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2006 Authors Insider Tips
Beyond the Basics With Tulsa Brown The 30-Second Solution Backstory vs. Flashback Intimacy Begins With "I" Hit the Ground Running Make the Reader Leap Meaningful Dialogue Pulling the String Central Image Elegant Smut Better Plots Bitch Power The Write Stuff From Ashley Lister Predefined Your Goals Spell Ink Miss Takes Plotting & Planning Character Building Speech Therapy Talking Sense Two Girls Kissing With Amie M. Evans Intro to Lesbian Erotica 3-Dimensional Characters Submitting for Publication Five Year Writing Plan Setting Up Your Plan... The Power of Naming Language of Lesbian... Sexual Description What Can I say? Hard Business From Greg Herren What Are Your Priorities? How to Edit an Anthology Follow the Guidelines... A Cock is Just a Cock But is it Still a Story? Who Am I Fucking? Potential Material Rejection ... The Business End By Kate Dominic Effective Cover Letters How to Lose Contracts Contracts: Agent Issues Contracts: Read It! Double Duty Bios What's Sex? Literary Streetwalker By M. Christian Ground Rules for Writers No Muse is Good News Effective Cover Letters Location, Location Say Something! Dirty Words The Erotic Book Docter By Susie Bright Marketing Your Book Submission Concerns Promotion Strategies 2006 Smutters Lounge Pondering Porn With Ann Regentin Babes & Hunks of Erotica Fantasy, Reality & Rape Selling Ourselves Short Selling Smut in Motown The Frankenstein Bride Frankenstein Revisited Porn and Perfect Shoes Porn's Passionate Pull Instruments of Joy Get All Worked Up With J.T. Benjamin Orwell's Eerie Parallels Redefining Marriage The Porn Menace High-Quality Porn About Profanity Dirty Laundry Big Brother Sluts Editorials Wrong Reasons to do SM by Midori |
The Best of Both Worlds: Bisexual Erotica
Bisexuality should make things simpler. This, at least, was my expectation. If you're sexually attracted to both men and women, finding a partner should be far easier. After all, you've got a broader selection of alternatives. When both genders are fair game, you don't need to agonize or feel guilty about your attractions to either. Then there's the release from competition. To quote Jennifer Whitlock's "Sex with His Ex":
Sage Vivant's and M.Christian's fascinating collection, THE BEST OF BOTH WORLDS, violated my expectations in more ways than one. I was expecting fantasy stories about three-somes, four-somes, and more-somes, where mutual pleasure is not constrained by gender and a juicy, arousing, satisfying time is had by all. To be sure, the book includes some tales in this genre, most notably "Married, but Not Dead" by Colt Spencer, and Kit's deliciously ironic "MMF". The majority of the stories in the book, though, are far more complex and ambiguous. They highlight, not the commonalities in loving both genders, but the differences, the discomforts, the insecurities. The gay narrator in Brian Frank's lovely "Dancing with Rebecca" contrasts his delicate, romantic attraction to the woman in the title, met at a friend's wedding, with the wild, visceral connection he shares with a guy he meets in a bar afterward. In "Three Balls", by Callum James, a straight man discovers after prostate surgery that he can share his body more comfortably with a male friend than with his wife. "Lost in Translation", by Heather Lee Alexander, chronicles the frustration a woman feels trying to communicate her attraction to her lover's wife:
The complications appear to be even greater for someone who's explicitly identified as gay or lesbian. Desire knows no politics, but life can be rough for a queer who's seen as going over to the dark side. Bree Coven's "Queer I and the Straight Guy" is a frank tale of how a "gold-star lesbian untouched outside the sisterhood", officially disowned by her family and thrown out of the house for being gay, fell in love with somebody with a penis. On the other hand, Mark Wildyr's "Losers" demonstrates that it's equally difficult for someone brought up to consider himself straight to admit to a same-sex attraction. Quite a few of the contributions to BEST OF BOTH WORLDS appear to be true confessions rather than fiction. Clint Catalyst's poignant and hilarious "My Attempts at Polyamory" is clearly a slice of (richly-sexual) life. Patrick Califia's "Boy in the Middle" chronicles a night partying in a "huge and gorgeously equipped dungeon in the South Bay", with a cast of male, female, and transexual characters whose names (I hope!) have been changed to protect the innocent. Rachel Kramer Bussel's story of bittersweet horniness, "What If?", might be the product of imagination, but knowing her, I'll bet that it's not. Joy Van Nuys explicitly shares her experiences, confusions and contradictions in her essay, "Joy: Portrait of a Bisexual Sex Writer". These highly personal accounts give BEST OF BOTH WORLDS a flavor quite distinct from the typical erotica collection. The authors here are not just trying to titillate (though many of them do). They are exposing and exploring truths, sometimes humorous, sometimes painful, sometimes embarrassing, about themselves. With such a rich selection of stories, it's hard to identify favorites, but I have to mention R. Gay's clever and sexy "On the Care and Feeding of White Boys". Just because two hot black women are getting it on together doesn't mean they can't crave the novelty and excitement of something quite different. I also loved Jamie Joy Gatto's lyrical and satisfying "A Garden Called You", in which a woman with a secret passion for other women discovers her male lover's stash of gay porn. I should also mention the contributions of the editors. Sage Vivant's "Strategy" and M. Christian's "Love" intentionally or otherwise share a theme: rich fantasies about one's own sex that are never consummated. The fantasy is as arousing as any action, and their stories balance the "real" sexual escapades in the other tales. For me, Chris' and Sage's stories confirm my own beliefs about sexuality: that everyone has some potential for attraction to their own gender as well as the opposite one; that labels and stereotypes are barriers to sexual fulfillment; and that imagination is the ultimate aphrodisiac. Whether you agree with me or not, you'll find much to intrigue and arouse you in this provocative collection. Lisabet Sarai
Copyright © 1996 and on, Erotica Readers Association, Inc. |
2006 Book Reviews
4 Erotic Ass-ets Reviews by Ashley Lister Amazons Review by Lisabet Sarai Bad Girls & More... Reviews by Ashley Lister The Best of Both Worlds Review by Lisabet Sarai The Black Masque Review by M. Ellis Blood Surrender Review by Lisabet Sarai Bound Review by Lisabet Sarai Bound to Love Review by Ashley Lister Double Dare Review by Ashley Lister Filthy: Outrageous Gay... Review by Lisabet Sarai Fire Review by Gary Russell Forbidden Reading Review by M. Ellis Leather, Lace and Lust Review by Lisabet Sarai Mr. Stone & Lessons Reviews by Ashley Lister Nina Hartley's Sex Guide Review by Adrienne Oedipus & Rode Hard Reviews by Ashley Lister Orgasms & More Reviews by Ashley Lister Passion of Isis Review by Ashley Lister Sex in Uniform Review by Ashley Lister Six Top Picks Reviews by Ashley Lister Stirring up a Storm Review by M. Ellis Sunshine and Shadow Reviews by Lisabet Sarai Surrender & Dying for It Reviews by Ashley Lister Swingers Review by Lisabet Sarai Wicked: Sexy Tales... Reviews by Ashley Lister Writing Naked Review by Lisabet Sarai Non-Fiction America’s War on Sex Review by Rob Hardy Callgirl Review by Rob Hardy Covent Garden Ladies Review by Rob Hardy The Commitment Review by Rob Hardy Eroticism and Art Review by Rob Hardy Expletive Deleted... Review by Rob Hardy Female Orgasms Review by Rob Hardy Government Vs. Erotica Review by Rob Hardy Heloise & Abelard ... Review by Rob Hardy International Exposure Review by Rob Hardy A Profane Wit Review by Rob Hardy Secret Life of Oscar Wilde Review by Rob Hardy Sex Collectors Review by Rob Hardy Sex Machines Review by Rob Hardy |
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