers Association).

Maybe there is some light at the end of the tunnel.

Censorship and Formatting Your Smut

Welcome fellow perverts, today I want to pontificate about two completely different topics, Censorship, and Formatting.

I recently wrote a blog post about what I saw as a change in Amazon’s censorship standards. You can read the post that started this brouhaha by clicking this link.

I published a story, Idle Hands, about two bored housewives who decide to take care of their problems without having to wait for their husbands to come home. Idle Hands is a HEA explicit erotic story but was written to skirt Amazon’s censor and be published with a “Safe” rating.

Previously, Amazon would rank stories as “Adult” if they violated one of their rules or often even suggested a taboo topic but properly done most porn would receive a “Safe” rating. To say that I was upset about Idle Hands being ranked Adult was an understatement.

This prompted me to get down on my knees and beg for forgiveness while Sister Amazon rapped my knuckles with her ruler. Amazon over the course of several emails told me that the story would show up in their regular searches for people who had indicated that adult material was okay.

I breathed a sigh of relief and told my Frenchie that Daddy will be able to buy your dog food and you can stop chewing up my shoes. But my tale of woe doesn’t end there.

To my knowledge, the only way to find your stories content rank is to use SalesRankExpress which will return Adult, Safe, or Unknown as the content ranking, beyond actually searching for it.

Using the program kept telling me that my story was ranked Adult and not Safe as promised. After several emails where I was promised that the story was included in searches, I started testing Amazon. I used different logons to check and see if Idle Hands showed up in searches and it did, even though ranked “Adult.”

Belinda replied that she couldn’t see the story in her searches from down under and as one of the people that I highly respect their competence in computers and the English language, I tried searching the Australia Amazon site and could find my story when she didn’t see it.

I even tried using Chrome’s incognito window and it showed up. Using my VPN, I logged into an Australian server with the same result. So now, I’m even more confused than normal.

I still think that Amazon has changed their system to rate smut as Adult yet allow the story to show up in normal searches but am still not 100% convinced.

I have no idea why she can’t find my stories and know that she certainly should as my smut doesn’t stink. LOL

Stay tuned to this bat channel for updates…!

 

Formatting Your Story

 

Continuing from my previous post On Writing, I want to delve into some of the individual parts of a typical eStory. Keep in mind that my recommendations are only that. Feel free to modify or use settings you prefer and reject anything I say. If you follow my advice, your story should meet the basic publishing requirements of the major publishers and can be a starting point for your literary masterpieces.

Many of us have a fear of the unknown, and your first story is no different, but we’ll take this one step at a time. The hard part is writing the story, getting your thoughts down on paper, and that’s where you need to focus. If you get bogged down, Google for help and you’d be surprised that other people have the same problems that you do.

First, make sure you download a copy of SmashWord’s Style Guide. You will likely have to create an account at SmashWords but do it anyway as they will be one of your best outlets for your stories. What I have found is that for the typical eStory such as Kindle or ePub, the same format works for all publishers that I use.

The typical electronic story contains only text except for the cover image. Personally, I include cover images and a blurb in the Back-Matter section of other stories that the reader may be interested in.

When reading the SmashWords Style Guide, don’t get bogged down in areas that don’t apply to your story. In truth, you could probably take the 100+ page style guide and cut it down to 10 pages or less.

If you refer to my previous post, I outlined the sections of a typical story, and if you need to refer to it, I’d suggest opening a new tab on your browser so that you can flip back and forth as needed. The link to the previous post, On Writing, is here. Below I’m going to run through the typical story and highlight any things to keep in mind.

Cover Image – I recommend 1600 pixels wide x 2400 pixels high at 300 DPI (dots per inch). Amazon recommends a slightly different size, but this one works well and can be easily resized to 200×300 for ads or insertions into blog posts.

Front Matter – The Title Page, Copyright, and Table of Contents (TOC) goes here. Use the Style Guide for an example of the text to include. Remember to never include another publishers name or link in your document, or it will be rejected. If there is any doubt, search the document for “SmashWords” if you are submitting to Amazon and vice versa. My previous post has suggestions on storing sections of the story in folders to keep everything separate. Make sure that you include a statement on the Title page that all characters are 18 years of age or older.

Body – Your story goes here. I typically use two styles, Normal and Heading 1.

Heading 1 is for chapter heads. I normally use Times New Roman, 14-point, centered, and bold. Select a page break before and 12-point spacing after the paragraph. I use a first line indent of 0.01 inches to keep Amazon from auto-indenting which will make the chapter head off center, but it’s not enough to visually show up.

Normal – Format your paragraphs of text as a Normal style. I recommend 12-point Times New Roman, first line indent 0.3 inches, 1.15 line spacing, and 6 points space after the paragraph. You can use another font but keep in mind that you have no control over what device your reader uses and if you use a font that is not available on the device, it may not display properly. For your first story, don’t get fancy and stick to the basics.

Back-Matter – This section includes “About the Author” and advertising for your other stories. You can link to your website but Do Not link to another publisher. I create a Back-Matter document for each publisher and then tack those on the body of the story as required.

In closing, read other people’s smut for ideas. Always remember that besides wanking off, reading another author’s story will provide help on how you want your finished product to look. Look at each section of the author’s story to see how he/she formats the section.

I believe in consistency, and if your story’s structure remains basically the same across your stories, then it’s easier to spot mistakes and ensure that it flows properly.

Keep reading your story as you work on it. I carry a laptop with me at all times or a tablet and use cloud storage, such as DropBox, to keep your manuscript updated on all your devices. If you have enough time, then write but if you’ve only a few minutes, pick a previous part and reread it. You’d be surprised at how often a misspelled or incorrect word will pop out.

Well, folks, that’s about it for this month and hopefully will give you some assistance in assembling your story. Check out my blog at LarryArcher.blog for more from my deranged mind. See you next month on the 24th at ERWA!

Remember this is National Masturbation Month, so remember to do your part!

Advice from a Dirty Old Lady

You only live once, but if you do it right, once is enough. ~ Mae West

When I was in junior high school (more than half a century ago!), I wrote a book report on Mae West’s more-than-slightly-scandalous biography, Goodness Had Nothing To Do With It. My choice of reading raised some eyebrows, but I was fortunate to have an open-minded teacher who gave me an A rather than grief.

Little did he know he was nurturing a future author of smut!

I was fifteen when I gave away my virginity – twenty five when I received my first spanking – twenty seven when I participated in my first ménage – in my thirties when I attended my first swinger’s party. I didn’t publish my first erotica until my forties. Sometimes it takes a while to fully develop the erotic imagination. Or perhaps I was just too busy acting out my fantasies to sit down and capture them in words…

And now? In my dreams, I’m still the nubile, desirable tart I was in grad school, but in the real world I’m just another little old lady. I’ve got wrinkles, carefully dyed gray hair, arthritic hips and knees. I can’t complain, though. I can still cook up a steamy story when I get the urge.

Our culture views sex as the purview of the young. I think this reflects a fixation on the physical aspects of sex. If you’re not a hot babe or a ripped hunk, according to popular wisdom, you can’t turn anyone on. Of course this is complete nonsense. In fact, I find myself increasingly attracted to more mature individuals: the woman on the subway with the ethnic blouse and thick gray plait hanging down her back; the grizzled guy in bifocals, sitting in Starbucks with his suit jacket on the back of the chair and his business shirt sleeves rolled up to bare his tanned arms; the white-haired couple by the seawall, holding hands and laughing together. Oh, I see the smooth, ripe flesh of the young, too – firm, unfettered breasts under her tank top, tight jeans clinging to his magnificent gluts – but I know that if I were alone with these beautiful kids, I’d have nothing to say.

I recently encountered this encouraging article about the issues older people encounter trying to express their sexuality. There are of course physical constraints to senior sex, but the biggest obstacle seems to be the notion that old people automatically become asexual, or even worse, that old people having sex is somehow icky.

It’s difficult to resist societal stereotypes, but I simply refuse to buy this. I bet my sex life is better than most millennials (who apparently are less likely to have sex than any generation for the past four decades). Anyway, if my lover and I are satisfied, who cares what anyone else thinks?

I’m not willing to give up my sexual self. Writing helps me keep that part of me alive. I’ve penned a few tales where the characters are senior citizens, most notably Gray Christmas. In that book, the protagonist’s adult daughter has a difficult time accepting her mom’s lusty affair. I think there’s an audience for stories like this that convey the reality that sex changes as you age – but that you can still enjoy what has to be one of the greatest joys on earth.

So listen to this dirty old lady – don’t give up on nookie just because you’re a bit creaky or sagging. After all, when Mae West died, at the ripe age of eighty seven, she was shacked up with a hunky former Mr. California thirty years younger than she was.

I only hope I can do her legacy justice.

Love isn’t an emotion or an instinct – it’s an art. ~ Mae West

 

What were the chances …?

I can’t speak for other writers, but for me an unsolicited comment from a reader is worth more than getting published, or even getting a check in the mail. For a total stranger to tell you she read your story and that it affected her … wow, you can’t put a price on that.

Like a lot of folks around here, my first time exposing my scribblings to the public came courtesy of ERWA and the Story Gallery. And while email addresses of authors are tacked on the stories that appear in the gallery now, some time ago readers were encouraged to share their thoughts with authors about stories. And, if you think seeing your words in print is a thrill, wait until you get your first fan mail from someone you don’t know saying, “Hey, I really liked your story.” Then it’s Release the endorphins!

I can’t remember ever getting a negative response to a story, but I remember one that was somewhat unsettling.

I don’t have any particular system for choosing names for my characters, particularly last names. Most are relatively common surnames, so no one is likely to confuse a character in one of my stories with an actual individual, even when I pick a name from someone out of my past – except for this one time. Oy!

I was pondering a name for a female character who was a psychologist and settled on the name of a kid with whom I shared a few classes at high school.

The story was chosen to appear in ERWA’s story gallery, and shortly afterward I received an email from a young woman who was urgently curious to know how I had come up with the surname of the character of the psychologist. She explained that it was her family name and only 35 people on the entire planet had it.

It was a classic Uh-oh! moment.

I replied explaining I was trying to settle on a name that fit a female psychologist and that I remembered the name of  the kid from high school. I described him and told her his first name.

“That’s my Dad!” came the reply.

Like I said, Oy!

I braced for her to demand I change the name or take down the story. You can’t tell, after all, how someone might react to having their family name in an erotic story. I explained that her dad and I weren’t friends, but only shared a couple of classes, so only knew each other casually.

She replied, “That’s amazing.” Then she shared that she was in college studying psychology, and wasn’t that also a coincidence.

We kind of chatted back and forth for a bit, as she told me what had become of her dad. I offered that he would likely not remember me at all.

Anyway, that’s how we left it. Except, feeling a bit more relaxed about the situation, I asked her how she liked the story. She said erotica wasn’t really her thing and that it was one of her dorm mates who had read the story on ERWA and brought it to her attention. I didn’t think to ask her what her dorm mate thought of the story. Afterward, I couldn’t help feeling like I had dodged a bullet of sorts.

The story was never published anywhere else but in the Story Gallery, but if I’d ever submitted it elsewhere I would have likely changed the name.

And so … a bit of a cautionary tale. What were the chances?

Writing Prompts

by Ashley Lister

Whenever we’re asked the question ‘Where do you get your ideas from?’ a lot of us puzzle over our response. To most of the writers I know ideas aren’t the problem: finding the time to commit those ideas to paper is the real problem.

However, I’m aware that some people do search for inspiration and I’m hoping the following list of 13 questions might prove to be a useful resource to inspire ideas.

I found this list maybe a decade ago on the internet, and have chopped it and changed it to suit purposes in classes over the years. I no know where the list came from but I’m grateful to the original author for them sharing it online.

a) Do you believe honesty is the best policy?
b) List 5 people you know. Then describe each of them in 5 words.
c) If you could have anyone locked in a room so that you could torment them for a day, whom would you choose, and how would you torment them?
d) Would you be willing to have horrible nightmares every night for a year if you would be rewarded with extraordinary wealth?
e) Would you enjoy spending a month of solitude in a beautiful natural setting? Food and shelter would be provided but you would not see another person.
f) If you could have one superpower, which would you choose?
g) Which of the four seasons do you most anticipate?
h) Would you be willing to become extremely ugly physically if it meant you would live for 1,000 years at any physical age you chose?
i) Who would you most like to be stuck in an elevator with? Least like?
j) You can select one person from history and ask them a question to which they must give a truthful reply. Whom would you select, and what question would you ask?
k) If you could bring one character to life from your favourite book, who would it be?
l) Would you be willing to commit perjury in court for a close friend? What if your lie would save his life?
m) What dead person would you least want to be haunted by?

With the above list, don’t simply answer yes, no, or insert the name of your least favourite politician where appropriate. Give each one a little thought and see if the answer doesn’t provide the kernel of an idea.

Hot Chilli Erotica

Hot Chilli Erotica

Categories

Babysitting the Baumgartners - The Movie
From Adam & Eve - Based on the Book by New York Times Bestselling Authors Selena Kitt

Categories

Archives

Pin It on Pinterest