Writing Exercise

by | February 6, 2013 | Writing Exercise | 5 comments

 By Ashley Lister

 I’ll keep this short. Rhyme is denigrated by
snobs. Syllable based poetry becomes complicated by the inconvenience of
diphthongs and triphthongs (as well as the vagaries of pronunciation). And so,
I’ve gone for something short and sweet with my contribution to this week’s
excursion into poetic forms. I’ve elected to tackle the septolet.

Long Days

Days
that stretch

for

endless,
infinite hours

until
we are

together

alone
and naked.

The
septolet has fourteen words. It is broken between two stanzas that make up the
fourteen words. Each stanza can have seven words but that is not an essential requirement.
The division can take place where the poet decides.

Unclothed

Wearing
only

a
smile

you
have enchanted me

and
I offer

you
my heart.

Both
stanzas of the septolet deal with the same thought. Ultimately they create a
picture. Please take a shot at contributing a septolet to the
comments box below.

Ashley Lister

Ashley Lister is a UK author responsible for more than two-dozen erotic novels written under a variety of pseudonyms. His most recent work, a non-fiction book recounting the exploits of UK swingers, is his second title published under his own name: Swingers: Female Confidential by Ashley Lister (Virgin Books; ISBN: 0753513439) Ashley’s non-fiction has appeared in a variety of magazines, including Forum, Chapter & Verse and The International Journal of Erotica. Nexus, Chimera and Silver Moon have published his full-length fiction, with shorter stories appearing in anthologies edited by Maxim Jakubowski, Rachel Kramer Bussel and Mitzi Szereto. He is very proud to be a regular contributor to ERWA.

5 Comments

  1. Rachel Green

    Cooling Down

    Raised patches
    across her shoulderblades
    relate tales

    welts and bruises
    a deep sigh
    contentment

    Trust

    the merest brush
    against her feet
    his lips

    legs spread
    she closes her eyes

  2. Lisabet Sarai

    Mind's Eye

    leather cuffs
    ephemera
    of past night's passion

    her whip-kissed back
    arches again
    in memory

    This assumes of course that you're willing to accept "whip-kissed" as a single word!

  3. Ashley R Lister

    Rachel – I knew you'd have fun with this form. It's quite an unusual restriction, isn't it?

    Lisabet – I think whip-kissed works as a perfect compound. This is one of those exercises that gets us writers thinking about words in a different way to the usual approach.

    Ash

  4. David

    Sorry I am late to the party –

    Listening

    eyes closed
    lightly
    listening to her breathing

    sensing her effort
    straining
    against the bindings

    Feeling

    laying quietly
    on the couch
    her below

    arm dangling
    tracing her stomach
    muscles flexing

  5. Lisabet Sarai

    Rachel and David – lovely!

    Ash – funny thing about that poem. It was written from the perspective of the dominant (at least that's what I was thinking). After I finished, though, I realized it was perfectly ambiguous, that we could just as well be viewing the world through the mind's eye of the submissive. I do so love poetry!

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