Monthly Archives: November 2009
This month, in my last installment of Shameless Self-Promotion, I discuss the pleasures and challenges of appearing on radio shows to promote your novel. I’m including two of my sample queries here for your reference. The first is geared to a more high-brow host.
Dear Ms. X,
Ms. Y suggested I get in touch with you about a possible interview on “Book Talk” about my new novel, Amorous Woman, and other US-Japan intercultural issues related to the book.
Amorous Woman was published by Orion in the UK as part of their Neon line of literary erotica and was released in the US in May 2008. The novel was inspired by Ihara Saikaku’s 17th century Japanese erotic classic, The Life of an Amorous Woman. Intrigued by Saikaku’s picaresque, but emotionally complex tale, I decided to translate it into the modern story of an American woman’s experiences in Japan during its economic “bubble.” I’m a Princeton graduate with a Ph.D. in Japanese literature, and I’ve lived in Japan for several years. Amorous Woman is my first novel, although I’ve also published nearly a hundred literary and erotic stories and essays and my work received special mention in Pushcart Prize Stories 2004.
I’ve appeared on five radio shows including Ellen Shehadeh’s “View Point” on KWMR in Point Reyes Station, Denny Smithson’s “Cover to Cover” on KPFA in Berkeley and also read another literary essay for KQED’s “Writer’s Block” in San Francisco. In interviews I’ve discussed US-Japan cultural stereotypes such as the myths of the submissive geisha and the samurai salaryman, the historical and literary background of the novel, my definitions of erotica versus porn, the paradoxical prejudice against erotica in a consumer environment saturated with sexual messages, and how an academic and self-acknowledged feminist came to “talk back to porn” with a woman-centered exploration of eroticism as a complex element of human experience.
I’ve attached a brief synopsis and sample reviews of the novel below. I’d be happy to provide you with a copy of the book, print interviews including one in the East Bay Monthly, and links to other radio interviews at your request.
Thank you very much for your consideration of my proposal. I look forward to hearing from you.
Of course, ideally each query should reflect the intended market and not all interviewers are so serious. For a show that focuses on entertainment, I emphasized the more humorous possibilities as you see in the excerpts below:
Amorous Woman (Orion Publishing in the UK/US release through Trafalgar Books on May 28, 2008) is my first novel. It’s about a woman’s love affair with Japan and her adventures with as many men and women as she could pack into her futon along the way. Based on a Japanese erotic classic known for its wit, the story is rather like “Sex and the City” meets Memoirs of a Geisha with some David Sedaris thrown in for good measure.
I have a Ph.D. in Japanese literature from Stanford and have taught Japanese at U.C. Berkeley and Stanford. I have over eighty publication credits, including stories and essays in Gettysburg Review, Wine Spectator, Best American Erotica 2006, Mammoth Book of Best New Erotica and Best Women’s Erotica. I’ve been featured in magazines in the UK, translated into Italian and received special mention in Pushcart Prize Stories 2004. As part of my promotional efforts, I’ve appeared on Ellen Shehadeh’s View Point on KWMR in Point Reyes Station and have held several in-person readings and discussions. Because of my academic background, I am comfortable with public speaking and Q&A sessions. I enjoy bringing a humorous slant to my topic as well as talking about Japan, a country that still fascinates me twenty-five years after I first visited.
During the interview, I would be able to:
Discuss US-Japan cultural stereotypes such as the myths of the submissive geisha and the samurai salaryman—do the Japanese have better sex than we do in those love hotel dungeon rooms? And what about those vending machines that sell women’s “used” panties?
Talk about how a Stanford Ph.D. came to write a dirty novel and thus endanger the reputations of academics everywhere
Relate which aspects of my heroine’s adventures really happened to me—yes, I did have a boyfriend with one sensitive nipple and a group encounter on a spring night in Kyoto, although not exactly the way it happened in the book
Explain my take on the difference between erotica and porn—erotica’s what I like and porn’s what you like, but I’ve got some other provocative answers, too
Describe how erotica can change our lives by encouraging the exploration of how sex feels, a radical act in a society that focuses on how sex looks
Discuss the obstacles I’ve faced promoting the books and the pleasures in connecting with readers
If you’ve ever sat in a college class wondering if your professor had a secret life, I’m here to say the answer is definitely yes!
I’ve attached a brief synopsis and sample reviews of the novel below. I’d be happy to provide you with a copy of the book and print interviews at your request.
Thank you very much for your consideration of my proposal. I look forward to hearing from you.
For both queries, I also attached the information from my sell sheet including a one-paragraph pitch and a few brief excerpts from my favorite reviews. Good luck with your queries and have fun on the show!
“The shock of September 11 is subsiding. Each day adds distance. Distance diminishes fear. Cautiously our lives are returning to normal. But “normal” will never be the same again. We have seen the enemy and the enemy is among us …. the publishers, producers, peddlers and purveyors of pornography.”
It didn’t take me long to find that quote, just a few minutes of searching. It came from an LDS Web site, Meridian Magazine, but I could have picked fifty others. Maybe it’s because of the election, or because of a few horror stories that have recently come my way, but I think it’s time to have a chat about what it can mean to … well, do what we do.
We write pornography. Say it with me: por-nog-ra-phy. Not ‘erotica’ — a word too many writers use to distance themselves, or even elevate themselves, from the down and dirty stuff on most adult bookstore shelves — but smut, filth … and so forth.
I’ve mentioned before how it’s dangerous to draw a line in the sand, putting fellow writers on the side of ‘smut’ and others in ‘erotica.’ The Supreme Court couldn’t decide where to scrawl that mark — what chance do we have?
What good are our petty semantics when too many people would love to see us out of business, thrown in jail, or much, much worse? They don’t see a bit of difference between what I write and what you write. We can sit and argue all we like over who’s innocent and who’s guilty until our last meals arrive, but we’ll still hang together.
I think it’s time to face some serious facts about what we do. ‘Swinging from a rope’ hyperbole aside, we face some serious risks for putting pen to paper or file to disk. I know far too many people who have been fired, stalked, threatened, had their writing used against them in divorces and child custody cases, and much worse.
People hate us. Not everyone, certainly, but even in oases like San Francisco people who write about sex can suffer tremendous difficulties. Even the most — supposedly — tolerant companies have a hard time with an employee who writes smut. A liberal court will still look down on a defendant who’s published stories in Naughty Nurses. The religious fanatic will most certainly throw the first, second, third stone — or as many as it takes — at a filth peddler.
This is what we have to accept. Sure, things are better than they have been before and, if we’re lucky, they will slowly progress despite the fundamentalism of the current government, but we all have to open our eyes to the ugly truths that can accompany a decision to write pornography.
What can we do? Well, aside from joining the ACLU (www.aclu.org) there isn’t a lot to we can directly do to protect ourselves if the law, or Bible-wielding fanatics, break down our doors, but there are a few relatively simple techniques we can employ to be safe. Take these as you will, and keep in mind that I’m not an expert in the law, but most importantly, try to accept that what you are doing is dangerous.
Assess your risks. If you have kids, if you have a sensitive job, if you own a house, if you have touchy parents, if you live in a conservative city or state, you should be extra careful about your identity and what you are writing. Even if you think you have nothing to lose, you do — your freedom. Many cities and states have very loose pornography laws, and all it would take is a cop, a sheriff, or a district attorney to decide you needed to be behind bars to put you there.
Hide. Yes, I think we should all be proud of what we do, what we create, but use some common sense about how easily you can be identified or found. If you have anything to lose, use a pseudonym, a post office box, never post your picture, and so forth. Women, especially, should be extra careful. I know far too many female writers who have been stalked or Internet-attacked because of what they do.
Keep your yap shut. Don’t tell your bank, your boss, your accountant, your plumber, or anyone at all, what you do — unless you know them very well. When someone asks, I say I’m a writer. If I know them better, I say I write all kinds of things — including smut. If I know them very, very, very well then maybe I’ll show them my newest book. People, it shouldn’t have to be said, are very weird. Just because you like someone doesn’t mean you should divulge that you just sold a story to Truckstop Transsexuals.
Remember that line we drew between ‘pornography’ and ‘erotica’? Well, here’s another. You might be straight, you might be bi, but in the eyes of those who despise pornography you are just as damned and perverted as a filthy sodomite. It makes me furious to meet a homophobic pornographer. Every strike against gay rights is another blow to your civil liberties and is a step closer to you being censored, out of a job, out of your house, or in jail. You can argue this all you want, but I’ve yet to see a hysterical homophobe who isn’t anti-smut. For you to be anti-gay isn’t just an idiotic prejudice, it’s giving the forces of puritanical righteousness even more ammunition for their war — on all of us.
I could go on, but I think I’ve given you enough to chew on. I believe that writing about sex is something that no one should be ashamed of, but I also think that we all need to recognize and accept that there are many out there who do not share those feelings. Write what you want, say what you believe, but do it with your eyes open. Understand the risks, accept the risks and be smart about what you do — so you can keep working and growing as a writer for many years to come.