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2006 Authors Insider Tips
Beyond the Basics With Tulsa Brown The 30-Second Solution Backstory vs. Flashback Intimacy Begins With "I" Hit the Ground Running Make the Reader Leap Meaningful Dialogue Pulling the String Central Image Elegant Smut Better Plots Bitch Power The Write Stuff From Ashley Lister Predefined Your Goals Spell Ink Miss Takes Plotting & Planning Character Building Speech Therapy Talking Sense Two Girls Kissing With Amie M. Evans Intro to Lesbian Erotica 3-Dimensional Characters Submitting for Publication Five Year Writing Plan Setting Up Your Plan... The Power of Naming Language of Lesbian... Sexual Description What Can I say? Hard Business From Greg Herren What Are Your Priorities? How to Edit an Anthology Follow the Guidelines... A Cock is Just a Cock But is it Still a Story? Who Am I Fucking? Potential Material Rejection ... The Business End By Kate Dominic Effective Cover Letters How to Lose Contracts Contracts: Agent Issues Contracts: Read It! Double Duty Bios What's Sex? Literary Streetwalker By M. Christian Ground Rules for Writers No Muse is Good News Effective Cover Letters Location, Location Say Something! Dirty Words The Erotic Book Docter By Susie Bright Marketing Your Book Submission Concerns Promotion Strategies 2006 Smutters Lounge Pondering Porn With Ann Regentin Babes & Hunks of Erotica Fantasy, Reality & Rape Selling Ourselves Short Selling Smut in Motown The Frankenstein Bride Frankenstein Revisited Porn and Perfect Shoes Porn's Passionate Pull Instruments of Joy Get All Worked Up With J.T. Benjamin Orwell's Eerie Parallels Redefining Marriage The Porn Menace High-Quality Porn About Profanity Dirty Laundry Big Brother Sluts Editorials Wrong Reasons to do SM by Midori |
The Business End
Let's be honest here. Cover-to-cover and no skimming—have you ever truly read all of any of the above? Barring contract-related correspondence, I haven't either. Today, more than ever, people feel harried and stressed. They don't want their time wasted. Not you, not me, not the editor we so fervently want to buy what we believe is the best short story that person's going to see this year! A cover letter that's clear, concise, and professional lets the editor know the action on a particular piece has been passed to him or her. Start with the business information. For hard copy submissions, use your letterhead or a standard letter format. (Any reasonable style guide will work, so long as it conveys your name and address/contact information and that of the person to whom you're sending the letter.) Follow this with the date. Then go to the meat of your letter:
It's short, sweet, and to the point—and it primes the editor to turn the page and read your story because you're delivering exactly what s/he requested. (Which you are, of course, because you've done your homework, right?!) If a word count is needed, you can slip it in after the story title. If s/he wants only unpublished works, state that yours is unpublished (and be sure it is!) If s/he wants reprints, state—briefly—where the piece was originally published: title, author/editor, publisher, year. (It goes without saying that if you're offering a reprint, you've double-checked that you retain the right to make the new submission.) If a short bio is requested, add that in a separate paragraph. (More on bios next month.) Check the grammar and spelling (this includes double checking the spell checker). If you've particularly enjoyed a specific previous work by the editor, say so. Again, be quick and to the point. For example:
When you're all done, eyeball the letter to ensure it looks pleasing on the page. For hard copy submissions, if necessary, play with the white space so the letter looks balanced and easy to read. For E-mail submissions, make sure the subject is to the point: Submission: Candles are a Girl's Best Friend. Then aim for having as much as possible of the true meat of the letter (the I'm sending you what you want information) where it's visible without scrolling when the E-mail opens. Sign it with your real name, followed by "writing as" and your penname if that's how you'll want the story published. Voila! A cover letter that conveys the information you want to convey, in a timely and professional manner. Whether or not the editor takes the piece, you've started down the path of a good professional relationship with your new business colleague. Kate ______
Copyright © 1996 and on, Erotica Readers Association, Inc.
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2006 Book Reviews
4 Erotic Ass-ets Reviews by Ashley Lister Amazons Review by Lisabet Sarai Bad Girls & More... Reviews by Ashley Lister The Best of Both Worlds Review by Lisabet Sarai The Black Masque Review by M. Ellis Blood Surrender Review by Lisabet Sarai Bound Review by Lisabet Sarai Bound to Love Review by Ashley Lister Double Dare Review by Ashley Lister Filthy: Outrageous Gay... Review by Lisabet Sarai Fire Review by Gary Russell Forbidden Reading Review by M. Ellis Leather, Lace and Lust Review by Lisabet Sarai Mr. Stone & Lessons Reviews by Ashley Lister Nina Hartley's Sex Guide Review by Adrienne Oedipus & Rode Hard Reviews by Ashley Lister Orgasms & More Reviews by Ashley Lister Passion of Isis Review by Ashley Lister Sex in Uniform Review by Ashley Lister Six Top Picks Reviews by Ashley Lister Stirring up a Storm Review by M. Ellis Sunshine and Shadow Reviews by Lisabet Sarai Surrender & Dying for It Reviews by Ashley Lister Swingers Review by Lisabet Sarai Wicked: Sexy Tales... Reviews by Ashley Lister Writing Naked Review by Lisabet Sarai Non-Fiction America’s War on Sex Review by Rob Hardy Callgirl Review by Rob Hardy Covent Garden Ladies Review by Rob Hardy The Commitment Review by Rob Hardy Eroticism and Art Review by Rob Hardy Expletive Deleted... Review by Rob Hardy Female Orgasms Review by Rob Hardy Government Vs. Erotica Review by Rob Hardy Heloise & Abelard ... Review by Rob Hardy International Exposure Review by Rob Hardy A Profane Wit Review by Rob Hardy Secret Life of Oscar Wilde Review by Rob Hardy Sex Collectors Review by Rob Hardy Sex Machines Review by Rob Hardy |
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