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'07 Authors Insider Tips
FictionCraft by Louisa Burton Formatting Your Manuscript Scams / Choosing an Agent Pitching Your Novel... From The Call to Published... Hard Business From Greg Herren Who Is Telling This Story? It’s Work, Not A Hobby Where Ideas Come From Sexy on the Page With Shanna Germain Plotting Erotic Fiction Seducing Your Muse Creating Characters... Description, Action & Dialogue Fucking on Paper Ten No-Nos of Erotic Fiction Climactic Moments: First Draft Critique Groups Revising Your Erotic Story Finding the Perfect Markets... Just Submit Already Rejections and Acceptances Two Girls Kissing With Amie M. Evans Verb Tense Confusion Coming Up with Story Ideas Attend a Writers’ Conference The Fundamentals of POV Should I Sign That? Etiquette for Authors Erotica is Serious Work No Body Writes for Free... Shameless Self Promotions The Myth of Writer's Block The Write Stuff From Ashley Lister The Time is Write The Beautiful People A Book by Any Other... Synopsis: the Necessary Evil Erotica or Porn? Feedback Whine 2007 Smutters Lounge Ashley Lister Submits by Ashley Lister What's it like being a writer? Blog An Apology to Salespeople Cooking Up A Storey by Donna George Storey Naughty Cookies... Get All Worked Up With J.T. Benjamin About Secrets The Perfect Fuck About Choices The Age of Consent The Kingmaker Kids and Sex M.Y.O.B. The Price of Beauty The G.O.P. All Worked Up About Hate Real Men Pondering Porn With Ann Regentin Good Sex: A Physics Lesson Meet Frankenstein Thoughts on the Orgasm Gap The Very Bloody Marys The Doomsday Erection Online Threesome Porn |
Two Girls Kissing: Writing Lesbian Literary Erotica
A Reader Asks: Great topic, Kathleen. Verbs are critical to your writing and can also be a source of great confusion and frustration. To get us started, let’s review verbs. What Is a Verb? Verbs are the worker words that show action (to kiss, to slap, to fuck, to cuddle, etc…) or state of being (to be…in love, in lust, to want, etc…). They make the events in your stories come to life by communicating action. What Is Verb Tense? From Webster’s: tense (noun) a category of verbal inflection that serves chiefly to specify the time of the action or state expressed by the verb. Verbs change tense to show time (present, past, future), that is when an action is being done or when a state of being is occurring.
Example:
Verbs also change form depending on who is doing the action or is in the state of being.
Irregular verbs’ roots differ in form when tense or number is changed, and it is always a good idea to check a grammar book for the correct forms of irregular verbs. What Tense Should I Use to Write My Erotic Story? I like Present Tense for short erotica, especially when I am writing in first person, because it feels more immediate to the reader. I am in the minority on this. The events are unfolding as the reader reads them; there is an advantage to this in erotica. You can add tension and create an air of vividness and freshness in a story making it feel more immediate or urgent by writing in Present Tense. But beware: depending entirely on Present Tense instead of a strong story line, tight prose, and actual exciting events to create all of the tension and freshness in your prose will not work. Present Tense can feel more stylized, because it's uncommon (especially for third-person narratives), but if you're writing in the first person, it can feel quite natural and you can use Simple Past Tense for flashbacks. Simple Present Tense can be difficult to use effectively. Many writers find that they slip in and out of the Past Tense when they are writing in Present. (Good editing can solve this problem on your rewrite.) Some readers don’t feel comfortable reading fiction written in Present Tense. Past Tense is used to show events that are past. It is also the most commonly used tense in fiction. (Once upon a time, there was a dyke named Sue who lusted after Mary...) Most authors use Past Tense in their work. Many readers feel more comfortable reading Past Tense because they are more familiar with it. One great benefit of writing in Past Tense, especially in first person, is that the narrator can reflect on events as they are told since they have already happened. Time has passed so a first person narrator has had time to reflect on the events and can share insights about them that might seem unrealistic for a Present Tense first person narrator to do. But, if the narrator is first person and the story is in Past Tense, the reader on some level is aware that the narrator is relaying past events and, thus, is a live in most cases. So Past Tense can on some levels limit dramatic tension. Ultimately whether you use Past or Present Tense is your choice. The story you are telling may demand Past or Present Tense and it is always in your best interest to listen to the story. Good writing requires that the author keeps the verb tenses consistent—using either Present or Past Tense without randomly switching from one to the other. A few writers are able to write one portion in one tense and another portion in another tense, but it takes a very skilled author to do so effectively and correctly. (Practice this skill by observing the works that successfully pull it off and those that don’t and practicing switching tense when there is a logic reason to do so.) A lack of consistency in verb tense causes readers to stop reading because of confusion; however, there are legitimate points in stories where you will need to switch tenses. Switching Verb Tenses in a Story For the most part, you will write either in Past or Present Tense. When logic calls for a switch in tense (for example, you are writing in Present and include a description of the events that have already happened), you want to switch tenses. However, if you switch without a logical reason, it is going to confuse your reader and make it hard for them to keep track of the events. Switching verb tenses upsets the time sequence of narration; therefore, you will want to keep the verbs you use in the same tense. Since changes in verb tense help readers understand the temporal relationships among various narrated events, but unnecessary or inconsistent shifts in tense can cause confusion; generally, writers maintain one tense for the main discourse and indicate changes in time frame by changing tense relative to that primary tense. Occasionally, for dramatic effect, you may wish to narrate an event in present tense as though it were happening now or providing back story in Past Tense so the reader knows it has already happened. Do not shift from one tense to another if the time frame for each action or state is the same.
Do shift tense to indicate a change in time frame from one action or state to another.
The women love their new summer house, which they built themselves. The women love their new summer house, which they are building themselves. Incorrect: Can I Switch From Simple Past to Present Tense? Example:
Some Final Notes on Verbs Active vs. Passive Voice
Normally you should write in the active voice, however, sometimes the passive voice is used for stylistic reasons or to show a passive character. Use it sparingly and with clear intent. Strong Verbs Regardless of if you choose to write in Past or Present Tense you should always select the strongest verb available to depict the actions you are writing about. Avoid adverbs if possible by selecting verbs that express the exact or near exact meaning you want.
Put is a weak verb whose meaning isn’t vivid and action isn’t clear. You can add an adverb to strengthen the verb put and clarify the meaning you intend.
But by replacing put with a more specific verb, you strengthen the meaning of the sentence and tighten your prose.
Sometimes the original sentence just isn’t written correctly and needs to be rewritten to accommodate a more descriptive verb.
Your prose will be enhanced by using strong verbs and reducing adverbs needed to strengthen weak verbs. Exercises for Verb Tenses
Careful editing will insure consistency in your verb tenses as well as other elements of your prose. Some Resources
NEXT TIME: Coming Up with Story Ideas Amie M. Evans ______
Copyright © 1996 and on, Erotica Readers Association, Inc. |
'07 Book Reviews
Anthologies A for Amour / B for Bondage Review by Ashley Lister Best Women's Erotica '07 Review by Ashley Lister The Butcher, The Baker... Review by Ashley Lister C is for Coeds Review by Ashley Lister Cream: The Best of ERWA Review by Ashley Lister Cream: The Best of ERWA Perceptions by Cervo Coming Together for the Cure Review by Lisabet Cross-Dressing Review by Ashley Lister F is for Fetish Review by Ashley Lister Got a Minute? Review by Ashley Lister He's on Top Review by Ashley Lister Love on the Dark Side Review by Angelika Devlyn Lust: ...Fantasies for Women Review by Ashley Lister The Mammoth Book Vol 6 Review by Lisabet Sarai Naughty Spanking Stories Review by Ashley Lister Quickies 1 Review by Angelika Devlyn She's on Top Review by Ashley Lister Sixteen of the Best Review by Ashley Lister Novels Amorous Woman Review by Lisabet Sarai The Boss Review by Angelika Devlyn Burning Bright Review by Lisabet Sarai Call Me By Your Name Review by Lisabet Sarai Cockhold Review by Lisabet Sarai Continuum Review by Ashley Lister Dark Designs Review by Ashley Lister Equal Opportunities Review by Lisabet Sarai Enthralled Review by Angelika Devlyn Flood Review by Angelika Devlyn Gothic Blue Review by Ashley Lister Hotbed Review by Ashley Liste The Lords of Satyr: Nicholas Review by Helen E. H. Madden Love Song of the Dominatrix Review by Angelika Devlyn Ménage Review by Angelika Devlyn Riding the Storm Review by Lisabet Sarai The Silver Collar Review by Ashley Lister Split Review by Ashley Lister Suite Seventeen Review by Ashley Lister Sweet as Sin Review by Angelika Devlyn Tiffany Twisted Review by Lisabet Sarai Top of Her Game Review by Angelika Devlyn Whalebone Strict Review by Ashley Lister Wife Swap Review by Gary Russell Wings of Madness Review by Angelika Devlyn Gay Erotica Historical Obsessions Review by Erastes Homosex: 60 Years of Gay... Review by Erastes Mammoth Book of New Gay... Review by Erastes Standish Review by Lisabet Sarai Lesbian Erotica Iridescence:...Lesbian Erotica Review by Lisabet Sarai Sex Guides The Path of Service Review by Ashley Lister Secrets of Porn Star Sex Review by Ashley Lister Touch Me There Review by Ashley Lister Non-Fiction Concertina: An Erotic Memoir... Review by Rob Hardy Daddy's Girl Review by Ashley Lister Dirt for Art's Sake Review by Rob Hardy Entangled Lives Review by Lisabet Sarai Impotence: A Cultural History Review by Rob Hardy I, Goldstein: My Screwed... Review by Rob Hardy In Praise of the Whip Review by Rob Hardy Insatiable: ...Porn Star Review by William S. Dean Letters of a Portuguese Nun Review by Rob Hardy Mississippi Sissy Review by Rob Hardy Ron Jeremy Review by Rob Hardy Virgin: The Untouched... Review by Rob Hardy The Year of Yes Review by Rob Hardy |
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